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Ten essays on issues in philosophy, literary theory and intellectual history. The question of radical imperialism of the postmodern turn, the unstated agenda of neoconservative cultural theory and a discussion of Walter Benjamin's place in cultural studies are included in the text.
This study examines the affinity for anarchism that developed among late 19th-century writers, and shows that anarchism is the key aesthetic principle informing the work of modernist figures. Weir concludes that anarchism is still with us as cultural condition, if not a political one.
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