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This is a historical and critical reassessment of the field of comparative literature-the study of cultures and their literary posterity across national borders and historical frontiers-at a moment when notions of literacy and culture are under inordinate pressure by predatory globalization and militaristic realpolitik.
Through an analysis of philosophical and literary texts by Hannah Arendt, Bertolt Brecht and Charlotte Delbo, Theaters of Justice raises the question: how does the theatrical structure of a criminal trial both facilitate and limit national processes of healing and learning from the past?
This memoir is less a chronicle of the life of a leading scholar/critic of matters French (and a key figure in the naturalization of French "theory" in English) than a series of differently angled fragments, episodes, each with its attendant surprise, in what one commentator has called his amour vache, his injured and occasionally injurious love, for France and the French.
These essays, which deal with a range of theological topics, reflect the changes in Peterson's thought leading up to and resulting from his conversion from Protestantism to Roman Catholicism.
The first history ever of violence against architecture as political violence, this book examines the case of the former Yugoslavia and the ways in which architecture is a site where power, agency, and ethnicity are constituted.
Rejecting the distinction Levinas asserted between Judaism and philosophy, this book reads his philosophical works, Totality and Infinity and Otherwise than Being through the prism of Judaic texts and ideas.
This book demonstrates how, in the Europe of the seventeenth and eighteenth centuries, literary writers, philosophers, and mathematicians together developed and shaped the idea of modern probability, both scientifically and aesthetically.
Multidirectional Memory brings together Holocaust studies and postcolonial studies for the first time to put forward a new theory of cultural memory and uncover an unacknowledged tradition of exchange between the legacies of genocide and colonialism.
Occidental Eschatology is a study of apocalypticism and its effects on Western philosophy. One of the great Jewish intellectuals of the twentieth century, Taubes published only this one book during his life, and here the English translation finally becomes available.
This first volume of biophysicist and philosopher Henri Atlan's masterpiece takes up the question of the techniques and sciences linked to the fabrication of living beings while following unexpected paths of religion and philosophy through the Talmud, Spinoza, the Kabbalah, Leibnitz, and more.
Tells about the transformation of urban space and the reordering of the demographic character of Brickfields, one of the oldest neighborhoods in Kuala Lumpur. This book combines methods of anthropological research and an engagement with the work of theorists such as Gilles Deleuze and Henri Lefebvre.
Through the pioneering work of Duchenne de Boulogne, Franois Delaporte provides a remarkable philosophical and historical examination of expressive physiology during the mid-19th century, and considers the science of emotion as a means of revealing inner life-thoughts, feelings-upon the surface of the face.
This book is about the heroic, ambivalent concept of the self within modernity as outlined in philosophy and exemplified in the filmic genres of the Western and crime and science fiction movies.
This book provides a penetrating and original reconstruction of Hobbes's materialist accounts of self-consciousness, cognition, and agency and shows how such an account of subjectivity demands that we pursue peace in our ethical and political lives.
This book is a collection of essays about the invention-and disappearance-of the 'Semites' and the lingering effects, both institutional and theologico-political, of this invention.
This book studies how our personal memory is transformed as a result of technological and cultural transformations: digital photo cameras, camcorders, and multimedia computers inevitably change the way we remember and affect conventional forms of recollection.
Fundamentally concerned with the means by which translation ensures the afterlife of literary and cultural texts, this book examines multiple processes of translation, temporal and spatial, through acts of intercultural exchange and intergenerational transmission.
Structures of Memory turns to the landscape of contemporary Berlin, particularly places marked by the presence of the Nazi regime, in order to understand how some places of great cruelty or great heroism are forgotten by all but eyewitnesses, while others become the site of public ceremonies, museums, or commemorative monuments.
Redefining art as a transformative "forcework," The Force of Art offers a new theory of the artwork, in which art's force is explained as a contestation of power in its modern technological manifestations.
This book offers a cultural history of modern China by looking at the tension between memory and history, examining how Chinese intellectuals and artists experienced trauma, social upheavals, and transformations.
This book suggests that modern cultural and critical institutions have persistently associated questions of aesthetics and politics with literature, theory, technics, and Romanticism.
"The Ends of Mourning" explores from an interdisciplinary perspective the crisis of contemporary culture with respect to the problem of mourning. The book charts the emergence and development of the problem of mourning in the writings of Freud, Proust and Freud's successor Lacan.
Desire and Distance constitutes an important new departure in contemporary phenomenological thought - a rethinking and critique of basic philosophical positions concerning the concept of perception presented by Husserl and Merleau-Ponty - though it departs in significant and original ways from their work.
This dialogue, proposed to Derrida by the historian Elisabeth Roudinesco, brings together two longtime friends who share a common history and an intellectual heritage. While their perspectives are often different, they have many common reference points: psychoanalysis, above all, but also the authors and works that have come to be known outside France as "post-structuralist."
The Event and its Terrors undertakes a critical reimagining of one of the major events of Irish history-the Great Famine of the 1840s-and of its subsequent legacies.
Taking on the Tradition focuses on how the work of Jacques Derrida has helped us rethink and rework the themes of tradition, legacy, and inheritance in the Western philosophical tradition.
The Ends of Literature analyzes the part played by literature within contemporary Latin American thought and politics, above all the politics of neoliberalism.
This book explores how modernity gives rise to temporal disorders when time cannot be assimilated and integrated into the realm of lived experience. It turns to Baudelaire and Flaubert in order to derive insights into the many temporal disorders (such as trauma, addiction, and fetishism) that pervade contemporary culture.
Enthusiasm is Lyotard's most elaborate and provocative statement on the politics of the sublime.
One of the major cultural philosophers of our time addresses, in his powerful and allusive critical voice, Malraux's reflections on art and literature. The result tells us as much about Lyotard as it does about Malraux.
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