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Havana, 1952, a city throbbing with pleasure and danger, where the Mob peddles glamor to the tourists and there’s plenty of sex for sale. In the swanky hotels and casinos, and the steamy, secretive Red Light district of the Colón, Cantor Gold, dapper art thief and smuggler, searches the streets and brothels for her kidnapped love, Sophie de la Luna y Sol. Cantor races against time while trying to out run the deadly schemes of American mobsters and the gunsights of murderous local gangs.
New York City, 1950. Cantor Gold, art smuggler and dapper dyke-about-town, hunts for a missing masterpiece she's risked her life to bring through the port of New York. She must outsmart the Law that wants to jail her; outrun the dockside gangsters who would let her take the fall for murder; and outplay a shady art dealer, his lover, and a beautiful curator who toys with Cantor's passion. Through it all, Cantor must stay out of the gunsights of a killer who's knocking off rivals for the missing masterpiece-and stay alive to solve the mystery of her stolen love: Sophie de la Luna y Sol. A Cantor Gold Crime
Lambda Literary Award-winning author returns with a stunning mystery proving that Noir is the new black.A golden city of prosperity, energy, the exciting engine of the American Dream. Just underneath, though, is a dark city, with darker ambitions. This is the world of Cantor Gold, dapper art thief and smuggler, who has her own way of securing the rewards of the American Dream. In the conformist 1950s, when same-sex romance was illegal, Cantor decides that any Law that condemns her as a criminal just for her love of women is not a Law she owes any allegiance to. As an outlaw, she thrives earning fistfuls of cash and living life on her own terms. But someone wants to take it all away. Someone wants to rob Cantor of everything: her success in the underworld, her freedom, her life.Predators are out to destroy Cantor: the cops who violently raid the Green Door Club, Cantor's favorite watering hole, where the lights are low and the women are willing; and worse, an unknown predator who threatens to destroy Cantor's life, even destroy the lives of people close to her.Murder is one of the weapons in the hunter's arsenal, involving Cantor in the dangerous fate of each corpse. Another is the taunting, threatening notes that turn up on the corpses or at Cantor's door or at the door of people she visits. And then there are the phone calls and a disguised voice. Someone is invading every minute of Cantor Gold's life.
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