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This book tells the troubled story of a period in Hungarian cinematic history during which audiences, filmmakers, critics, and officials grappled with questions surrounding Hungarian national identity.
This book is the first in English on the Yugoslav Black Wave, and it offers an analysis of the movement, its key players, its sociopolitical engagement, and its place in the larger story of European modernism.
This book brings together a large cast of mainstream and avant-garde cineastes, artists, photographers, comics creators, poets, and more, to reflect on a wide range of phenomena from the realms of cinema and visual culture in the Yugoslav region, broader Europe, and North America.
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