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Attempting to provide a more precise meaning to the term ""modernism"", this text combines psychoanalytical and philosophical concepts in rereading the history of modernity. The author focuses throughout on a single theme - the ghostly nature of modernity.
Nancy Shawcross places Barthes' thought on photography in the context of his developing ideas about semiology, tracking origins, rejections and departures. She shows Barthes' affinities with and distinction from, other theorists of photography.
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