Bøger i Critical Perspectives in Art History serien

This collection of essays applies the most current thinking in literature and urban studies to an examination of visual culture of 19th century France - painting, caricature, illustrated magazines, posters - resulting in a subtle map of the gendered topography of Parisian modernity, the stomping ground of the flaneur. -- .

Cubism was the most influential artistic movement that emerged in the twentieth century. With over 100 illustrations this fascinating book recounts the history of cubism and discusses how principal writings, from the likes of Apollinaire to Rosalind Krauss, have shaped its importance over the years. -- .

Challenging the dominant view that American Abstract Expressionism triumphed in Western Europe in the immediate post-war period, this book considers the proliferation of gesture painting there from a European perspective. -- .

Examines the persistent mythology concerning the artist's model in British art and culture and some of the issues and ambiguities involved in representing the naked human body in a work of art. -- .

Russian nineteenth-century society, as seen through the art of the Wanderers, the nation's largest and most successful dissident school of realist painters, provides a fascinating social panorama of the late tsarist period: the land, the people, its times and history. -- .

This book is a scholarly and lively account of the interactions between art and ethnography in Paris in the pre-WW2 period, drawing upon a diverse range of primary and archival materials: non-western art, anthropological expeditions, museum displays and works by artists in Paris. -- .

This study emphasizes the local context of De Stijl and explores its relationship to Dutch modernism. It examines how the debates concerning abstraction in painting and spatiality in architecture were connected to developments in urban planning, advertising, interior and exhibition design.