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Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752-1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786-1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 3 covers the period from July 1786 to December 1787, during which she reluctantly took up an onerous court appointment to Queen Charlotte.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752-1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786-1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Volume 2 covers the period from the beginning of 1781 to July 1786, during which Cecilia (1782), her second novel, was published.

Born into a musical family as the daughter of Charles Burney, Frances 'Fanny' Burney (1752-1840) opted for a life of letters. Her epistolary novel Evelina generated both sensation and sales upon its appearance early in 1778, and when her identity as the author was soon revealed, it opened the door to intellectual circles frequented by the likes of Samuel Johnson and fellow diarist Hester Thrale. Appearing under her married name of Madame d'Arblay, her witty and candid journals and correspondence, from her breakthrough until her final years, were edited by her niece Charlotte Barrett (1786-1870) and first published in seven volumes between 1842 and 1846. Reissued here is the new edition of 1854, including biographical notes. Detailing the success of her literary debut and the friendships she forged as a result, Volume 1 captures the excitement of the period from 1778 to 1780.

Anna Letitia Barbauld (1743-1825), poet, educator and essayist, is now considered to be one of the most important writers of the early Romantic period. Included in her highly regarded works on literary, political, social, and other intellectual topics is the ambitious poem Eighteen Hundred and Eleven (1812), which condemned Britain's participation in the Napoleonic Wars. She gained recognition for her influential elementary textbooks Lessons for Children (1778-9) and Hymns in Prose for Children (1781), which made her name synonymous with the instruction of infants. Her reputation suffered, however, from attacks by critics of her poetry and politics. This charming biography by Anna Letitia Le Breton (1808-85), her great-niece, was first published in 1874 and seeks to bring Barbauld's name back to public attention and acclaim. It draws on personal recollections, letters, and other family memorabilia in the author's possession.

The editor and forger John Payne Collier (1789-1883) claimed to have discovered a Second Folio of Shakespeare which had been 'corrected' in a mid-seventeenth-century hand. He published this catalogue of the emendations, including his commentary on them, in 1852. Collier then presented the so-called 'Perkins Folio' to the Duke of Devonshire, whose successor allowed it to be loaned in 1859 to the British Museum, where a thorough examination exposed it as a forgery. A storm of controversy followed and three of the key documents in the debate, all published in 1860, are also reissued here: 'An Inquiry into the Genuineness of the Manuscript Corrections in Mr. J. Payne Collier's Annotated Shakspere Folio, 1632' by Nicholas Hamilton (d.1915), assistant keeper of manuscripts at the British Museum; Collier's attempt to refute Hamilton's findings; and 'A Review of the Present State of the Shakespearian Controversy' by Thomas Duffus Hardy (1804-78).

Isaac Taylor (1787-1865) was known as Isaac Taylor of Stanford Rivers, to distinguish him from his father, Isaac Taylor of Ongar, engraver and dissenting minister. He, his brother Jefferys, and their sisters Ann and Jane, were all writers, and their mother was the well-known 'Mrs Taylor of Ongar', some of whose books are also reissued in this series. The younger Isaac felt drawn to the Church of England, and made a name for himself with studies of the Church Fathers and the classics (he is said to have coined the word 'patristic'). This two-volume collection of writings by three generations of the Taylor family was compiled and published in 1867 by the Isaac Taylor of the next generation. Volume 2 contains essays and verses by the four siblings, their father Isaac, and a cousin, Jemima, of which the most notable is the long short story 'Display' by Jane Taylor.

Chawton House is famous today as the home of Jane Austen's brother Edward, who was adopted by a wealthy relative, Thomas Knight, and inherited his Hampshire estate. Edward offered the former bailiff's cottage close to the great house to his mother, who lived there with her unmarried daughters Jane and Cassandra. The house is now a study centre and library, for women's writing especially, but when this book was published in 1911 the building was still the Knight family home. Montagu Knight, the grandson of Edward, supplied material from the archives of the manor, while the book was largely written by his cousin William Austen Leigh, the son of Jane's nephew and memorialist. It covers the history of the manor from the Norman Conquest to the death of the second Edward in 1879, and, apart from the Austen connection, is a fascinating illustrated history of a typical English parish.

Ranking among the greatest of all English poets, John Milton (1608-74) was an influential thinker during a particularly volatile period in his nation's history. His supreme masterpiece Paradise Lost forms one of the pillars of English literature. The literary scholar and historian Sir Walter Alexander Raleigh (1861-1922) was educated at University College London and King's College, Cambridge. Following posts at Liverpool and Glasgow, he was appointed Professor of English Literature at Oxford University, where he also served as an adviser to the Clarendon Press. This work, first published in 1900, is based upon lectures he gave the previous year as Clark Lecturer in English Literature at Trinity College, Cambridge. Admired by the critic William Empson, it is a penetrating study of the great poet and contains a biographical sketch as well as lucid analyses of Milton's use of language and its significant influence.

Highly educated and accustomed to intellectual society, the writer and woman of letters Hester Lynch Piozzi (1741-1821) became a close friend of Samuel Johnson through her first husband, the brewer Henry Thrale. Her second marriage, to the Italian musician Gabriel Mario Piozzi in 1784, estranged her from Johnson, but following his death she published her groundbreaking Anecdotes of the Late Samuel Johnson, anticipating Boswell's biography. As well as her letters, poetry, essays, memoirs and travel diaries (several of which are also reissued in the Cambridge Library Collection), she was one of the first women to produce works on philology and history. Originally published in 1833, this highly readable volume of recollections by the writer and translator Edward Mangin (1772-1852) draws on her letters to him and his family (as well as on other memorabilia), extracts from which are quoted extensively in the work.

William Poel (1852-1934), actor, director and author, began his acting career in 1876, deliberately choosing provincial touring in order to learn his craft. After a period as manager of the Royal Victoria Hall and Coffee Tavern (later the Old Vic), he worked as stage manager for the actor-manager Frank Benson. In the 1890s he founded the Elizabethan Stage Society in order to demonstrate his fervent belief that only a return to Elizabethan performance methods would enable a true understanding of Shakespeare's plays. This was to have a profound influence on modern productions, with directors such as Tyrone Guthrie and John Gielgud adopting his ideals rather than his often idiosyncratic practices. Moreover, his long-held wish for a replica of the Globe Theatre has since become a reality. Poel was also a prolific author and this work, first published in 1913, explores his philosophy by bringing together four articles on the staging of Shakespeare.

Elizabeth Gaskell (1810-65) lost her mother at an early age and was sent to live with her aunt in Knutsford, a country town outside Manchester which is often thought to bear a notable resemblance to the fictional Cranford. In this engaging biography, Esther Alice Chadwick (1862-1929) shows how many historical facts of Gaskell's life influenced her novels and stories - from the character of her home town to the sudden disappearance of her brother in India. Originally published in 1910, this was the first full biography of the author; the revised edition of 1913 is reissued here. It includes additional research, illustrations, and excerpts from Gaskell's letters, which provide a touching glimpse into the life of a writer who often felt herself torn between her intellectual and domestic duties. Still a major source for modern biographies, Chadwick's book remains an authoritative source for scholars and students of English literature.

The writer Lucy Aikin (1781-1864) was the daughter of the physician and author John Aikin and the niece of Anna Laetitia Barbauld, whose works she edited after Barbauld's death in 1825. Given this literary background, it is not surprising that Lucy should have begun to write: her early works were poems, but she is best known for her two-volume Memoirs of the Court of Queen Elizabeth (1818), also reissued in this series. This 1864 work, edited by her niece's husband, contains a memoir of Aikin, a collection of her essays, and letters in which she expresses frequently humorous and often trenchant opinions on the literary and social topics of the day, such as the influence of wider knowledge of the German language on English writing, or the morally elevating effect of the British Museum. It will be appreciated by those interested in early nineteenth-century literature and women's writing.

Joseph Spence (1699-1768) was ordained after graduating from Oxford, and having made the acquaintance of Alexander Pope, was helped by him to the professorship of poetry at Oxford, which he held for ten years from 1728. At the same time (and while holding the living of Birchanger in Essex) he began the first of several extended European journeys, accompanying nobility on the Grand Tour. He had published various literary works before his death in 1768, but left a number of manuscripts to be published at the discretion of his executors. They decided to take no action, but these anecdotes of Alexander Pope and his contemporaries came into the possession of a bookseller called Carpenter, who had them edited, and published them, prefaced with a life of Spence, in 1820. This is a fascinating compilation of anecdotes, aphorisms and biographical details about the most famous poet of his age.

This collection of literary essays by Robert Louis Stevenson (1850-94) explores the lives and works of nine writers from around the world and across the centuries, including Victor Hugo, Robert Burns, Walt Whitman and Samuel Pepys. Published together in 1882, the studies here had previously appeared in periodicals, chiefly the Cornhill Magazine, and are known for their conversational style and unusual combination of character assessment and scholarly critique. In his preface, Stevenson describes the book as 'the readings of a literary vagrant', emphasising that the essays were inspired by a genuine personal interest in the authors and their works. Over the course of his own career as a writer, Stevenson published in a wide range of literary forms and genres. Today this collection reveals much about the diversity of his influences and tastes, as well as offering an insight into his moral and aesthetic values.

The official biography of Charles Dickens (1812-70) was published in 1872-4 by his close friend and literary executor John Forster, and has been reissued in this series. Of the many other memoirs and reminiscences of the great novelist, this book by his favourite daughter Mary (1838-96), known as Mamie, is perhaps the least familiar. Published in 1896, shortly after her death, it gives a loving picture, based on her own memories, of the person whom she held 'in my heart of hearts as a man apart from all other men, as one apart from all other beings'. Mamie, who had taken Dickens's side during the separation from his wife, and acted effectively as his housekeeper at Gad's Hill, had compiled an edition of her father's letters with her aunt Georgina Hogarth, and this second act of piety gives an idyllic - perhaps too idyllic - account of daily life with Dickens.

Since 1913 Magdalene College, Cambridge, has elected a succession of outstanding figures in literature and the arts to honorary fellowships of the college. On the occasion of his election in 1932, Rudyard Kipling (1865-1936) presented the college with a manuscript poem entitled 'To the Companion' which celebrated Magdalene's best-known graduate, Samuel Pepys. After his death, his widow, Caroline Kipling, bequeathed the present collection of manuscript poems - many of them redrafted and corrected, and thus giving insights into Kipling's creative process - to the college. The bound volume comprises some twenty-eight poems in all (including multiple versions of key stanzas of 'The White Man's Burden'), together with a fragment of an unpublished poem entitled 'The Song of the Engine'. Its publication in the Cambridge Library Collection makes the poems available to the scholar, the Kipling enthusiast, and the general reader.

Edmund Gosse (1849-1928), best known for his memoir Father and Son, was one of the foremost literary critics of his day, even though he had not received a university education. Invited to give the prestigious Clark Lectures at Cambridge, he developed the materials for this book, first published in 1885. Gosse sets out his theory of classical poetry, analysing its rise in the seventeenth century in opposition to freer, more romantic blank-verse forms. The book became the subject of a famously excoriating forty-page review by Oxford-educated critic John Churton Collins. While Collins' estimation of the inaccuracies in Gosse's work was largely correct, the review went far beyond constructive appraisal and caused a literary scandal, though Gosse's reputation was not permanently damaged. This book and the controversy it caused form part of the story of English literature as it established itself as a professional academic discipline.

The literary scholar Alexander Balloch Grosart (1827-99) reprinted this allegorical poem by Robert Chester (fl.c.1586-1604) with an introduction and notes in 1878. Grosart incorrectly identified the poem's author as a certain Sir Robert Chester of Royston. Later research suggests Chester served as a chaplain or secretary in the household of the work's dedicatee, Sir John Salusbury. Originally printed in 1601, the grandiloquent, meandering poem is chiefly remembered for the works appended to it. These include original poems by Chester's contemporaries, Shakespeare, Jonson, Chapman and Marston, as well as the anonymous 'Ignoto' and 'Vatum Chorus'. All the poems treat Chester's theme, an invented myth describing the chaste, sacrificial love between a phoenix and a turtledove. Scholars continue to debate the identity of the historical figures signified by these birds, especially in Shakespeare's cryptic contribution.

Mary Howitt (1799-1888) was one of the most prolific female writers and translators of her day, producing over a hundred titles in her lifetime. Held in high regard by her contemporaries, Howitt was best known for her Scandinavian interests, particularly for her translations of Frederika Bremer and Hans Christian Andersen. She also published numerous collections of poetry and stories, sometimes in partnership with her husband, the writer William Howitt. This two-volume autobiography was published posthumously in 1889, and was completed and edited by her daughter Margaret. Volume 2 focuses on the second half of Howitt's life, much of which was spent moving between England, Switzerland, Italy and Austria. It describes the death of two of her sons, her own and William's involvement with spiritualism, the death of her husband, and her eventual conversion to Catholicism. For more information on this author, see http://orlando.cambridge.org/public/svPeople?person_id=howima

Mary Howitt (1799-1888) was one of the most prolific female writers and translators of her day, producing over a hundred titles in her lifetime. Held in high regard by her contemporaries, Howitt was best known for her Scandinavian interests, particularly for her translations of Frederika Bremer and Hans Christian Andersen. She also published numerous collections of poetry and stories, sometimes in partnership with her husband, the writer William Howitt. This two-volume autobiography was published posthumously in 1889, and was completed and edited by her daughter Margaret. Volume 1 covers the first forty-four years of Howitt's life: a Quaker childhood, marriage to William Howitt, the birth of their children, and family life in Nottingham, Esher, and Heidelberg. It also includes several illustrations of family members and various residences. For more information on this author, see http://orlando.cambridge.org/public/svPeople?person_id=howima.

Clara Lucas Balfour (1808-1878) published Sketches of English Literature in 1852. The work surveys the development of English literature from the revival of letters in the fourteenth century to the literary controversies of the mid-nineteenth. Balfour places a special focus on the work of women writers. The first chapters consider the impact of the Renaissance and Reformation, the development of printing, and the publication of early vernacular Bibles on English literature; and examine the work of a number of Elizabethan writers, including Spenser and Shakespeare. The survey continues with evaluations of later writers including Milton, Dryden and a number of female poets. Later chapters analyse the influence of science on literature and the work concludes with an examination of nineteenth-century socially conscious literature. Balfour's lively and accessible style ensured that the work became a favourite of educated Victorians. It is a classic of popular nineteenth-century literature.

This volume was originally published as part of the English Men of Letters series in 1902. This series aimed to bring a critical framework for reading and analysing novels to the large literate audience which had emerged as the result of mass education campaigns in the nineteenth century. Written by eminent scholars and combining biographical details with literary criticism, the English Men of Letters series was extremely successful and occupied a distinctive position in British literary education in the early twentieth century. Written by Victorian scholar and critic Sir Leslie Stephen (1832-1904) this volume examines the life and literary achievements of George Eliot (1819-1880), the first woman novelist to be included in the series. Arranged around Eliot's published novels, the biographical discussion of her life detailing her domestic life and literary criticism of her works reveals late Victorian ideals concerning fiction and a respectable life.

American Unitarian minister George Willis Cooke (1848-1923) worked for almost thirty years in Unitarian churches across the United States before turning full-time to scholarly pursuits in 1900. Cooke, a voracious reader who was largely self-taught, attended Meadville Theological School in Illinois but never graduated. A radical in theology and politics, he was drawn to the transcendentalist authors and in 1881 published a critical study of the works of Ralph Waldo Emerson. Cooke's George Eliot: A Critical Study of her Life, Writings and Philosophy (1883) probably emerged from those same philosophical impulses. The book was published just after Blind's biography, but Cooke asserts that with a small exception his work was complete when hers appeared; moreover, his study prioritises the act of 'interpreting and criticising [Eliot's] teachings' over the details of her life, and the book's organisation reflects this hierarchy, giving insights into the contemporary reception of George Eliot.

George Eliot's first biographer, Mathilde Blind (1841-1896), was herself a poet and writer. Born in Germany, Blind moved with her family to London when she was still a child, and it was there that she established her literary reputation, writing poetry, essays, biographies, and a novel. In 1883, three years after Eliot's death, Blind's George Eliot was published. It is the first full-length biography of Eliot; while biographical articles about her had appeared in 1881, Blind's work corrected mistakes and enlarged the knowledge of Eliot's early life. Indeed, what sets her biography apart is the extent of private sources that Blind sought out, returning to Eliot's home and engaging with family and friends to accrue extensive information hitherto unknown to the public. Organized first around her personal life and latterly around her works, this biography will interest Eliot scholars, students of nineteenth-century criticism, and scholars of feminism.

Double Falshood was staged at the Theatre Royal in Drury Lane at the end of 1727, and the following year Lewis Theobald (1688-1744) published the text, which was reprinted several times. Theobald was an energetic editor who translated Sophocles' Electra and Aristophanes' Plutus for performance in London, wrote and edited many other dramatic works, and caused great controversy in literary circles with his Shakespeare Restored (1726), a critique of Pope's edition. Scholars have debated for nearly three centuries to what extent, if at all, Double Falshood derives from a lost play by Shakespeare, as Theobald claimed. There is now widespread agreement that it is the only surviving version of Shakespeare and Fletcher's Cardenio, which was based on episodes from Cervantes' Don Quixote and is known to have been performed in 1613. Interest generated by the play's partial acceptance into the Shakespearean canon has also led to modern revivals.

Matthew Prior (1664-1721) was a minor poet and diplomat under King William III and subsequently Queen Anne. As an envoy to the Netherlands and France and negotiator of the Treaty of Utrecht in 1713 he had a ringside seat at the European power struggles of his time, while at the same time forging a literary career by publishing poetry and angling for the post of Poet Laureate. Prior's surviving correspondence to his patrons and paymasters is a uniquely witty record of diplomatic life. The first full-length biography of Prior, this book was first published in 1921. Its author, Leopold George Wickham Legg, was an editor of the Dictionary of National Biography. The appendixes include detailed information about Prior's family background and transcriptions of some of his surviving letters and a diary from 1712.

First published in 1923, this book consists of a series of papers written by Pollard, W. W. Greg, E. Maunde Thompson, J. Dover Wilson, and R. W. Chambers, all advocates of the then newly-established New Bibliography. The book was assembled with the intention of strengthening the argument that three pages of Sir Thomas More in the Harleian Manuscript at the British Museum were written in Shakespeare's own hand. The well-established scholars examine the case from several different angles, considering the handwriting in comparison to the known versions of Shakespeare's signature, the bibliographical links between these three pages and the 'good' quartos, and the content of the pages in relation to political ideas expressed elsewhere in Shakespeare. The volume also includes plates of Shakespeare's signatures, analysis of individual letter shapes and parts of the manuscript, and a special transcript of the pages in question.

Originally delivered in November 1915 as a series of lectures at the University of Cambridge, this close textual analysis of Shakespeare overturned the conventional methods of Shakespearean bibliography. In this careful study, Pollard, a bibliographer and literary scholar, called into question the long-held assumption that the early Quartos were of little bibliographical value because of the errors, mis-spellings and mis-lineations. By emphasizing the efforts made to impede printing piracy in early modern England, Pollard argued that the Quartos are much closer to Shakespeare's manuscripts than previous scholarship had allowed. Pollard, along with J. Dover Wilson, W. W. Greg and R. B. McKerrow, was instrumental in establishing the theoretical framework of New Bibliography, and on its publication the book was greeted with what is described in the introduction as 'friendly controversy'. First published in 1915, the book was revised for republication in 1920. This reissue is of the 1967 reprint.

In his autobiography, Goethe half-apologetically admits the youthful enthusiasm he experienced for alchemical and mystical readings: Georg von Welling's obscure Opus Mago-Cabbalisticum et Theosophicum and the anonymously published Aurea Catena Homeri, as well as works by Paracelsus, Basilis Valentinus and van Helmont. Originally published in 1952, this study shows how the symbols and concepts of alchemy played a key role in the genesis of Goethe's later works, both scientific and literary. Author of, among other books on German literature, Goethe: A Critical Introduction (1967) and An Introduction to German Poetry (1965), Ronald D. Gray details Goethe's alchemical readings, and shows how these influences were processed and transformed into a unique blend of scientific and poetic accounts of reality. Unprecedented in its approach, this study will be of interest to readers of German literature, as well as to anyone interested in the history and evolution of mysticism.

One of the few records of German heroic poetry, Widsith was found in the Exeter Book, a manuscript of Old English poetry compiled in the late tenth century. The tale, in which the wandering poet and narrator Widsith recounts his travels across northern Europe, is often seen as a catalogue of tribes, people and heroes who existed between the third and fifth centuries. Yet it is also, in Raymond Wilson Chambers' words, a rare and valuable 'record of lost heroic song'. Originally published in 1912, Chambers' study provides an introduction to the background of the German heroic tradition, as well as detailed analyses of specific aspects of Widsith, such as the metre, geography, and critical reception of the poem. This scholarly edition also includes an annotated version of the poem, and maps, as well as an appendix which will be valuable to students and scholars of Old English literature.