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Offers a new introduction which provides a wide-ranging survey of criticism of "Macbeth" and four new essays. The new essays from Muriel Bradbrook, Malcolm Evans, Graham Holderness and Germaine Greer bring this edition up-to-date with current critical approaches.
This revised edition of the successful Casebook first published in 1969, has been brought up-to-date with the inclusion of more recent criticism, whilst retaining early comments and critiques.
This volume presents critical appraisals of Medieval drama, particularly in regard to structure and technique, and the appreciation of theatrical qualities. The selection reflects the marked changes in approaches to pre-Renaissance drama, influenced by new perceptions among both scholars and stage-interpreters.
Part of the "Casebook Series", this book examines how Shakespeare can best be studied and provides a discussion about method and an account of the critical approaches in use from Shakespeare's time to our own.
Each Macmillan Casebook concerns a classic of English literature or significant modern work. Each volume aims to give its readers a heightened sense of the interest and vitality of the work under discussion, and of the value of a critical response.
This Casebook adopts a critical perspective towards the aims and achievements of three leading British poets of the post-1950 period.
The selection of critical commentary is arranged in sections which reflect the different emerging concepts which eventually shaped the Romantic movement, such as Poetics and Poetic Diction, Nature, Landscape and Description, Poetry and Society, Poetry and Religion and The Self and the Imagination.
Part of the "Casebook Series", this book concentrates on Shakespeare's three early tragedies, with emphasis on 20th century published criticism. Attention is paid to criticism which has built on the potential for theatrical realization.
This volume present important studies in dramatic and theatre criticism as developed in the English-speaking world since the late nineteenth century. Part Two, Plays and Players, covers the broad spectrum of journalistic and academic criticism, new production methods and theories, and new playwriting techniques during this century.
This revised edition of the successful Casebook first published in 1969, has been brought up-to-date with the inclusion of more recent criticism, whilst retaining early comments and critiques.
Offers a new introduction which provides a wide-ranging survey of criticism of "Macbeth" and four new essays. The new essays from Muriel Bradbrook, Malcolm Evans, Graham Holderness and Germaine Greer bring this edition up-to-date with current critical approaches.
This volume includes a helpful selection of early criticism as well as modern contributions on The Winter's Tale from Donald Stauffer, E.M.W. Tillyard, Ernest Schanzer, Inga-Stina Ewbank, S.L. Bethell, G. Wilson Knight, Harold S. Wilson, Derek Traversi, Northrop Frye, Nevill Coghill, M.M. Mahood, Louis MacNeice and others.
This informative book presents a wide selection of early and modern criticism on Henry IV Parts I and II from leading critics.
A collection of criticism on four of the most-studied plays of J.M. Synge. Along with W.B. Yeats and Lady Gregory he created the Irish literary movement and the Abbey theatre. The playwright is acknowledged to be in the forefront of modernist literature.
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