Bøger i Critical Interventions serien

Focuses on Sino-French films that have appeared since 2000. Michelle E. Bloom views these works through a Sino-French optic, applying the tropes of metissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on these works.

Compelling account of the decline of 'the social' and rise of atomisation under neo-liberalism, and how we can recreate a vibrant public realm.

Looks at the hope for democratic renewal embodied by Occupy Wall Street and other emerging movements.