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About 24,000 figurines and fragments have been found on Acrocorinth, and this study greatly increases our understanding of the way in which this artform developed over the centuries.
A report on the discoveries at the Gymnasium Area at Corinth that illuminate display context, reuse, and deposition of sculptures in the ancient Mediterranean.
Publishes miscellaneous terracotta finds from the Sanctuary of Demeter and Kore, Corinth.
The authors have also given attention to vase-painters of the Protocorinthian and Corinthian periods who were previously known chiefly from works exported in antiquity, and have succeeded in establishing the importance of the Corinth Museum as a center for the study of the Corinthian Style.
Situated on the slopes of Acrocorinth, which rises to the south of the main part of the ancient city, the Sanctuary of Demeter and Kore was the focus of excavations from 1961 through 1973. This is the first volume of final publication and presents pottery used in the Sanctuary from the Protocorinthian period through 146 B.C.
This volume is a long-awaited and much-needed addition to the Corinth series because the new "Panayia Field chronology" firmly dates Corinthian Hellenistic pottery. The significance of this work is not limited to ancient Corinth, but will be relevant for scholars studying other local pottery industries in the Peloponnese and beyond.
The pottery, although frequently fragmentary, can often be assigned to known painters or workshops, and the deposits, especially in view of the defective pieces in them, can be argued to contain material almost exclusively of local manufacture.
This volume (with Corinth IX, ii) completes the presentation of the sculptures excavated from the Theatre in Ancient Corinth by the American School of Classical Studies at Athens. Most of the sculptures were discovered during the early campaigns of 1896, 1902-1910, and 1925-1929.
This volume continues the publication of excavations conducted by the American School of Classical Studies at Athens in the Sanctuary of Demeter and Kore on Acrocorinth. It incorporates two bodies of material--Greek lamps and offering trays. The lamps include those made from the 7th through 2nd centuries B.C., together with a few Roman examples not included in Corinth XVIII.2. They served to provide light and to accompany the rites of sacrifice. The offering trays differ from the liknon-type offering trays published by A. Brumfield; they support a variety of vessels rather than types of food and had a symbolic function in the Sanctuary rituals. They are extremely common in the Sanctuary and only rarely attested elsewhere.
These twenty-six papers are taken from a symposium held in Athens in 1996 to celebrate the 100th anniversary of the American School of Classical Studies excavations at Corinth.
In the series of final publications for the Sanctuary of Demeter and Kore, this book presents ceramic material from Roman Corinth (primarily from the middle of the first century to the end of the fourth century A.D.) in which is included the relatively small number of Roman lamps.
The large Roman bath situated on the Lechaion Road must have been conspicuous in the architecture of ancient Corinth at the beginning of the third century A.D.
Corinthian Conventionalizing pottery is a fineware produced during the 6th-4th century BC, consisting primarily of black and red bands, patterns and floral motifs decorating the surface of the vessel.
This volume discusses the important, mainly Roman, buildings at the east end of the Corinthian Agora--the Julian Basilica and the Southeast Building, the South Basilica (immediately behind the South Stoa), and the Mosaic House adjoining it.
After a discussion of the fragmentary evidence for several buildings of the Greek period which were swept to construct it, the South Stoa at Corinth is treated in detail.
In 1971, in the southwestern area of the Roman Forum of Corinth, a round-bottomed drainage channel was discovered filled with the largest deposit of pottery of the 4th century ever found in the city, as well as some coins, terracotta figurines, and metal and stone objects.
The friezes (the Gigantomachy, the Amazonomachy, and the Labors of Herakles) are presented each in turn with a discussion of its position in Greek art and a stylistic analysis, followed by a catalogue of the pieces arranged as far as possible in the proposed sequence of relief slabs.
Early-20th-century explorations of the Roman Forum at Corinth revealed a massive early imperial building now known as the Julian Basilica. Within it was one of the largest known shrines to the imperial cult and the likely site of the imperial court of law for the Roman province of Achaia.
Rescue excavations were carried out along the terrace north of Ancient Corinth by Henry Robinson, the director of the Corinth Excavations, and the American School of Classical Studies at Athens on behalf of the Greek Archaeological Service, in 1961 and 1962. They revealed 70 tile graves, limestone sarcophagi, and cremation burials (the last are rare in Corinth before the Julian colony), and seven chamber tombs (also rare before the Roman period). The burials ranged in date from the 5th century B.C. to the 6th century A.D., and about 240 skeletons were preserved for study. This volume publishes the results of these excavations and examines the evidence for changing burial practices in the Greek city, Roman colony, and Christian town. Documented are single graves and deposits, the Robinson "e;Painted Tomb,"e; two more hypogea, and four built chamber tombs. Ethne Barnes describes the human skeletal remains, and David Reese discusses the animal bones found in the North Terrace tombs. The author further explores the architecture of the chamber tombs as well as cemeteries, burial practices, and funeral customs in ancient Corinth. One appendix addresses a Roman chamber tomb at nearby Hexamilia, excavated in 1937; the second, by David Jordan, the lead tablets from a chamber tomb and its well. Concordances, grave index numbers, Corinth inventory numbers, and indexes follow. This study will be of interest to classicists, historians of several periods, and scholars studying early Christianity.
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