Bøger i Brown Thrasher Books serien

THROUGH THE SUMMER TWILIGHT in the Depression-era South, word begins to circulate of a black man accosting a white woman. In no time the awful forces of public opinion and political expediency goad the separate fears and frustrations of a small southern community into the single-mindedness of a mob.Erskine Caldwell shows the lynching of Sonny Clark through many eyes. Caldwell reserves some of his most powerful passages for the few who truly held Clark's life in their hands but let it go: people like Sheriff Jeff McCurtain, who did nothing to disperse the mob; Harvey Glenn, who found Clark hiding and turned him in; and Katy Barlow, who withdrew her false charge of rape only after Clark was dead.

Drawn from firsthand experience, A Circuit Rider's Wife is the fictionalized account of how Corra Harris sometimes followed, sometimes guided her husband through his missionary work in the north Georgia mountains. All along the hard-scrabble Redwine circuit the story vividly brings alive the strivings and strayings of an itinerant country preacher's restless flocks with warmth and humor.

Lyddy: A Tale of the Old South is a fictional reconstruction of antebellum life in the historic Midway community of Liberty County, Georgia, home of some of the Old South's wealthiest planters. Originally published in 1898, this blend of fiction and memoir looks through the eyes of a white plantation mistress at her family plantation, her marriage, slave life, and the destruction of the plantation economy that took place when Sherman's army arrived in December 1864. Writing in response to Harriet Beecher Stowe's Uncle Tom's Cabin, Eugenia Jones Bacon sought to represent plantation life as she had experienced it. Bacon's story provides a window on slave marriages, the retention of African folklore among coastal Georgia slaves, and the change in relations between masters and slaves after the Civil War.

Reconciliation and remembering are the forces at work in Inheritance of Horses. In these essays, James Kilgo seeks the common ground between his roles as a man, as husband and father, and as heir to his family legacy. Pausing at mid-life to make an eloquent, understated stand against our eras rootlessness, he honors friendship, kinship, nature, and tradition.In the opening section, Kilgo focuses on the tension between his need for ritualistic male camaraderie and his familial obligations. Searching the woods for arrowheads, sitting around the dinner table at a hunting lodge, or careening down an abandoned logging road in a pickup, he seems ever-prone to the intrusions of domesticity and civilization: a sudden memory of miring the family station wagon in the sand on a beach trip, an encounter with a couple on their sixtieth wedding anniversary, a stream littered with trash and stocked with overbred hatchery trout.Restlessness and responsibility converge and again clash in the second series of essays, in which domestic themes are explored in settings that range from Kilgos own living room to Yellowstone Park and the deep waters off the Virgin Islands. Through such images as a hornets nest, a gale-force storm, a grizzly bear, and a marlin, Kilgo gauges the strengths and vulnerabilities of his family and moves toward an existence that is part of, not apart from, the women in his life.The long title essay composes the books final section. Reading through a cache of letters exchanged between his two grandfathers, Kilgo recovers and revises his memories of them. What he learns of their open, passionate friendship reveals an essentially feminine aspect of their patriarchal natures, enriching, but also confusing, Kilgos earlier understanding of who they were. As some of the more unhappy or unpleasant details of his grandfathers lives come to light, they first heighten, then assuage, Kilgos ambivalence about a family heritage built as much on myth as on truth.The manner in which Kilgo makes such intensely personal concerns so broadly relevant accentuates what might be called the told, rather than the written, quality of Inheritance of Horses. He is foremost a storyteller, working in a style that is classically southern in its pacing and its feel for the land, but all his own in its restrained humor and lack of self-absorption. Guided by a storytellers respect for common people and common feelings, Kilgo never prescribes or moralizes but rather brings us to places where principled choices can be made about what we need and value most in our lives.

An ethnographic study of Snowbird, North Carolina, a remote mountain community of Cherokees who are regarded as the most traditional, but also the most adaptive, members of the entire tribe. Neely explains this paradox and portrays the inhabitants' daily lives and culture.

This novel introduces the philandering, murderous itinerant preacher, Semon Dye. Part allegory, part tall tale, and with a good measure of old frontier humour, ""Journeyman"" tells of a stranger, as devilish as he is divine.

Based mainly on detailed journals and letters written by the Salzburgers' pastor, Johann Martin Boltzius, this work describes the expulsion of the Salzburger emigrants, their journey to Georgia, the hardships they endured, and their eventual success.

A graphic portrayal of the sharecropper's plight. This book documents the living conditions of the sharecroppers, America's poor rural underclass. Supported by commentary, the poor tell how the tenant system exploited whites and blacks alike and fostered animosity between them.

The author of this book recalls his boyhood during the 1950s in the small hometown of Wade, North Carolina, where whites and blacks lived and worked within each other's shadows.

A candid account of James Kilgo's African sojourn, conveying the untamed beauty of the bush country with the attention of a seasoned naturalist and the wonder of a first-time visitor. Kilgo recalls what Africa revealed to him and reflects on the customs and beliefs that were all around him.

This is Burns' story of his escape from a Georgia chain gang in 1921, after being sentenced to six to ten years' hard labour for robbery. He lived as a free man for seven years before being recaptured and returned to the chain gang. Escaping again, he was a fugitive when his story was published.

Concentrating on the generation of women writers who came of age in the post-World War II South, this work considers the ways in which the women writers of the present generation reflect, expand, transform and redefine the notions of regional culture and womanhood.

As the foremost translator of thirteenth-century mystic poet Jalal Al-Din Rumi, Coleman Barks reaches a devoted, inspired, and ever-widening international audience. Yet the foundation for Barks's work as a translator is his own significant body of work as a poet. Winter Sky offers a selection from Barks's seven previously published books combined with a group of new poems.

Published in 1895 as a souvenir of the Woman's Building at the Cotton States and International Exposition held in Atlanta, this charming cookbook offers readers an opportunity to try recipes that were favorites of their grandmothers and great-grandmothers.

Part history and part meditation, Down to Now is a southern journalist's intensely personal account of the civil rights movement in the South during the 1960s. First published in 1971 and written mostly from the author's own recollections, tapes, and notes, the book blends detailed reportage of the dramatic events with insightful commentary.

This text explains the American South's linguistic heritage with 3000 humorous specimens of the region's speech.

This is a narrative account of the fall of the Confederacy told from the perspective of Jefferson Davis, his offical entourage, and his family as they tried to hold the government together while staying one step ahead of their Union Army pursuers.

A collection of most of the writings published by the Cherokee leader Elias Boudinot. The work documents letters, articles, pamphlets and editorials in order to demonstrate the stages of Boudinot's religious, philosophical and political growth.

This study examines the reasons behind the demise of Radical Reconstruction in Georgia, showing that a primary factor was the extraordinary fairness on the part of the state's black leaders in dealing with their former masters. The book also looks at recent writing on Reconstruction.

Features poems from the collections, ""Somewhere in Ecclesiastes"" (1991) and This April Day"" (2003). This collection shows how the moments that truly save us - that make us human - are necessarily the most fleeting.

John Walden, a young black man, decides to pass for white in order to earn what he feels is his share of the American dream. Without sentimentality, this novel probes deeply into the white South's obsessions with race and privilege.

Recalls life in North Georgia from the 1890s to World War II, recording vanished folklore. This title is built on experience and memory, but its characters and narrative transcend reminiscence to depict life as it really was.

The memoir of the youth of Donald Windham in Depression-era Atlanta. The recollections describe the pleasant memories of his childhood as well as the less happy ones, and recount Windham's increasing desire for a world beyond Atlanta.

These seven stories, set in the rural South and West, delve beneath the surface of ordinary lives, revealing their foibles and idiosyncracies. For example, an old deaf woman is kidnapped by a stranger whom she takes to the devil, and a money-grubbing man meets a woman no less hard than himself.