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Examines how questions of understanding the pictorial and narrative arts relate to central themes in philosophy. This book addresses such issues as how pictorial and narrative arts can be usefully contrasted and compared.
Introduces Collingwood to students of philosophy through direct engagement with his arguments. This text takes the form of a conversation with Collingwood on the topics that interested him, including: philosophy and method; philosophy of mind; language and logic; and the historical imagination.
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