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AN ASKEW VIEW 2: THE FILMS OF KEVIN SMITH REVISED AND UPDATED EDITION

When CLERKS opened at cinemas across the country in 1994, it took everyone, especially the film industry, by surprise. Filmed on a shoestring budget after hours at a convenience store, it was crude (in technique and language), realistic and, above all, hilarious. The movie''s nationwide success helped launch the indepedent film boom of the 1990s and catapulted its director, Kevin Smith, to full-fledged stardom. Smith''s work is explored in AN ASKEW VIEW, the first ever study of his films. John Kenneth Muir examines all of Smith''s movies. including MALLRATS, CHASING AMY, and the hugely controversial and variously interpreted DOGMA. Muir discusses Smith''s themes and obsessions in depth: his New Jersey boosterism, the cast of characters that pop in and out of all of his films, and the references to STAR WARS and other icons of pop culture. AN ASKEW VIEW is a fascinating and detailed history of the art of this visionary filmmaker, New Jersey''s favorite local-boy-makes-good since Bruce Springsteen.

SOUND OF THEIR MUSIC THE STORY OF RODGERS & HAMMERSTEIN

Combine Kafka''s eerie vision with a soulless world run by computers and the result is this comic nightmare of a play. Strand''s play - revolving around a bug in the system - premiered at the Actor''s Theatre in Louisville Humana Festival, and has been produced by other theatres across the country.

THE TELEVISION PLAYS OF PADDY CHAYEFSKY

35 scenes from Shakespeare are presented in newly-edited texts with notes which clarify meanings topical references puns ambiguities etc. A brief description of characters and situation prefaces each scene and is followed by a commentary which discusses its major acting challenges and opportunities. Each scene has been chosen for its independent life requiring only the simplest of stage properties and the barest of spaces.

STONES IN HIS POCKETS

THE BEST AMERICAN SHORT PLAYS: 2011--2012

The rise of Golda Meir from impoverished Russian schoolgirl to Prime Minister of Israel is one of the most amazing stories of the 20th century. Now her life has been transformed into a one-woman play of overwhelming power and triumph by William Gibson, author of The Miracle Worker. Golda's Balcony earned actress Tovah Feldshuh a 2003 Drama Desk award."Enlightening ... Now, hearing from someone who was there at the birth of the country, who sacrificed to make that happen, helps remind us where the Middle East standoff came from and why it never seems to end."- The New York Times"A valentine to the famously tough prime minister."- New York Post

Gloumov, (the protagonist) has not only become an eduring character on the Russian stage, but the abstract noun derived from his name, gloumovshchina (or gloumovism), has entered the language. As long as ambitious young men with brains and talent can most readily achieve success by selling themselves and betraying their better natures, gloumovism will thrive. Transitional societies have a special need of Gloumov to keep things moving - as well as to maintain equilibrium - since the actor-opportunist will further any cause, switch positions overnight, defend opposite sides of the same issue, and turn his coat with every wind until he almost becomes the coat. - from the Afterword by Daniel Gerould

BEFORE BRECHT

LIFE IS A DREAM

FILM SCRIPTS FOUR

FILM SCRIPTS TWO

David Rothenberg's multilayered life thrust him into Broadway's brightest lights, prison riots, political campaigns, civil rights sit-ins, and a Central American civil war. In his memoir, Fortune in My Eyes, his journey includes many of the most celebrated names in the theater: Richard Burton, Elizabeth Taylor, Bette Davis, Sir John Gielgud, Peggy Lee, Alvin Ailey, Lauren Bacall, Christine Ebersole, and numerous others.He produced an Off-Broadway prison drama, Fortune and Men's Eyes, which reshaped his life. John Herbert's chilling play led directly to the creation of the Fortune Society, which has evolved into one of the nation's most formidable advocacy and service organizations in criminal justice.Rothenberg was Elizabeth Taylor's opening night date at the Richard Burton Hamlet - a distant cry from his entering Attica prison during that institution's famed inmate uprising; these are just two of the experiences revealed in this memoir. As a theater publicist and producer - and as a social activist - he shares experiences with politicians and with anonymous men and women, out of prison, who have fought to reclaim their lives. The human drama of the formerly incarcerated that unfolds in this book is a match for many of the entertainment world's most fabled characters.

The complete script to the critically acclaimed play.

Available for the First Time in Paperback!ÞFrom Aristotle''s ÊPoeticsÊ to Vaclav Havel the debate about the nature and function of theatre has been marked by controversy. Daniel Gerould''s landmark work ÊTheatre/Theory/TheatreÊ collects history''s most influential Eastern and Western dramatic theorists ä poets playwrights directors and philosophers ä whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold and writers such as Nietzsche and Yeats. Each of Gerould''s introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka Corneille to Brecht this is an indispensable compendium of the greatest dramatic theory ever written.

THE MOTHER AND OTHER UNSAVORY PLAYS

INSPECTOR AND OTHER PLAYS

PLAYWRIGHT'S WORKBOOK

173 B/W PHOTOS

What does a producer actually do? How does one travel from that great idea for a show to a smash hit opening night on Broadway? John Breglio cannot guarantee you a hit but he does take the reader on a fascinating journey behind-the-scenes to where he himself once stood as a child dreaming about the theatre.ÞPart memoir part handbook ÊI Wanna Be a ProducerÊ is a road map to the hows and wherefores the dos and don''ts of producing a Broadway play written by a Broadway veteran with more than 40 years of experience. This comprehensive and highly informative book features practical analysis and concepts for the producer ä and is filled with entertaining anecdotes from Breglio''s illustrious career as a leading theatrical lawyer and producer. Breglio recounts not only his first-hand knowledge of the crucial legal and business issues faced by a producer but also his experiences behind the scenes with literally hundreds of producers playwrights composers and directors including such theatre luminaries as Michael Bennett Joe Papp Stephen Sondheim Andrew Lloyd Webber Patti Lupone August Wilson and Mel Brooks. Whether you are a working or aspiring producer an investor or are just curious about the backstage reality of the theater Breglio shares his knowledge and experience of the industry conveying practical information set against the real-life stories of those who have devoted their lives to the craft.

A documented screenplay of the Oliver Stone film complete with historical annotation with 340 research notes and 97 reactions and commentaries by Norman Mailer Tom Wicker Gerald R. Ford and many others.ÞÞ It''s a lesson in craft to watch ÊJFKÊ on video while reading along charting what got cut softened and rethought. äÊEntertainment WeeklyÊ

ENVIRONMENTAL THEATRE

In 1971, college student Ted Chapin found himself front row center as a production assistant at the creation of one of the greatest Broadway musicals, Follies. Needing college credit to graduate on time, he kept a journal of everything he saw and heard and thus was able to document in unprecedented detail how a musical is actually created. Now, more than thirty years later, he has fashioned an extraordinary chronicle. Follies was created by Stephen Sondheim, Hal Prince, Michael Bennett, and James Goldman - giants in the evolution of the Broadway musical and geniuses at the top of their game. Everything Was Possible takes the reader on a roller-coaster ride, from the uncertainties of casting to drama-filled rehearsals, from the care and feeding of one-time movie and television stars to the pressures of a Boston tryout to the exhilaration of opening night on Broadway. Foreword by long-time NY critic Frank Rich.