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Focusing on the difference between lower-level perceptual processes in the "neural unconscious" and higher-order thought in the frontal lobes, this open access book shows how Herman Melville sought to reclaim the fluid world of the sensory, with its precategorical and radically egalitarian impulses. By studying this previously underexamined facet of Melville's work, this book offers an essential corrective to the "pathology paradigm," which demonizes departures from a neurological norm and feasts on pejorative categorization. The neurodiversity movement arose precisely as a response to how so-called "mental disorders" have been described, understood, and treated. Unlike standard neuroscientific or psychiatric investigation, Melville's work doesn't strive to explain typical functioning through the negative and, in the process, to shore up a regime of normalcy. To the contrary, it exploits the lack of congealed diagnoses in the 19th Century, much more neutrally asking the question: what can an atypical body-mind do? Steeped in current studies about autism, Alzheimer's, Capgras and Fregoli syndromes, Mirror-touch synesthesia, phantom limb syndrome, stuttering, and tinnitus, and fully conversant with Melville scholarship, Phenomenological Primitives demonstrates what the humanities can contribute to the sciences and what the sciences can contribute to the humanities.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded in part by Grinnell College.

Developing a reading of modernist poetics centred on the three-way relationship between literature, modern physics and avant-garde art movements, this book focuses on four key poets - William Carlos Williams, Mina Loy, the Baroness Elsa von Freytag-Loringhoven and Wallace Stevens - whose lives crossed paths in 20th-century New York. This book explores how modernist art movements have shaped these writers' thinking about physics in relation to their work, demonstrating how science's new ideas about measurement and how to visualize material reality provoked innovative poetic forms and images. From Einstein's visit to New York City in 1921 to the impact of the atomic bomb, the author traces the flow of ideas about physics through culture, linking the new physics with modern approaches to art found in Cubism, Futurism, Dada and Surrealism.

The tale of twins being reunited after a long separation is a trope that has been endlessly repeated and reworked across different cultures and throughout history, with each moment adapting the twin plot to address its current cultural tensions. In this study, Edward King demonstrates how twins are a means of exploring the social implications of hyper-connectivity and the compromising relationship between humans and digital information, their environment and their genetics. As King demonstrates, twins tell us about the changing forms of connectivity and power in contemporary culture and what new conceptions of the human they present us with. Taking account of a broad range of literary, cultural and scientific practices, Entwined Being probes discussions surrounding twins such as: - The way in which they appear in behavioral genetics as a way of identifying inherited predispositions to social media- How their faces interrupt biometric interfaces such as facial recognition software and undermine advances in neo-liberal surveillance systems- How they represent the uncanny and the weird in the horror genre and how this questions ideologies of communications media and the connectivity it enables- Their association with telepathy and cybernetics in science fiction- Their construction as models for entangled being in ecological thoughtDrawing upon the literary and filmic works of Ken Follet, Edgar Allan Poe, H. P. Lovecraft, Bruce Chatwin, Shelley Jackson, Brian de Palma, Peter Greenway and David Cronenberg, as well as science fiction literature and the television series Orphan Black, King illuminates how twins are employed across a range of disciplines to envision a critical re-conception of the human in times of digital integration and ecological crisis.

Widely seen as evolution's founding figure, Charles Darwin is taken by many evolutionists to be the first to propose a truly modern theory of evolution. Darwin's greatness, however, has obscured the man and his work, at times even to the point of distortion. Accessibly written, this book presents a more nuanced picture and invites us to discover some neglected ambiguities and contradictions in Darwin's masterwork. Delisle and Tierney show Darwin to be a man who struggled to reconcile the received wisdom of an unchanging natural world with his new ideas about evolution. Arguing that Darwin was unable to break free entirely from his contemporaries' more traditional outlook, they show his theory to be a fascinating compromise between old and new.Rediscovering this other Darwin - and this other side of On the Origin of Species - helps shed new light on the immensity of the task that lay before 19th century scholars, as well as their ultimate achievements.