Bøger i Cinema and Society serien

Over 400 Spaghetti Westerns were produced during the 1960s and 1970s peak period. This book deals with several interesting examples, not to mention French, German, and Russian Westerns along the way.

A comprehensive analysis of Nazi film propaganda in its political, social and economic contexts. It considers more than 100 films, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment under the direction of Joseph Goebbels, Propaganda Minister.

This book questions how films create and interpret what Christmas means to societies across the Anglo-Saxon and European world, examining topics such as Santa Claus in cinema, Dickens and Christmas and Spanish and German seasonal creations. In the CINEMA AND SOCIETY series.

Lenin, Stalin, Trotsky, Hitler and Goebbels regarded cinema as their most important weapon for mass political propaganda. This book examines the ways in which cinema was used for political purposes by two of the most highly politicised societies in 20th-century European history.

Gives a picture of popular consensus between the government and the film industry over the cinematic representation of Britain and the British at war. It examines the role of the cinema as a vehicle of propaganda, and shows the relationship between the Ministry of Information and the film industry.

Michael Powell and Emeric Pressburger made a range of films, from "The Spy in Black" and "The Life and Death of Colonel Blimp" to "A Canterbury Tale" and "The Red Shoes". This book looks at these classic films to explore their complex relationship to national identity, and their interest in exile, borderlands, utopias, escapism, art and fantasy.

The Hollywood family film is one of the most popular, commercially-successful and culturally significant forms of mass entertainment. This book provides the history of the Hollywood family film, tracing its development from its beginnings in the 1930s to its global box-office dominance today.

The films "Brigadoon" and "Braveheart" have an enormous resonance and provide general impressions of "Scottishness". This provocative study discusses the films' representations of Scotland and the Scots, looking at how Scotland is (mis)recognized and yet often comes to be "known".