Bøger i Critical Media Studies: Institutions, Politics, and Culture serien

Cinzia Padovani takes an in-depth look at Italian public service broadcasting, covering its history, its role in Italian society, its relationship to the political party system, and its influence on cultural and linguistic unification in Italy.

This is collection of essays on the theory and practice of critical studies in communication, media, and journalism. It is grounded in a critical theory of the media that addresses the potential of liberating individuals by challenging their roles in the hegemonic relationship of media and society.

Analyzes images on global CNN, Israeli IBA, and Palestinian PATV that contribute to how the violence in the Middle East is framed. This book draws from critical media theory and approaches out of cinema studies to examine how dominant ideologies are embedded in mainstream TV news.

Raymond Williams, a Welsh media critic and a pioneer of cultural studies, believed traditional biographies focus on individuals while isolating them from their communities. The author introduces us to Williams and his time period of social change and crisis.

Explains conglomeration and regulation in the film and television industries, covering its history as well as the contemporary scene. Useful as a supplement for a variety of media courses, this text includes synopses of key media regulations and policies, discussion questions, a glossary, and entertaining boxed features.

Helps readers understand the fascination with do-it-yourself media. Useful for students, this guide lays out the difficult theoretical terrain that community media theory and advocacy has located itself in, including the ideals of participation, community, and social change.

A survey of the historical roots, theoretical foundations and normative claims of 20th-century conceptualizations of public opinion. It examines research strategies such as polling, the "spiral of silence" model, and the role of the media in the formation and expression of public opinion.

Delves into the aesthetics and politics of sexuality in the era of do-it-yourself (DIY) Internet pornography. This work offers a critical analysis of Web culture as digital artistry and of the corresponding heightened government surveillance and censorship of the Internet.

Karen Ross provides the necessary historical context against which to read recent sex- and gender-based media phenomena such as Big Brother, Terminator, girls' use of mobile phones, women news editors, the Wonderbra generation, the Hillary Clinton and Sarah Palin phenomena, and so on.

This text came out of hundreds of international studies and proposed reforms for global communication media to ensure a free flow of information.

Has copyright protection gone too far in keeping the music from the masses? This book shows how the online music industry establishes the model for digital distribution, cultural access, and consumer privacy. It also explores the implications of downloading music.

Well-known for his work in film and theater as director, actor, and writer, Welles' influence in the field of radio has often been overlooked for the more glamorous entertainment of his movies. The Medium and the Magician is a comprehensive review of Welles's radio career, devoted to assessing his radio artistry and influence in the field. Visit our website for sample chapters!

The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, identifying various types of film studios and investigating the consequences for Hollywood, international film production, and the studio locations.

Dispels the myth that the television industry is giving viewers the programming they want to see and, thus, we as viewers are responsible for the existence of shows like "Fear Factor" and yet another "Survivor". Introducing us to the political economy of television, the author covers programming and organizations that seek industry accountability.

His name may not be as well known as that of his colleague and spiritual descendent, Marshall McLuhan, but Harold Innis's influence on contemporary critical media and communication studies has been no less profound. This concise look at Innis' life and conributions to the communication field.

Looking at issues of globalization, science, politics, gender, etc. this book advocates a new agenda not only for communication research, but also for the writing that comes out of it.

This text shows how and why US educational reforms must seek to build upon rather than downplay the native culture and language of minority students. The work includes stories from teachers and students that show what works - and what doesn't - in creating effective educational opportunties.

This analysis offers a global perspective on how people with disabilities are represented as users, consumers, viewers or listeners of new media by policymakers, corporations, programmers and the disabled themselves.

Drawing on cultural theory and interviews with fans, cast members and producers, this book places the reality TV trend within a broader social context.

This volume is a primer on media governance at a global level and the key influencing forces and organizations, such as ITU, WTO, UNESCO, WIPO and ICANN. It raises key questions and suggests where more complete answers can be found.

Looking beyond the protection of personal data in the new technological age, Serge Gutwirth advances the thesis that privacy is the safeguard of personal freedom - the safeguard of the individual's freedom to decide who she or he is, what she or he does, and who knows about it.

Talks about how media influence the development of consciousness and societies. This work traces humanity's movement from the oral tradition of preliterate cultures to the electronic media. It presents the author's own influential concepts of oral communication, time and space bias, and monopolies of knowledge.

Revealing aspects of Harold Adam Innis's character that have largely escaped the attention of his biographers, this volume brings together Innis's previously unpublished autobiographical memoir, a selection of his WWI correspondence, and his thesis, "The Returned Soldier." Detailed annotations by the volume editors flesh out the original materials.

Exploring how social order changes as the means of communication change, this volume makes widely accessible, for the first time, three extant chapters from Harold Innis's History of Communications-a legendary manuscript known of by many media historians, but seen by very few.

This study examines issues of communication technology, neo-liberal economic policies, public service media and media access, among others, and shows how progressive policymakers must use these bases to confront more directly the debates on contemporary welfare theory and politics.

Drawing articles from fields such as political science, media studies, and more, this volume analyzes the issues surrounding media's portrayal of terrorism. Answering the need of media discourse on terrorism, this volume complements readings in upper-level mass communication courses and appeals to scholars of international media and terrorism.

Drawing on articles from fields such as political science, media studies, and more, this volume analyzes the issues surrounding media's portrayal of terrorism. Answering a growing need of media discourse on terrorism, it complements readings in upper-level mass communication courses and appeals to scholars of international media and terrorism.