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Adopted at more than 1,000 colleges and universities, Bedford/St. Martin's innovative "Case Studies in Contemporary Criticism" series has introduced more than a quarter of a million students to literary theory and earned enthusiastic praise nationwide. Along with an authoritative text of a major literary work, each volume presents critical essays, selected or prepared especially for students, that approach the work from several contemporary critical perspectives, such as gender criticism and cultural studies. Each essay is accompanied by an introduction (with bibliography) to the history, principles, and practice of its critical perspective. Every volume also surveys the biographical, historical, and critical contexts of the literary work and concludes with a glossary of critical terms. New editions reprint cultural documents that contextualize the literary works and feature essays that show how critical perspectives can be combined.
This critical edition of Thomas Hardy's widely taught 1891 British Victorian novel reprints the authoritative second impression of the 1920 Wessex edition together with critical essays that approach the work from 5 contemporary critical perspectives and highly praised editorial apparatus that introduces students to the novel and the perspectives.
This volume presents the text of the New York Edition of James's classic 1898 short novel, along with documents that place the work in historical context and critical essays that read The Turn of the Screw from several contemporary critical perspectives. The text and essays are complemented by biographical and critical introductions, bibliographies, and a glossary of critical and theoretical terms. In this third edition, a new section details in unique depth the revisions James made from the serialized Colliers Weekly edition to the New York Edition. New documents and illustrations enhance the historical contexts section, and new psychoanalytic essay with a Lacanian perspective appears in the section of contemporary criticism. --from publisher description.
This volume presents the text of the 1921 Heinemann edition of Conrad's classic short novel along with documents that place the work in historical context and critical essays that read "Heart of Darkness" from several contemporary critical perspectives. The text and essays are complemented by biographical and critical introductions, bibliographies, and a glossary of critical and theoretical terms. In this third edition, the section of cultural documents and illustrations is entirely new, as are two recent exemplary critical essays by Gabrielle McIntire and Tony C. Brown that synthesize a variety of current critical approaches.
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