Bøger i Dover Fashion and Costumes serien

Practical, informative guidebook shows how to create everything from short tunics worn by Saxon men in the fifth century to a lady's bustle dress of the late 1800s. 81 illustrations.

Detailed drawings in continuous chronological format provide a history of costume design from the first century AD to 1930. More than 1,400 illustrations, from Roman noble to Jazz Age schoolboy.

For this historically accurate sampling of authentic 1930's fashion, Stella Blum, former Curator of the Costume Institute at the Metropolitan Museum of Art in New York City, selected for reproduction 133 representative pages from rare Sears catalogs of the period (1933-1939). Hundreds of illustrations record what men, women, and children were actually wearing in the '30s when, as a copy line from the fall 1930 catalog proclaimed, "Thrift is the spirit of the day. Reckless spending is a thing of the past".

Egypt, Babylon, Greece up through 19th-century Europe; based on surviving pieces, art work, much more. Includes many clear, measured patterns for reproducing historic costumes. Full text. 595 illustrations.

Few publications illustrate so comprehensively what American men, women, and children wore in the 1940s than the Sears catalogs of those years, when the company's fashions typified the tastes of the American mainstream. This book is a compilation of 122 fully illustrated and captioned pages selected and reproduced from rare copies of Sears catalogs of the World War II era.Over 120 large-format pages have been carefully reprinted on high-quality glossy stock. They reveal in sharp detail the broad range of clothing fashions available during a period when wartime gasoline rationing made mail-order shopping reach new heights of popularity.Hundreds of accurately detailed drawings depict articles of clothing and personal accessories, including hats, overcoats, shoes, dresses, sportswear, undergarments, neckties, and more. Styles for children range from play clothes to "Sunday best." Men's clothing reflects the conservativism in male fashions during the period. Women's wear ranges from slacks, newly popular with women in the workforce, to dresses with plenty of "Oomph."Here is a richly revealing document that historians of costume and readers interested in fashion, social history, and Americana will find endlessly fascinating. JoAnne Olian, curator of the Costume Collection at the Museum of the City of New York, has written an introduction that appraises the fashions of the 1940s and the many ways in which they reflected the times.

Shoes have come a long way in the thousands of years since primitive man first donned bark and animal skins. Originally used to protect feet from harsh temperatures and rough land, shoes have evolved into an article of high fashion and style, a sartorial reflection of class, rank, and wealth. Take a stroll through history with this carefully researched, lavishly illustrated survey of footwear by R. Turner Wilcox, the fashion editor of "Women's Wear Daily" from 1910 through 1915.What did Tutankhamen's burial sandals look like? What shoes were the height of fashion in Paris at the turn of the century? The answers are all inside, along with hundreds of meticulously detailed images of every type of footwear imaginable: papyrus sandals from ancient Egypt, Chinese silk wedges for binding the feet, high wooden clogs for navigating muddy streets, English cavalier boots finished with rosettes and buckle trim, French taffeta dancing shoes, satin-and-lace boudoir slippers, kiltie golf brogues, jodhpur boots, American saddle oxfords, and so much more. Spanning centuries of styles from simply practical to distinctively dazzling, "The Mode in Footwear" is a true find for fashion editors, illustrators, costume designers, and shoe lovers of every kind. Dover (2008) unabridged republication of the edition originally published by Charles Scribner's Sons, New York, 1948. 208pp. 61/2 x 91/4. Paperbound. See every Dover book in print at www.doverpublications.com

Vintage photographs depict girls playing dress-up in their mothers' clothes, a boy dressed in Little Lord Fauntleroy style, and scores of other representative portraits. Captions.

Women's fashions of the 1920s continue to fascinate artists, couturiers, and students of fashion, who will welcome this treasury of French designs from that dazzling era. Carefully selected from rare issues of the famed French periodical La Vie Parisienne, over 630 royalty-free illustrations comprise a pictorial display of sophisticated couture embodying the seductive chic of the liberated woman.Drawn with wit, flair, and charm, the line cuts depict slinky beauties in an immense variety of gowns, dresses, coats, suits, beachwear, lounging suits, capes, and other outfits. Carefully reproduced, these stylish representations lend themselves perfectly to graphic projects calling for sophistication and feminine charm. Moreover, this inexpensive compilation presents a valuable and authentic record of French fashion from 1918 to 1928.Dover (1987) original publication.

". . . thoroughness and most impressive scholarship . . . much entertaining detail and . . . pleasant humour."--The Times Literary Supplement (London)Underwear--practical garments with a utilitarian function or body coverings that serve an erotic purpose? As this fascinating and intelligently written study shows, the role played by underclothing over the last several centuries has been a varied one.In a well-documented, profusely illustrated volume combining impressive scholarship with an entertaining, often humorous style, two distinguished clothing historians consider undergarments worn by the English over the past 600 years. Beginning with the Middle Ages, the authors cover centuries of clothing history, including the Tudor period, the Restoration, the Victorian and Edwardian eras, and the twentieth century up to the eve of World War II. Drawing on extensive, research, the Cunningtons illuminate the role and function of underwear: it protected the wearer against the elements, supported costume shapes, served as an erotic stimulus, symbolized class distinctions, and fulfilled other social, sanitary, and economic functions. Enhancing the detailed, comprehensive text are more than 100 period illustrations and photographs depicting a laced-up bodice of the twelfth century, embroidered linen drawers of the sixteenth century, a hooped petticoat support in bentwood (c. 1750), footed long drawers (1795), nineteenth-century bustles, early nineteenth-century corsets for men, "Frillies for the Tiny Lady" (1939), and much more. A bibliography, appendix, and index complete a valuable reference work that will appeal to costume historians, sociologists, and other readers.

Rich selection of dressmaker's patterns from popular, late-19th-century magazine "The Voice of Fashion" includes 50 garments for women, from day and evening dresses to tennis outfits and undergarments. 498 illustrations.

As the 20th century dawned, women began to abandon frilly fashions for sharply tailored suits. Professional tailors of the time turned to this comprehensive resource to create office outfits, riding pants, blouses, and other garments. Filled with more than 80 patterns, it's an invaluable reference for costume designers and fashion historians. 92 black-and-white illustrations.

Over 280 rare photographs document "Sunday best" clothing from the 1840s to the 1890s. Bustles, pantalets, top hats, waistcoats, bowlers, other attire, as well as hairdressing and tonsorial styles.

Over 575 illustrations detailing 59 different garments, mainly for women. Introduction and brief instructions.