Bøger i Eastern European Literature serien

A thrilling mixture of the manipulative potential of TV and the routine of modern life. From one of Serbia's greatest contemporary writers, this work of fiction opens with the narrator finding a mysterious, blank envelope stuck in his apartment door inviting him to a private showing a movie.

An unforgettable invective, Night marks the emergence of an exciting new voice in contemporary fiction.

In 1990, the same year as Things in the Night, Unt published a second novel, Diary of a Blood Donor, which displays the usual Untian mixture of fact and fiction, and takes one of the most sacred names in Estonian literature in vain. Lydia Koidula (1843-1886) is widely regarded as the first Estonian woman poet of significance, and also as the first poet to express an Estonian longing for independence. Here, Unt rather blasphemously weaves this national icon and her Latvian doctor husband into a postmodern tale of vampires and a mysterious trip to Leningrad.

Here is a book about a man, supposedly a writer, who tries to write a novel, because he promised his readers he would. But he doesn't have anything to say. He keeps erasing what he writes, and rewriting it, without having the slightest idea where he's going with it. Soon enough he realizes that looking out of the window, sitting in front of his typewriter, describing anything and everything, is not enough to write a novel. His three friends, Edmond, Edgar, and Edouard, will aid him in his task... Pigeon Post will be the second book Dalkey Archive has published by the Romanian writer Dumitru Tsepeneag (after the critically acclaimed Vain Art of the Fugue), and we will be publishing more of his works in the years to come.

Set in Estonia near the end of the millennium, this eulogy is a moving and hilarious hybrid work concerning the author's attempts to write a book on electricity in all its forms. This novel explores a world on the edge of disaster - plagued by power-outages and threatened by conspiracies - juxtaposed against images and stories of tenderness.

Ordered by two mysterious men to "write a statement of about 100 pages," the narrator of "Chinese Letter--who's not sure of his name, but calls himself Fritz--faithfully records the bizarre occurrences of his daily life: his absurd conversations with his mother who is abducted by slave traders, his visits to his friend who works in the hospital's autopsy room, and his sister's tumultuous marriage to the butcher's son, to name a few. Widely respected in Serbia, the term "Basarian" has been coined to refer to Basara's unique writing style, reminiscent of the best of Samuel Beckett for its directness, existential pondering, and odd sense of humor.