Bøger i Century of the Soldier serien

This book examines through historical and archaeological research the sieges of Bristol, Gloucester, Worcester, Bridgnorth and Shrewsbury during the First Civil War (1642-1646).

Focuses on the composition, leadership, equipping, financing and war service of the Cheshire army of parliament commanded by Sir William Brereton between 1642 and 1646.

A compilation of the conference papers from the 2018 Century of the Soldier Conference, examining the impact of the Thirty Years' War on the British Isles.

The Italian Front of the Nine Year has been completely neglected by Italian and other European Historians. It is often assumed that the conflict was fought solely in Flanders and the Rhineland, and by mainly North West European Armies. This was not so. William of Orange, the driving force of the Grand Alliance in the fight against the French, considered the Italian aspect of the conflict to be the greatest strategic importance. Piedmont, in north western Italy bordered France, and Italian armies were able to threaten the south of France with invasion. For the first time too, the nature of late 17th century warfare in Italy is considered and the author examines organisation, training and logistics. Military artist Bruno Mugnai enhances the book¿s text with 8 specially commissioned colour plates that illustrate the uniforms and flags of this highly visual period.

Military manuals have been used as a source through a range of historical studies, but only recently has their potential to Conflict Archaeology truly been recognized. Military manuals allowed the progression of the Military Revolution from the informed amateur towards the scientific, mathematical choreography for massed troops at the height of the Military Revolution, and their use as a viable historical resource often taken at face value - negating their worth. Using correlated GIS, landscape archaeology, metal detecting, military knowledge and experimental archaeology, we might understand more fully the limitations and strengths drill books provide us. Like a dance, military theory provides a certain number of ways individuals may progress through a landscape. Using examples taken from recent investigations at sites such as Edgehill, Lutzen and Lostwithiel, this paper shall examine to what extent individual drill can be identified in the archaeological record. This publication hopes to prove to what level and extent this can be applied to predictive modeling of artifact collections on battlefields - thus providing depth to the archaeological study of fields of conflict. Like investigations on the Little Bighorn battlefield, through use of wear analysis of the material remains of conflict, we can effectively tell the nuances of individual drill, practice and movement of people across a landscape; their drill actively mirroring subtleties in our understanding of interpretation. Taking the works of such writers and artists as Bariffe, de Gheyn and Ward, the author attempts to actively break down how individual and group drill will leave material remains and the archaeological means these might be taken down, but equally, this work also attempts to investigate and breach the subject of whether such manuals can also be used to dictate the survivability of 17th century fortifications - often within urban landscapes devoid of their civil war origins, as can be seen at Alton and Basing House. Theoretical in its nature and utilizing and combining elements of research not previously collaborated, The Arte Militaire is unique in not merely showing how military manuals were used, but rather how they can still be seen within the historical landscape.