Bøger i American Literature (Dalkey Archive) serien

And so begins the HooDoo Western by Ishmael Reed, author of Mumbo Jumbo and one of America's most innovative and celebrated writers. Reed demolishes white American history and folklore as well as Christian myth in this masterful satire of contemporary American life.In addition to the black, satanic Loop Garoo Kid, Yellow Back Radio Broke-Down features Drag Gibson (a rich, slovenly cattleman), Mustache Sal (his nymphomaniac mail-order bride), Thomas Jefferson and many others in a hilarious parody of the old Western.

From "Putting Things Away" to "The Marriage Almanac" (not to mention the pedantic "Index," in itself a comic wonder), Stanley Crawford gives the married, the unmarried, and the formerly married a classic satire on all the sanctimonious marriage manuals ever produced. Starting with the complete title, "Some Instructions to My Wife Concerning the Upkeep of the House and Marriage, and to My Son and Daughter Concerning the Conduct of Their Childhood," a boorish narrator sets down some seventy-three pieces of advice to his wife, young son, and two-year-old daughter, intended to foster and maintain domestic tranquility in an age of anxiety. Taken literally, our neo-Victorian head of the house is a male chauvinist pig of sorts, but what reader would deny that the sources of Crawford's satire run deep in the American grain?

A wild goose chase through a remarkably unusual world, The Conversions invites both reader and protagonist to participate in a quest for answers to an elusive game.

The long-awaited final work and magnum opus of one of the United Statess greatest authors, critics, and tastemakers, In Partial Disgrace is a sprawling self-contained trilogy chronicling the troubled history of a small Central European nation bearing certain similarities to Hungary-and whose rise and fall might be said to parallel the strange contortions taken by Western political and literary thought over the course of the twentieth century. More than twenty years in the making, and containing a cast of characters, breadth of insight, and degree of stylistic legerdemain to rival such staggering achievements as William H. Gass's The Tunnel, Carlos Fuentes's Terra Nostra, Robert Coover's The Public Burning, or Peter Nadas's Parallel Lives, In Partial Disgrace may be the last great work to issue from the generation that changed American letters in the '60s and '70s.

"Wright invites us to roam the cultures of the transatlantic world, to speak and know many tongues, to partake of the rituals through which we may be initiated into modes of individual and communal enhancement. In yet another age of great uncertainty, Wright enables us to imagine that breaking the vessels of the past is more an act of uncovering than of sheer destruction, and that we need not necessarily choose between an intellectual and a spiritual life, for both can still be had." -- Robert B. Stepto

In normal, everyday tones, a story is told by the perpetrator of triple incest: first with his mother as a child and a young man, then with his daughter as he grows into mature manhood, and finally with his sister in middle age. This primeval fairytale burns with an icy passion as the narrator switches roles along with familial relationships. The quasi-metaphysical lucidity with which he pursues his odd fate is eerie, particularly in light of his apparent innocence as to the perverse nature of his taboo attachments, and the theatrical artifice with which he pursues them. In the end, his passionate desire is so earnest that the reader is left to wonder if he is truly a monster or an innocent: who is directing whom?

Early in his career, Robert Creeley believed that his greatest contribution to literature would be in prose. Although he has since established himself as one of the most influential poets of the twentieth century, his remarkable body of prose work--instilled with a deep understanding of language and narrative form--remains an essential part of his oeuvre. In addition to his first book of short stories The Gold Diggers, a novel The Island, a radio play Listen, and Mabel: A Story, this omnibus edition includes two previously uncollected stories.

Taken from throughout Mills's career, the essays collected in this volume delve into the work of such influential writers as Wallace Stevens, Denise Levertov, Samuel Beckett, Galway Kinnell, Edith Sitwell, Theodore Roethke, Karl Shapiro, Richard Wilbur, Isabella Gardener, James Wright, David Ignatow, Donald Hall, Robert Bly, Philip Levine, and Stanley Kunitz. Mills examines how the personal element informs the works of these writers and enables them "to speak to us, without impediment, from the deep center of a personal engagement with existence."

Boswell is Stanley Elkin's first and funniest novel: the comic odyssey of a twentieth-century groupie who collects celebrities as his insurance policy against death. James Boswell--strong man, professional wrestler (his most heroic match is with the Angel of Death)-- is a con man, a gate crasher, and a moocher of epic talent. He is also the hero of one of the most original novel in years ( Oakland Tribune)--a man on the make for all the great men of his time--his logic being that if you can't be a lion, know a pride of them. Can he cheat his way out of mortality?

In this complex novel, a gay man who has fled the violence of the city for an island retreat spends his time keeping a journal and writing stories. He invents a female alter-ego who haunts him, as does the ghost of the murderer who occupied his house in the 19th century; ultimately these hauntings are manifestations of his own psychic disintegration. Considered by many to be Dowell¿s finest achievement, Island People conveys the fragmentation that results from prolonged isolation.

C. S. Giscombe's Here is a long, single poem that takes place in three settings, three "unlikely locations": the edges of the urban south, the edges--just beyond and just within the city--of rural Ohio, and the places where upstate New York forms the border with Canada, "the next country." Here is racial in its knowledge and acknowledgment of the great geographic archetype, the journey north; yet the work's nature denies the closure of destination. The poem's interest instead is in statement(s) of situation, in "the path traced by a moving point."

Paying homage to the Italian-American experience, Italian Stories celebrates an Italian neighbourhood in the Bronx during the 1930s and '40s, and mourns the loss of this ethnic identity with the migration of subsequent generations to the suburbs. With stories that are both melancholy and comic, Papaleo here explores the contradictory desires of assimilation: his characters want to live the life of the average American while maintaining a strong link to their rich heritage. In addition, Papaleo rails against the damaging stereotypes of Italian-Americans propagated by the media in movies and television.