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Here is all of Penn Center's rich past and present, as told through the experiences of its longtime Gullah inhabitants and visitors to St. Helena Island. It is the inspiring story behind the first school for former slaves, from the Civil War through the civil rights movement, illustrated in forty-two captivating photographs.
Hollowell was Georgia's chief civil rights attorney during the 1950s and 1960s. He defended African American men accused or convicted of capital crimes in a racially hostile legal system; represented movement activists arrested for their civil rights work; and fought to undermine the laws that maintained state-sanctioned racial discrimination.
The ring shout is the oldest known African American performance tradition surviving on the North American continent. Performed for the purpose of religious worship, this fusion of dance, song, and percussion survives today in the Bolton Community of McIntosh County, Georgia. Incorporating oral history, first-person accounts, musical transcriptions, photographs, and drawings, Shout Because Youre Free documents a group of performers known as the McIntosh County Shouters.Derived from African practices, the ring shout combines call-and-response singing, the percussion of a stick or broom on a wood floor, and hand-clapping and foot-tapping. First described in depth by outside observers on the sea islands of South Carolina and Georgia during the Civil War, the ring shout was presumed to have died out in active practice until 1980, when the shouters in the Bolton community first came to the publics attention.Shout Because Youre Free is the result of sixteen years of research and fieldwork by Art and Margo Rosenbaum, authors of Folk Visions and Voices. The book includes descriptions of present-day community shouts, a chapter on the history of the shouts African origins, the recollections of early outside observers, and later folklorists comments. In addition, the tunes and texts of twenty-five shout songs performed by the McIntosh County Shouters are transcribed by ethnomusicologist Johann S. Buis.Shout Because Youre Free is a fascinating look at a unique living tradition that demonstrates ties to Africa, slavery, and Emancipation while interweaving these influences with worship and oneness with the spirit.
This portfolio of eighty-three photographs provides a stunning celebration of African American achievement in the twentieth century. Carl Van Vechten took these photographs over the course of three decades. Included are images of such luminaries as W.E.B. Du Bois, Langston Hughes, Bessie Smith, Billie Holiday, Joe Louis, and James Baldwin.
"A Sarah Mills Hodge Fund publication"--Title page verso.
In 1834 Virgil Stewart rode from western Tennessee to a territory known as the ""Arkansas morass"" in pursuit of John Murrell, a thief accused of stealing two slaves. Stewart's adventure led to a sensational trial and a wildly popular published account that would ultimately help trigger widespread violence during the summer of 1835.
In 1942 Alice Allison Dunnigan, a sharecropper's daughter from Kentucky, made her way to the nation's capitol and a career in journalism that eventually led her to the White House. With Alone atop the Hill, Carol McCabe Booker has condensed Dunnigan's 1974 self-published autobiography to appeal to a general audience and has added scholarly annotations that provide historical context.
The spectacular 1848 escape of William and Ellen Craft from slavery in Macon, Georgia, is a dramatic story in the annals of American history. In Love, Liberation, and Escaping Slavery, Barbara McCaskill revisits this dual escape and examines the collaborations and partnerships that characterized the Crafts' activism for the next thirty years.
A collection of essays, poems, and letters, chronicling the effects of Hurricane Katrina on the Mississippi Gulf Coast.
Andrew Feiler's sixty stirring images of Atlanta's Morris Brown College and its physical decline, accompanied by the insightful essays that frame them, give us a new way to think about the too often troubled status of historically black colleges and universities.
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