Bøger i Cambridge Library Collection - Shakespeare and Renaissance Drama serien

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

Edmund Gosse (1849-1928), best known for his memoir Father and Son, was one of the foremost literary critics of his day, even though he had not received a university education. Invited to give the prestigious Clark Lectures at Cambridge, he developed the materials for this book, first published in 1885. Gosse sets out his theory of classical poetry, analysing its rise in the seventeenth century in opposition to freer, more romantic blank-verse forms. The book became the subject of a famously excoriating forty-page review by Oxford-educated critic John Churton Collins. While Collins' estimation of the inaccuracies in Gosse's work was largely correct, the review went far beyond constructive appraisal and caused a literary scandal, though Gosse's reputation was not permanently damaged. This book and the controversy it caused form part of the story of English literature as it established itself as a professional academic discipline.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

This volume of the famous 'censored' edition of Shakespeare from which the verb 'to bowdlerise' was coined contains The Tempest, Two Gentlemen of Verona, The Merry Wives of Windsor, Twelfth Night, Measure for Measure, Much Ado about Nothing and A Midsummer Night's Dream.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

The Cambridge Shakespeare (1863-1866), is still valued for its careful editorial principles, attractive page design and elegant typography. The base text is the 1623 Folio, collated with the later Folios and Quartos. It includes a full critical apparatus and notes, and restores some 'profane' expressions censored in earlier editions.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.

This edition tells the story of Hamlet in production, from Burbage at the Globe to Branagh on film, relating stage interpretations to developments in the theatre, literary criticism and society. The introduction focuses on whole productions of the play including supporting players and, in this century, direction and design.

Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition, which conveys an unparalleled sense of the plays in performance. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this historic edition.

Mary Cowden Clarke (1809-98) was a noted Shakespearian scholar, who published in 1850 a series of imaginative accounts of the girlhood of some of his heroines. Her motive was to provide a 'prequel' which showed the development of the heroine's character through the events of her formative years.

The Cambridge Shakespeare (1863-1866), is still valued for its careful editorial principles, attractive page design and elegant typography. The base text is the 1623 Folio, collated with the later Folios and Quartos. It includes a full critical apparatus and notes, and restores some 'profane' expressions censored in earlier editions.

This is the first of three volumes of Shakespeare's plays compiled and edited by Howard Staunton, originally published in 1858 and acclaimed for their combination of meticulous research and common sense. The text is embellished by numerous handsome black-and-white illustrations by John Gilbert and accompanied by critical notes.

This 1769 work is a spirited defence of Shakespeare against the criticism of Voltaire, who claimed that his work was inferior to that of modern French dramatists. Voltaire is especially condemned for his efforts to measure Shakespeare against Corneille using an inadequate French translation of the English dramatist's work.

Shakespeare's heroines had been critiqued primarily by men until Anna Jameson published Characteristics of Women in 1832. In this remarkable two-volume study, she analysed twenty-three of Shakespeare's female leads from a woman's perspective. This reissue will be welcomed by scholars of nineteenth-century literary criticism and women's studies.