Bøger i Critical Ethnic Studies and Vi serien

Premodern archives from the Middle East show rich and diverse homoerotic worlds that were disrupted by the colonial imposition of Western models of sexuality. Andrew Gayed traces how contemporary Arab and Middle Eastern diasporic artists have remembered and reinvented these historical ways of being in their work in order to imagine a different present. Building on global art histories and transnational queer theory, Queer World Making illuminates contemporary understandings of queer sexuality in the Middle Eastern diaspora. The author focuses on the visual works of artists who create political art about queer identity, including Jamil Hellu, Ebrin Bagheri, 2Fik, Laurence Rasti, Nilbar Gèures, and Alireza Shojaian. 0Through engaging with these artists, Gayed is seeking to articulate a Western and non-Western modernity that works beyond the dichotomy of sexual oppression, stereotypically associated with the Middle East, versus sexual acceptance, attributed to North American norms. Instead, Gayed traces how diasporic subjects create coming-out narratives and identities that provide alternatives to inscribed Western models. Queer World Making reframes Arab homosexualities in terms of desire and alternative gender norms rather than through Western notions of visibility and coming out, narratives that are not conducive to understanding how queer Arabs living in the West experience their sexuality.

"This interdisciplinary edited collection features historians, anthropologists, artists, and activists who explore a transpacific understanding of the legacies of the testing and use of nuclear weapons. Instead of limiting the focus of the nuclear humanities to Hiroshima and Nagasaki, these essays take readers from the New Mexican desert, to the islands of the Pacific Ocean, to small fishing villages on the island of Shikoku in Japan. They bring together different times and places as well as art historical analysis and academic essays. Focusing on themes of resistance, this collection illustrates the varied methods artists and activists can use to combat nuclear regimes through their aesthetic and political work. By putting activists and artists together, it demonstrates the overlaps and linkages between them as well as the different ways political and artistic expression can respond to nuclear threats and effect change. Through the personal testimonies of hibakushas, lawsuits filed to demand compensation for the medical treatment of affected fisherman, community education programs that raise historical awareness, and artistic projects that provide social commentary, this volume illustrates that nuclear resistance can come in many forms"--