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This volume brings together Laleen Jayamanne's discussions of Australian films, Sri Lankan films, European art films, silent film comedy, contemporary American films, and her own films. She addresses a number of issues that have been crucial areas of contention in film studies over the years.
Questions aspects of cultural politics, including the legacies of European imperialism and colonialism, the media, pedagogy, literature, literacy, sexuality, intellectual labour, the uses and abuses of theory, and popularized notions about 'others'. This book sets up an oppositional discursive space in the midst of these new solidarities.
Framed by a critique of the temporality of US television, this title offers a narrative journey between Freuds texts on obsession and the cult of anxiety pervading contemporary culture.
Charts the hidden history of amateur film, examining how ideological, technical, and social constraints have stunted amateur film's potential for extending media production beyond corporate monopolies and into the hands of everyday people.
Documents how movies of the fifties represented masculinity as a multiple masquerade. This book juxtaposes Hollywood's narratives of masculinity against the personae of leading men like Cary Grant, Humphrey Bogart, John Wayne, Charlton Heston, Yul Brynner, William Holden, Montgomery Clift, Marlon Brando, and Rock Hudson.
A unique perspective on the social history and cultural complexity of Afro-Brazilian dance.
Cultural studies at the intersections of global media and everyday life: the Gulf War, the Beijing massacre, the fall of the Berlin Wall, the stock market crash of 1987.
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