Bøger i Chicago Guides to Writing, Editing, and Publishing serien

"Storytelling is one of the few traits common to all human societies. A sequence of actions, a sympathetic character, a complication, a resolution-the key ingredients in a story are as familiar to us today as they were to our ancestors. Although we may associate the form with fictional narratives such as novels and movies, the same ingredients also underlie the best nonfiction works, including those by David Grann, Mary Roach, Tracy Kidder, and John McPhee. In the first edition of Storycraft, Jack Hart illustrated how these and other nonfiction writers, including many he coached over decades at the Oregonian, used the ingredients of story to create compelling and award-winning works of narrative nonfiction. For this revision, he has expanded the field to consider how storytelling techniques can be used in the rapidly growing nonfiction form of podcasting. He has added insights from recent research into storytelling and the brain, illustrating how facts and arguments effectively embedded in narrative are more likely to stick in readers' minds. And he has added new examples of effective nonfiction narratives."--

Encourages legal writers to challenge conventions and offers valuable insights into the writing process that will appeal to other professionals: how to organize ideas, create and refine prose, and improve editing skills. This title includes case examples from past decade and addresses the widespread use of legal documents in electronic formats.

A reference and guide for students, scholars, and practitioners of ethnography and beyond. It discusses about the deskwork of fieldwork and the various ways culture is put forth in print.

Editing is a tricky business. It requires analytical flair and creative panache, the patience of a saint and the vision of a writer. This book provides an approach to developmental editing. It deals with the core tasks of shaping the proposal, finding the hook, building the narrative or argument, executing the plan, and establishing a style.

"Originally published in 2006 as A Writer's Coach, the book has been updated to address the needs of contemporary writers well beyond print journalists. It retains the structure of the original, beginning by breaking down the writing process into a series of manageable stages-from idea to polishing-each of which is crucial to the next. While emphasizing the importance of the early stages, including information gathering and organizing, Hart also delves deeply into the elusive characteristics achieved through polishing, such as force, clarity, rhythm, color, and voice. Each chapter is filled with real examples, both good and bad, of these attributes. The book concludes with updated advice and resources for mastering the craft of writing. With these revisions, Wordcraft now functions as a set with the new edition of Hart's book Storycraft, on the art of storytelling, as the author always intended"--

Tells what every senior researcher knows: that research is not a mechanical, linear process, but a thoughtful and adventurous journey through a nonlinear world. The author breaks library research into seven basic and simultaneous tasks: design, search, scanning/browsing, reading, analyzing, filing, and writing.

"Wow. No one ever told me this!" Wendy Laura Belcher has heard this countless times throughout her years of teaching and advising academics on how to write journal articles. Scholars know they must publish, but few have been told how to do so. So Belcher made it her mission to demystify the writing process. The result was Writing Your Journal Article in Twelve Weeks, which takes this overwhelming task and breaks it into small, manageable steps. For the past decade, this guide has been the go-to source for those creating articles for peer-reviewed journals. It has enabled thousands to overcome their anxieties and produce the publications that are essential to succeeding in their fields. With this new edition, Belcher expands her advice to reach beginning scholars in even more disciplines. She builds on feedback from professors and graduate students who have successfully used the workbook to complete their articles. A new chapter addresses scholars who are writing from scratch. This edition also includes more targeted exercises and checklists, as well as the latest research on productivity and scholarly writing. Writing Your Journal Article in Twelve Weeks is the only reference to combine expert guidance with a step-by-step workbook. Each week, readers learn a feature of strong articles and work on revising theirs accordingly. Every day is mapped out, taking the guesswork and worry out of writing. There are tasks, templates, and reminders. At the end of twelve weeks, graduate students, recent PhDs, postdoctoral fellows, adjunct instructors, junior faculty, and international faculty will feel confident they know that the rules of academic publishing and have the tools they need to succeed.

Presents a perspective on the nature and purpose of indexes and their role in published works. This edition has discussions on "information overload" and the role of the index, open-system versus closed-system indexing, electronic submission and display of indexes, and trends in software development, among other topics.

Presents a historical, theoretical, and practice-oriented road map for the shift from incidental collaboration to a more conscious and explicit collaborative strategy. The author charts the history of collaborative ethnography from its earliest implementation to its contemporary emergence in fields such as feminism and humanistic anthropology.

A thoroughly updated edition of a beloved classic that has guided generations of researchers in conducting effective and meaningful research. With more than a million copies sold since its first publication, The Craft of Research has helped generations of researchers at every level--from high-school students and first-year undergraduates to advanced graduate students to researchers in business and government. Conceived by seasoned researchers and educators Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams, this fundamental work explains how to choose significant topics, pose genuine and productive questions, find and evaluate sources, build sound and compelling arguments, and convey those arguments effectively to others. While preserving the book's proven approach to the research process, as well as its accessible voice and general structure, this new edition acknowledges the many ways research is conducted and communicated today. Thoroughly revised by Joseph Bizup and William T. FitzGerald, it recognizes that research may end in a product other than a paper--or no product at all--and includes a new chapter about effective presentations. It features fresh examples from a variety of fields that will appeal to today's students and other readers. It also accounts for new technologies used in research and offers basic guidelines for the appropriate use of generative AI. And it ends with an expanded chapter on ethics that addresses researchers' broader obligations to their research communities and audiences as well as systemic questions about ethical research practices. This new edition will be welcomed by a new and more diverse generation of researchers.

The definitive guide to starting and running a freelance editing business. You've been thinking about shifting into the world of freelance editing, but you don't know where to start. In a time when editors are seeking greater flexibility in their work arrangements and schedules, freelancing is an increasingly common career option. But deciding to go it alone means balancing the risks with the rewards. From the publisher of The Chicago Manual of Style comes The Chicago Guide for Freelance Editors, the definitive guide to running your business and finding greater control and freedom in your work life. In this book, Erin Brenner--an industry leader and expert on the business of editorial freelancing--gathers everything you need to know into a single resource. Brenner has run her own successful editing business for over two decades and has helped hundreds of editors launch or improve their businesses through her teaching, blog writing, and coaching. The Chicago Guide for Freelance Editors will walk you through the entire process of conceiving, launching, and working in a freelance editing business, from deciding on services and rates to choosing the best business structure to thinking through branding and marketing strategies and beyond. This book is ideal for beginning freelancers looking to get set up and land their first clients, but it's equally valuable to those who have already been freelancing, with detailed coverage of such issues as handling difficult clients and continuing professional development. You'll find a collection of advice from other successful freelance editors in this guide, as well as an extensive list of resources and tools. In the final and perhaps most important chapter, Brenner teaches you how to care for the key component of the business: yourself.

"Of all the aspects of making a book, design is perhaps the most mysterious. Authors and readers surely realize that covers are designed objects that, like it or not, books are commonly judged by. But a book's interior is also the product of a designer's careful attention to such matters as where the page numbers go or how wide the margins are. Even publishing professionals-editors, agents, marketing staff-often have only the vaguest idea of how designers use type, color, space, and other elements to turn manuscripts into visually distinctive and compelling books. This is the first book that explains what designers do for the benefit of all the "word people" involved in making (and enjoying) books. By demystifying how she and her fellow design professionals approach their tasks, Debbie Berne seeks to make authors and publishing colleagues informed partners in design decisions and to ensure the process is collaborative from start to finish. She considers self-published as well as traditionally published authors in her advice. And along the way, she offers delightful reflections on how each part of a book functions and how they ideally come together as a package for the ultimate benefit of the reader"--

"Over the past few years, fact-checking has been widely touted as a corrective to the spread of misinformation, disinformation, conspiracy theories, and propaganda through the media. While political fact-checkers focus on the claims of public figures, their editorial counterparts check stories being readied for publication for a wide range of errors, from inaccurate names and dates to false quotations and misleading descriptions and interpretations of data. If journalism is a cornerstone of democracy, says author Brooke Borel, then fact-checking is its building inspector. In this second edition of her guide to the why, what, and how of editorial fact-checking, Borel covers the evolving media landscape, with new guidance on checking audio and video sources, polling data, and sensitive subjects such as trauma and abuse. She has expanded the sections on working with writers, editors, and producers and added new material on getting fact-checking gigs as well as new exercises. And she addresses the challenges of fact-checking in a world where social media, artificial intelligence, and the metaverse are making it increasingly difficult for everyone--including fact-checkers--to identify false information. But the answer, she says, is for everyone to approach information with skepticism--to learn to think like a fact-checker"--

"Admirably clear, concise, down-to-earth, and powerful-all too often, legal writing embodies none of these qualities. Its reputation for obscurity and needless legalese is widespread. Since 2001, Bryan A. Garner's Legal Writing in Plain English has helped address this problem by providing lawyers, judges, paralegals, law students, and legal scholars with sound advice and practical tools for improving their written work. Now the leading guide to clear writing in the field, this indispensable volume encourages legal writers to challenge conventions and offers valuable insights into the writing process: how to organize ideas, create and refine prose, and improve editing skills. Accessible and witty, Legal Writing in Plain English draws on real-life writing samples that Garner has gathered through decades of teaching experience. Trenchant advice covers all types of legal materials, from analytical and persuasive writing to legal drafting, and the book's principles are reinforced by sets of basic, intermediate, and advanced exercises in each section. For this third edition, Garner has retained the structure of the previous versions, with updates and new material throughout. There are new sections on making your writing vivid and concrete and on using graphics to enhance your argument. The coverage and examples of key topics such as achieving parallelism, avoiding legalese, writing effective openers and summaries, and weaving quotations into your text have also been expanded. And the sample legal documents and exercises have been updated, while newly added checklists provide quick summaries of each section. Altogether, this new edition will be the most useful yet for legal professionals and students seeking to improve their prose"--

In A Poet's Guide to Poetry, Mary Kinzie brings her decades of expertise as poet, critic, and director of the creative writing program at Northwestern University to bear in a comprehensive reference work for any writer wishing to better understand poetry. Detailing the formal concepts of poetry and methods of poetic analysis, she shows how the craft of writing can guide the art of reading poems. Using examples from the major traditions of lyric and meditative poetry in English from the medieval period to the present, Kinzie considers the sounds and rhythms of poetry along with the ideas and thought-units within poems. Kinzie also shares her own successful classroom tactics that encourage readers to approach a poem as if it were provisional. The three parts of A Poet's Guide to Poetry lead the reader through a carefully planned introduction to the ways we understand poetry. The first section provides careful, step-by-step instruction to familiarize students with the formal elements of poems, from the most obvious feature through the most subtle. The second part carefully examines meter and rhythm, as well as providing a theoretical and practical overview of free verse. The final section offers helpful chapters on writing in form. Rounding out the volume are writing exercises for beginning and advanced writers, a dictionary of poetic terms, and a bibliography of further reading. For this new edition, Kinzie has carefully reworked the introductory material and first chapter, as well as amended the annotated bibliography to include the most recent works of criticism. The updated guide also contains revised exercises and adjustments throughout the text to make the work as lucid and accessible as possible.

A trusted editor turns his attention to the most important part of writing: revision.

"A version of chapter 5, "Your Proposal," appeared in the October 2000 issue of PMLA and appears here, with alterations, by permission of the Modern Language Association."

New edition of a classic reference work recognizes recent developments in information literacy--including finding, evaluating, and citing a wide range of digital sources--and the evolving use of software for citation management, graphics, and paper format and submission while continuing to reflect best practices for research and writing.

Behind the Book explores how eleven contemporary first-time authors, in genres ranging from post-apocalyptic fiction to young adult fantasy to travel memoir, navigated these pathways with their debut works.

Business of Being a Writer offers the business education writers need but so rarely receive. It is meant for early career writers looking to develop a realistic set of expectations about making money from their work or for working writers who want a better understanding of the industry.