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In 2010, the Newseum in Washington D.C. finally obtained the suit O. J. Simpson wore in court the day he was acquitted, and it now stands as both an artifact in their "e;Trial of the Century"e; exhibit and a symbol of the American media's endless hunger for the criminal and the celebrity. This event serves as a launching point for Ishmael Reed's Juice!, a novelistic commentary on the post-Simpson American media frenzy from one of the most controversial figures in American literature today. Through Paul Blessings-a censored cartoonist suffering from diabetes-and his cohorts-serving as stand-ins for the various mediums of art-Ishmael Reed argues that since 1994, "e;O. J. has become a metaphor for things wrong with culture and politics."e; A lament for the death of print media, the growth of the corporation, and the process of growing old, Juice! serves as a comi-tragedy, chronicling the increased anxieties of "e;post-race"e; America.
The denizens of Kelton, New York - a bedroom community some fifty miles from Manhattan - are a well-heeled bunch who spend an awful lot of time playing rummy. There is Alice, an unfulfilled cellist, and her complacent brother Marshall, who doesn't like his friends to confide in him. There are the bumbling and overindulged Fabia and Victor, another sibling duo, and their friend Irving, a meek mama's boy. Into their cloistered lives come Claire and Nadia Tosti, two sisters from Paris, whose take-charge tactics stir the winds of enterprise, romance, and change. Through them, Alice is led to a swarthy Italian who helps her orchestrate a successful restaurant business. Irving pairs up with Claire, finally winning freedom from his eccentric, cat-loving mother. Victor embraces Nadia and the antiques trade, while Fabia discovers a potential romance with Victor's French pen pal. Only Marshall finds himself eluded by love, a predicament that will lead him from the snug environs of Kelton to the crude energies of the Midwest. In bistros, galleries, bars, and theaters, the protagonists eat, drink, criticize each other, and debate the worlds of art, music, literature, life, and love.
Collecting twenty essays written by distinguished scholars from the United States and Germany, The Holodeck in the Garden offers an informative tour of the complex interrelations between science, technology, and contemporary American literature.
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