Bøger i Divination serien

Tita Martin is murdered by a demon monster and sucks out his soul. Then five gorgeous guardians show up at her apartment and whisk her away to another realm to defeat an Olympian pantheon. All because the fates prophesized it.

This book is the third in a trilogy of books based on courses in cartomancy under the signature Read Like the Devil. It is packed with examples of student work and teacher feedback. Camelia Elias lives up to her reputation of a cartomantic martial artist, taking no prisoners. Her cuts through misunderstandings and misinterpretations are clean, leaving the serious student of cartomancy with a sense of wonder. The aim is to establish a top-level cartomancy that gives the possibility for all students of the Lenormand Oracle cards to reach the level of competence where they are beyond comparison, in a league of their own.This course book offers rigorous deconstructions and revisions of traditional approaches to reading the Lenormand cards, establishing a unique, oracular voice that's efficient, convincing, and poetic. The fortuneteller that emerges from these pages is analytical, deductively logical, and contextually situated. Her Read like the Devil method fuses the obvious with an incisively penetrating Zen clarity.In addition to method and technique, the book features extensive in-depth readings of the grand tableau, demonstrating dazzling detective skills that emphasize the beauty of interpretation at its finest expression.

This is a book of haiku poems using the Arcades Tarot as an inspiration.

This book deconstructs the 22 trumps of the Marseille Tarot, bringing a fresh and original perspective to divination. The book aims to inspire both seasoned and inexperienced diviners.

This is a collection of essays that gathers the voices of both reputed veteran and young cartomancers. The book captures the heart of cartomancy through 21+1 snappy rules, delivered with martial arts aplomb in the form of manifestos.

READING THE MARSEILLE TAROT, THE SUBTLE, YET SHARP WAY.

This book highlights the importance of reading cards in context, rather than seeing them as carriers of inherent signification. The focus is on the pip cards of the Marseille Tarot. The style follows the same tone as in the companion book: The Power of the Trumps: A Subtle Burst, whose premise is to deconstruct set cartomantic clichés.

This book aims to cover four basic questions: Why do we read cards? What's so special about the Marseille Tarot? How can the cards uncover our blind spots? What does it mean to live a magical life, when we allow the stories that the cards tell us to offer solutions to our real problems? The book is also the first to introduce the readers to the wonderful and strange cards of Carolus Zoya, a most rare and unseen Tarot de Marseille deck made in Turin at the end of 1700.

In these 2 volumes Enrique gathers fresh voices and sharp tongues to speak of the art of Tarot as the art of living magically. Forty-seven tarot luminaries (readers, historians, philosophers, magicians, and scientists alike) gather here to offer unique perspectives on what we can think of as divination with bones, human bones. Artists, deck creators, and modern-day neo-platonists follow Enrique's lead, letting themselves be enchanted by the piper at the gate of games. Some of the central questions that Enrique deals with are: do we read for the symbol, or the image? Do we read for the narrative that the cards create or their potential for transformation? Do we read for the plot, the poetry, or the formal properties? We find Enrique holding the torch and asking everybody the same questions: how do we experience the tarot? Through symbolic readings or through interacting with the image? While it is clear that he goes with the latter, he gives everyone a chance to state their preferences. But he doesn't stop there. He wants to see what the argument is for such preferences. What are the motivations in considering where images take us? How do the images do that? Why do we go to fortunetellers? My own contribution to this is to suggest that we read cards for the magic of narrative. We go to fortunetellers to see others play with our lives. Here are 47 of them. -- CAMELIA ELIAS, "HE RECO ME: ENRIQUE ENRIQUEZ'S POETICS OF DIVINATION"

In these 2 volumes Enrique gathers fresh voices and sharp tongues to speak of the art of Tarot as the art of living magically. Forty-seven tarot luminaries (readers, historians, philosophers, magicians, and scientists alike) gather here to offer unique perspectives on what we can think of as divination with bones, human bones. Artists, deck creators, and modern-day neo-platonists follow Enrique's lead, letting themselves be enchanted by the piper at the gate of games. Some of the central questions that Enrique deals with are: do we read for the symbol, or the image? Do we read for the narrative that the cards create or their potential for transformation? Do we read for the plot, the poetry, or the formal properties? We find Enrique holding the torch and asking everybody the same questions: how do we experience the tarot? Through symbolic readings or through interacting with the image? While it is clear that he goes with the latter, he gives everyone a chance to state their preferences. But he doesn't stop there. He wants to see what the argument is for such preferences. What are the motivations in considering where images take us? How do the images do that? Why do we go to fortunetellers? My own contribution to this is to suggest that we read cards for the magic of narrative. We go to fortunetellers to see others play with our lives. Here are 47 of them. -- CAMELIA ELIAS, "HE RECO ME: ENRIQUE ENRIQUEZ'S POETICS OF DIVINATION"

In TAROLOGY Enrique Enriquez sees the Tarot de Marseille through the prism and science of pataphysics, the science of imaginary solutions. By following into the footsteps of Oulipian writers, he applies the idea of constraint and the rule of restriction to the surprisingly visual and gestural nature of Tarot. The result is not only illuminating but also enriching for all those interested in the history of Tarot and its divinatory practices. Enriquez develops a whole new method of reading cards, which combines careful considerations of chance with choice. By using a phenomenological and constructivist approach to the cards, Enriquez shows how the Tarot de Marseille speaks poetry and thus reveals some of our deepest concerns with language, with what we can say when we are at a loss for words. --- "In TAROLOGY, going from pataphysics to poetry, Enrique Enriquez PERFORMS tarot in a way that is marvelously free of cultural preconditioning to the workings of myth and symbol, while at the same time proposing following the rules of 'watch and learn', 'keep it simple', 'stay on track', 'be surprised', 'be fearless', and 'let the image talk the walk'. This is no small achievement." (Camelia Elias, Professor of American Studies and Tarot de Marseille Reader)