Bøger i Anthem Scholarship in the Digital Age serien

There was never such a thing as true freedom of speech. In the past, in order to speak freely you had to have access to a printing press, a newspaper, a radio or a TV station. And everywhere you had to get past the editors. Only members of the elite ever did the articulate and well-behaved 'representatives' of ordinary people. But those ordinary people hardly, if ever, had a chance to speak publicly and freely. Until now. The age of blogging has begun. The internet revolution has given us all a chance to be irreverent, blasphemous and ungrammatical in public. We can reveal secrets, blow whistles, spill beans or just make stuff up. The old elites don't like it. In fact, they really, really hate it. Blogs are commonly shut down, and bloggers are silenced, reprimanded and fired from their jobs. Suddenly modern liberal society reveals a repressive face that few of us knew existed. Should we behave ourselves? Should we fall silent? Absolutely not! Let's call them on their hypocrisy. Let's demand that modern liberal society lives by the principles it claims to embrace. Bloggers of the world, unite! You have nothing to lose but your gags.

‘Reading by Numbers: Recalibrating the Literary Field’ proposes and demonstrates a new digital approach to literary history. Drawing on bibliographical information on the Australian novel in the AustLit database, the book addresses debates and issues in literary studies through a method that combines book history’s pragmatic approach to literary data with the digital humanities’ idea of computer modelling as an experimental and iterative practice. As well as showcasing this method, the case studies in ‘Reading by Numbers’ provide a revised history of the Australian novel, focusing on the nineteenth century and the decades since the end of the Second World War, and engaging with a range of themes including literary and cultural value, authorship, gender, genre and the transnational circulation of fiction. The book’s findings challenge established arguments in Australian literary studies, book history, feminism and gender studies, while presenting innovative ways of understanding literature, publishing, authorship and reading, and the relationships between them. More broadly, by demonstrating critical ways in which the growing number of digital archives in the humanities can be mined, modelled and visualised, ‘Reading by Numbers’ offers new directions and scope for digital humanities research.

Publishing is in crisis. Publishing has always been in crisis, but today's version, fuelled by the digital boom, has some frightening symptoms. Trade publishers see their mid-lists hollowed, academic customers face budgetary pressures from higher education spending cuts, and educational publishers encounter increased competition across their markets. But over the centuries, forced change has been the norm for publishers. Somehow, they continue to adapt.This ground-breaking study, the first of its kind, outlines a theory of publishing that allows publishing houses to focus on their core competencies in difficult times while building a broader notion of what they are capable of. Tracing the history of publishing from the press works of fifteenth-century Germany to twenty-first-century Silicon Valley, via Venice, Beijing, Paris and London, 'The Content Machine' offers a new understanding of media and literature, analysing their many connections to technology and history. In answer to those who insist that publishing has no future in a digital age, this book gives a rejuvenated identity to this ever-changing industry and demonstrates how it can survive and thrive in a period of unprecedented challenges.

This book explores the history of hypertext, an influential concept that forms the underlying structure of the World Wide Web and innumerable software applications. Barnet combines an analysis of contemporary literature with her exclusive interviews with those at the forefront of the hypertext innovation. She tells both the human and the technological story, tracing its path back to an analogue device imagined by Vannevar Bush in 1945, before modern computing had happened.'Memory Machines' offers an expansive record of hypertext over the last 60 years, pinpointing the major breakthroughs and fundamental flaws in its evolution. Barnet argues that some of the earliest hypertext systems were more richly connected and in some respects more flexible than the Web; this is also a fascinating account of the paths not taken.Barnet ends the journey through computing history at the birth of mass domesticated hypertext, at the point that it grew out of the university labs and into the Web. And yet she suggests that hypertext may not have completed its evolutionary story, and may still have the capacity to become something different, something much better than it is today.