Bøger i American Poets Project serien

The first important American Jewish poet, Emma Lazarus is remembered above all for her classic sonnet "The New Colossus," whose phrases ("Give me your tired, your poor.") have become part of the American language. In this new selection of Lazarus's work, John Hollander demonstrates that in her relatively brief life she achieved real poetic mastery in a variety of modes.In early poems like "Phantasies" and "Symphonic Studies," she explored fluently imagined inner landscapes suggested by the music of Schumann. Later, her deepening interest in Jewish history and culture was expressed in such powerful poems as "1492," "The New Ezekiel," and "The Guardian of the Red Disk." Influenced both by American models, among them her poetic mentor Emerson, and by the poets whose work she translated, including Heinrich Heine and the medieval Hebrew poets Solomon Ibn Gabirol and Judah ha-Levi, she forged a poetic style of high technical accomplishment and moral passion.Long neglected, her work is revealed in this volume as an important contribution to American poetry.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

Stephen Foster is the trunk of the tree of American song. His blackface minstrel songs, including "Oh! Susanna," "Old Folks at Home" ("Way down upon the Swanee River…"), and "My Old Kentucky Home," and his parlor ballads, such as "Jeanie with the Light Brown Hair," and "Beautiful Dreamer," have inspired composers, songwriters, and performers from Charles Ives and George Gershwin to Ray Charles and James Taylor. Foster devoted as much care and craft to his lyrics as he did to his timeless melodies.In this comprehensive new selection, acclaimed music historian Ken Emerson introduces and annotates the lyrics to more than thirty of Foster's best and best-known songs. These masterpieces by America's first full-time professional songwriter, forebear of Irving Berlin, Hoagy Carmichael, Carole King, and Bob Dylan, have been so deeply absorbed into our culture that they are often assumed to be folk music. Alongside are fifty other 19th-century American popular songs that influenced Foster or that he in turn influenced, from "Home! Sweet Home!" in the 1820s to "Western Home" (the original "Home on the Range") in the 1870s.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

With the publication of Chicago Poems in 1916, Carl Sandburg became one of the most famous poets in America: the voice of a Midwestern literary revolt, fusing free-verse poetics with hard-edged journalistic observation and energetic, sometimes raucous protest. By the time his first book appeared, Sandburg had been many things-a farm hand, a soldier in the Spanish-American War, an active Socialist, a newspaper reporter and movie reviewer-and he was determined to write poetry that would explode the genteel conventions of contemporary verse. His poems are populated by factory workers, washerwomen, crooked politicians, hobos, vaudeville dancers, and battle-scarred radicals. Writing from the bottom up, bringing to his poetry the immediacy of America's streets and prairies, factories and jails, Sandburg forged a distinctive style at once lyrical and vernacular, by turns angry, gritty, funny, and tender. Paul Berman takes a fresh look at Sandburg's work and what it can tell us about twentieth-century America in a volume that draws on such volumes as Cornhuskers, Smoke and Steel, and Slabs of the Sunburnt West.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

Discover the most enduring works of legendary poet Gwendolyn Brooks-the first black author to win a Pulitzer Prize-in one collectible volume"If you wanted a poem," wrote Gwendolyn Brooks, "you only had to look out of a window. There was material always, walking or running, fighting or screaming or singing." From the life of Chicago's South Side she made a forceful and passionate poetry that fused Modernist aesthetics with African-American cultural tradition, a poetry that registered the life of the streets and the upheavals of the 20th century. Starting with A Street in Bronzeville (1945), her epoch-making debut volume, The Essential Gwendolyn Brooks traces the full arc of her career in all its ambitious scope and unexpected stylistic shifts."Her formal range," writes editor Elizabeth Alexander, "is most impressive, as she experiments with sonnets, ballads, spirituals, blues, full and off-rhymes. She is nothing short of a technical virtuoso." That technical virtuosity was matched by a restless curiosity about the life around her in all its explosive variety. By turns compassionate, angry, satiric, and psychologically penetrating, Gwendolyn Brooks's poetry retains its power to move and surprise.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

From first to last, poetry was part of Edith Wharton's writing life. While rarely (after early youth) her primary focus, it always served her as a medium for recording the most vivid impressions and emotions, an intimate journal of longings and regrets. "Poetry was important to Wharton," writes editor Louis Auchincloss, "because it enabled her to express the deeply emotional side of her nature that she kept under such tight control, not only in her life but in the ordered sweep of her fiction."In later years her poetry also engaged with the public passions of wartime, as she found herself involved with the plight of Allied soldiers in France. Her first models were Romantic, but in the course of her life she absorbed the influences of Symbolism and Modernism; and throughout her poetic career she showed a care for form even in her most private utterances, as in the erotic ode "Terminus," never published in her lifetime. This volume collects the bulk of Wharton's significant poetry, including much work previously uncollected or unpublished.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

Writers on both sides of the American Civil War "brought to the crisis" (in editor J. D. McClatchys' words) "poetry's unique ability to stir the emotions, to freeze the moment, to sweep the scene with a panoramic lens and suddenly swoop in for a close-up of suffering or courage." This vibrant collection brings together the most memorable and enduring work inspired by the conflict: the masterpieces of Whitman and Melville, Sidney Lanier on the death of Stonewall Jackson, the anti-slavery poems of Longfellow and Whittier, the front-line narratives of Henry Howard Brownell and John W. De Forest, the anthems of Julia Ward Howe and James Ryder Randall. Grief, indignation, pride, courage, patriotic fervor, ultimately reconciliation and healing: the poetry of the Civil War evokes unforgettably the emotions that roiled America in its darkest hour.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

The poetry of Muriel Rukeyser confronts the turbulent currents of 20th-century history, as it explores with depth and honesty the realms of politics, sexuality, mythic imagination, technological change, and family life. She was a social activist of unwavering commitment, a tireless experimenter who opened fresh forms and fresh subject matter in modern American poetry, and a writer who was constantly testing her own limits in a life's work of extraordinary scope."She refused to compartmentalize herself or her work," writes editor Adrienne Rich, "claiming her right to intellect and sexuality, poetry and science, Marxism and myth, activism and motherhood, theory and vision. . . . She was one of the great integrators, seeing the fragmentary world of modernity not as irretrievably broken, but in need of societal and emotional repair." This new selection provides an indispensable introduction to her adventurous and prolific work.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.

Poet, journalist, and crime novelist, Kenneth Fearing wrote poems filled with the jargon of advertising and radio broadcasts and tabloid headlines, sidewalk political oratory, and the pop tunes on the jukebox. Seeking out what he called "the new and complex harmonies . . . of a strange and still more complex age," he evoked the jitters of the Depression and the war years in a voice alternately sardonic and melancholy, and depicted a fragmenting urban world bombarded by restless desires and unnerving fears.But, in the words of editor Robert Polito, "Fearing's poems carry no whiff of the curio or relic. If anything, his poems . . . insinuated an emerging media universe that poetry still only fitfully acknowledges." This new selection foregrounds the energy and originality of Fearing's prophetic poetry, with its constant formal experimenting and its singular note of warning: "We must be prepared for anything, anything, anything." As a chronicler of mass culture and its discontents, Fearing is a strangely solitary figure who cannot be ignored.About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.