Bøger i Cultural Memory in the Present serien

DRAFT to be approved by sponsor:This book shows how French philosophers in the twentieth century used Spinoza's rationalism to combat the irrationalism of phenomenology and, in the process, developed a mode of philosophical critique that was effective in targeting philosophical efforts to provide an ontological basis for political engagement.

This book investigates the forces that shape and limit interpretive practices. Weber suggests that institutions are never entirely free of the necessity of consolidating their authority through an ambivalent process of reinstituting themselves, a process in which interpretation plays a crucial role.

Arguing that Palestine has come to signify the colonial, broadly conceived, in the decolonizing world, this book offers the first thorough analysis of the ways in which Moroccan, Algerian, and Tunisian writers have engaged with the Palestinian question and the Palestinian-Israeli conflict for the past fifty years.

Unconventionally fusing the the history of faith and reason in Islam, this book traces the Qur'an-inspired intellectual revolution that took off in the Islamic world of the seventh century, revealing its highlights and following it through to its sixteenth-century demise.

A fictionalized hybrid of personal memoir, case studies, dream sequences, and theoretical reflection, this book on madness, trauma and psychiatry uses a fictional form to engage with psychotic experience and to make the case for a less mechanized, more humane treatment of "fools and madmen."

This book traces the history of phenomenological ethics and social thought in Central Europe from its founders Franz Brentano and Edmund Husserl through its reception in East Central Europe by dissident thinkers such as Jan Patocka, Karol Wojtyla (Pope John Paul II), and Vaclav Havel.

Seven eminent authors, all known for their work in deconstruction, address the millennial issue of our futures, promises, prophecies, projects, and possibilities including the possibility that there may be no future at all.

This book argues against the widely celebrated utopia of "transparency" by showing, across a panorama of postwar French thought, how attempts to show the perils of transparency in politics, ethics, and knowledge led to major conceptual inventions, many of which we now take for granted.

Peeren's book is a cultural analysis that brings the literary and social theories of Mikhail Bakhtin to bear on artifacts and events from contemporary popular culture in order to theorize gender, sexual, and racial identities as fundamentally intersubjective.

Addressed not only to specialists in German studies but also to readers interested in modern poetry, philosophy, and aesthetics, this volume is wide in scope but succinct in nature, aiming to assert the relevance of the work of Friedrich Hoelderlin (1770-1843) for thinking about history, culture, and language today.

Through the emblematic work of acclaimed French novelist Gustave Flaubert, this book contributes to the controversial discussion of modernity's relationship to religion.

B.R. Ambedkar, the architect of India's constitution, and M.K. Gandhi, the Indian nationalist, two figures whose thought and legacies have most strongly shaped the contours of Indian democracy, are typically considered antagonists who held irreconcilable views on empire, politics, and society. As such, they are rarely studied together. This book reassesses their complex relationship, focusing on their shared commitment to equality and justice, which for them was inseparable from anticolonial struggles for sovereignty.Both men inherited the concept of equality from Western humanism, but their ideas mark a radical turn in humanist conceptions of politics. This study recovers the philosophical foundations of their thought in Indian and Western traditions, religious and secular alike. Attending to moments of difficulty in their conceptions of justice and their languages of nonviolence, it probes the nature of risk that radical democracy's desire for inclusion opens within modern political thought. In excavating Ambedkar and Gandhi's intellectual kinship, Radical Equality allows them to shed light on each other, even as it places them within a global constellation of moral and political visions. The story of their struggle against inequality, violence, and empire thus transcends national boundaries and unfolds within a universal history of citizenship and dissent.

Covering the period of the Frankfurt School's exile in the United States, this book examines how the critique of racism, authoritarianism, and hard-right agitation impacted the American and German individual's self-conception (identity), while examining how a new form of politics, based on defining an Other, has shaped our everyday language, institutions, and social world.

Revisiting the history of Western religious thought and the role of nature and creation therein, this book paves the way for a new natural theology by bringing medieval theologian John the Scot Eriugena into conversation with American philosopher Ralph Waldo Emerson.

In The Reality of the Mass Media, Luhmann extends his theory of social systems-applied in his earlier works to the economy, the political system, art, religion, the sciences, and law-to an examination of the role of mass media in the construction of social reality.

This book revisits and revises some of the most basic concepts of time in the Judeo-Christian tradition, drawing on St. Paul's writings to rethink a new kind of radical faith in truth as an event, as the advent of the incalculable, a modality that remakes the pairing religious/secular.

"This innovative study of the works of Baudelaire and Celan opens a new window on the history of modern identity in western culture."--Germanic Notes and Reviews

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: the cloud.On a literal level, this could be represented by the absence of the sky, as in Brunelleschi's legendary first experiments with panels using perspective. Or it could be the vaporous swathes that Correggio uses to mediate between the viewer on earth and the heavenly prospect in his frescoed domes at Parma. Insofar as the cloud is a semiotic operator, interacting with the linear order of perspective, it also becomes a dynamic agent facilitating the creation of new types of pictorial space. (Damisch puts the signifer cloud between slashes to indicate that he deals with clouds as signs instead of realistic elements.)This way of looking at the history of painting is especially fruitful for the Renaissance and Baroque periods, but it is also valuable for looking at such junctures as the nineteenth century. For example, Damisch invokes Ruskin and Turner, who carry out both in theory and in practice a revision of the conditions of appearances of the cloud as a landscape feature. Even for the twentieth century, he has illuminating things to say about how his reading of cloud applies to the painters Leger and Batthus. In short, Damisch achieves a brilliant and systematic demonstration of a concept of semiotic interaction that touches some of the most crucial features of the Western art tradition.

For more than three decades, Talal Asad has been engaged in a distinctive critical exploration of the conceptual assumptions that govern the West's knowledges--especially its disciplinary and disciplining knowledges--of the non-Western world. The essays that make up this volume treat diverse aspects of this remarkable body of work. Among them: the relationship between colonial power and academic knowledge; the historical shifts giving shape to the complexly interrelated categories of the secular and the religious, and the significance of these shifts in the emergence of modern Europe; and aspects of human embodiment, including some of the various ways that pain, emotion, embodied aptitude, and the senses connect with and structure cultural practices. While the specific themes and arguments addressed by the individual contributors range widely, the essays cohere in a shared orientation of both critical engagement and productive extension. Note that this is not a festschrift, nor a celebratory farewell, but a series of engagements with a thinker whose work is in full spate and deserves to be far better known and understood.

"The Belated Witness is a remarkable book and a stunning accomplishment. This beautiful, finely wrought, and impeccably argued text makes a vital and refreshing contribution to existing scholarship in a number of fields: Holocaust literary studies, contemporary German literature, psychoanalytic literary criticism, and literary theory, more generally. Timely, profound, thoughtful, and ambitious in scope, it could very well become an instant classic of literary criticism."--Elissa Marder, Emory University"The book's importance lies not only in its insights into particular texts, but in its redefinition of testimony and our responses to it. This is an outstanding work."--Marianne Hirsch, Columbia University