Bøger i Bernard Shaw and His Contemporaries serien

This book combines the insights of thirteen Shavian scholars as they examine the themes of marriage, relationships and partnerships throughout all of Bernard Shaw's major works.

Dismantling the notion that Shaw distorted Ibsen to promote his own view of the world, and establishing Shaw's initial interest in Ibsen as the poet of Peer Gynt, it chronicles Shaw's important role in the London Ibsen campaign and exposes the falsity of the tradition that Shaw branded Ibsen as a socialist.

¿This project is the first to explore how Bernard Shaw intersects constructively with automata, robots and artificial intelligence (AI). Shaw was born in the golden age of the automaton. His Bible on the Life Force and Creative Evolution, Back to Methuselah, was written when Karel and Josef ¿apek coined the word ¿robot.¿ Shaw¿s life ran in parallel with the rise of AI, and the big names in AI were his contemporaries. Moreover, empirical analyses of Shavian texts and images using AI uncovers possibilities for new interpretations, demonstrating how future renditions of his works may make use of these advanced technologies to broaden Shaw¿s audience, readership and scholarship.

This book explores a heretofore unremarked linkage between Bernard Shaw, the twentieth-century French thinker Paul Ricoeur, and Jesus of Nazareth. The ties that bind them are a foundational interest in the social teachings of the Nazarene and their use of a shared dialectics with respect to living the kind of compassionate life that holds out the promise in our contemporary world of achieving something approximating universal wellness on a healthy planet at peace with itself. This work argues that the three principal subjects of the study¿independently of one another¿used the same dialectical method to reach the same dialectically derived conclusion about how humans can live redemptively in a fractured world.

Shaw emerged as a playwright in the politically charged environment of 1892, for both female suffrage and Irish independence. His plays quickly advocated for societal changes with regard to women¿s roles, while expanding this advocacy into considerations of Ireland. Shaw¿s engagement with marriage and union as a personal contract with nationhood have never before been considered as a methodology with which to view his work. This book demonstrates that Shaw was deeply engaged with and committed to the Irish question and to social and gender issues.

Unions, Strikes, Shaw: 'The Capitalism of the Proletariat' is the first book to treat Bernard Shaw-socialist, dramatist, public speaker and union member-in relation to unions and strikes. For over half a century he urged workers to join unions, which he called, paradoxically, "e;the Capitalism of the Proletariat,"e; because as capitalists try to get as much labor as possible from workers while paying them as little as possible, unions try to gain as high wages as possible from employers while working as little as possible. He opposed general strikes as destined to fail, since owners can hold out longer than workers, whose unions have less money to support them during strikes. This book offers background on major strikes in and before Shaw's time -including the Colorado Coalfield War and the Dublin Lockout, both in 1913-before analyzing the causes, day-by-day events and consequences of Britain's 1926 General Strike. It begins and ends with examinations of their and Shaw's relevance to actions on unions and strikes in our own time.

This book details the Irish socialistic tracks pursued by Bernard Shaw and Sean O¿Casey, mostly after 1916, that were arguably impacted by the executed James Connolly. The historical context is carefully unearthed, stretching from its 1894 roots via W. B. Yeats¿ dream of Shaw as a menacing, yet grinning sewing machine, to Shaw¿s and O¿Casey¿s 1928 masterworks. In the process, Shaw¿s War Issues for Irishmen, Annajanska, the Bolshevik Empress, The Tragedy of an Elderly Gentleman, Saint Joan, The Intelligent Woman¿s Guide to Socialism and Capitalism, and O¿Casey¿s The Story of the Irish Citizen Army, The Shadow of a Gunman, Juno and the Paycock, The Plough and the Stars, and The Silver Tassie are reconsidered, revealing previously undiscovered textures to the masterworks. All of which provides a rethinking, a reconsideration of Ireland¿s great drama of the 1920s, as well as furthering the knowledge of Shaw, O¿Casey,and Connolly.

This book explores, through a multidisciplinary approach, the immense influence exerted by Bernard Shaw on the Spanish-speaking world on both sides of the Atlantic. This collection of essays encompasses the reception and dissemination of his ideas; the translation of his works into Spanish; the performance history of his plays in Spain and Latin America; and Shaw¿s influence on many key figures of literature in Spanish. It begins by delving into Shaw¿s knowledge of Spanish literature and gauging his acquaintance with the Spanish cultural milieu throughout his tenure as an art, music, and theatre critic. His early exposure to Spanish-speaking culture later made the return trip in the form of profuse critical reception and theatrical success in countries like Spain, Argentina, Mexico, and Uruguay. This allows for a more detailed investigation into the unmistakable mark that Bernard Shaw left in the oeuvre of leading Spanish-speaking authors like Ramiro de Maeztu, Jorge Luis Borges or Nemesio Canales. This volume also assesses the translations of Shaw¿s works into Spanish¿while also providing a detailed publication history of these translations.

This book examines plays produced in England in the 1890s and early 1900s and the ways in which these plays responded to changing perceptions of marriage. In their plays, theater became a forum for debating the problems of traditional marriage and envisioning alternative forms of partnership.

This book examines the figure of Joan of Arc as depicted in stage works of the nineteenth and twentieth centuries, especially those based on or related to Schiller's 1801 romantic tragedy, Die Jungfrau von Orleans (The Maid of Orleans).

This book is an anthology focused on Shaw's efforts, literary and political, that worked toward a modernizing Ireland. Locating Shaw within the march towards modernizing Ireland furthers the recent efforts to secure Shaw's place within the Irish spheres of literature and politics.

This book details the Irish socialistic tracks pursued by Bernard Shaw and Sean O¿Casey, mostly after 1916, that were arguably impacted by the executed James Connolly. The historical context is carefully unearthed, stretching from its 1894 roots via W. B. Yeats¿ dream of Shaw as a menacing, yet grinning sewing machine, to Shaw¿s and O¿Casey¿s 1928 masterworks. In the process, Shaw¿s War Issues for Irishmen, Annajanska, the Bolshevik Empress, The Tragedy of an Elderly Gentleman, Saint Joan, The Intelligent Woman¿s Guide to Socialism and Capitalism, and O¿Casey¿s The Story of the Irish Citizen Army, The Shadow of a Gunman, Juno and the Paycock, The Plough and the Stars, and The Silver Tassie are reconsidered, revealing previously undiscovered textures to the masterworks. All of which provides a rethinking, a reconsideration of Ireland¿s great drama of the 1920s, as well as furthering the knowledge of Shaw, O¿Casey,and Connolly.

This book is an anthology focused on Shaw's efforts, literary and political, that worked toward a modernizing Ireland. Locating Shaw within the march towards modernizing Ireland furthers the recent efforts to secure Shaw's place within the Irish spheres of literature and politics.

This book charts how promotional campaigns in which Bernard Shaw participated were key crucibles within which agency and personality could re-negotiate their relationship to one another and to the consuming public.

This book traces the effects of materiality - including money and its opposite, poverty - on the psychical lives of George Bernard Shaw and his characters.

This book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin.

This book explores how Edwardian art writing shaped and narrated embodied, performative forms of aesthetic spectatorship.

This book is the first comprehensive critical assessment of the aesthetic and social ideals of Lady Augusta Gregory, founder, patron, director, and dramatist of the Abbey Theatre in Dublin.

This book charts how promotional campaigns in which Bernard Shaw participated were key crucibles within which agency and personality could re-negotiate their relationship to one another and to the consuming public.

This book traces the effects of materiality - including money and its opposite, poverty - on the psychical lives of George Bernard Shaw and his characters.

This book presents him in the context of his contemporaries and his world, inviting readers to view crimes and punishments in their context, history, and relevance to his ideas in and outside his plays, plus the relevance of his ideas to crimes and punishments in life.

This book combines the insights of thirteen Shavian scholars as they examine the themes of marriage, relationships and partnerships throughout all of Bernard Shaw's major works.

This book explores Bernard Shaw's journalism from the mid-1880s through the Great War-a period in which Shaw contributed some of the most powerful and socially relevant journalism the western world has experienced.

This book asserts the extraordinary quality of mid-twentieth century playwright Terence Rattigan's dramatic art and its basis in his use of subtext, implication, and understatement. New here is the exploration through close analysis of Rattigan's style of writing dialogue and speeches, and how that style expresses Rattigan's sense of life.

Using close readings of Shaw's plays and letters, as well as archival research, David Clare illustrates that Shaw regularly placed Irish, Irish Diasporic, and surrogate Irish characters into his plays in order to comment on Anglo-Irish relations and to explore the nature of Irishness.