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This volume argues that Joyce's ""Ulysses"" is the Irish national epic - a new international epic written at the moment a new nation, the Irish Free State, was being founded, and one that evades the potential constraints of the epic tradition.
Presents a collection of essays that reviews the theory on James Joyce's ""Ulysses"". This volume, for seasoned Joyceans, offers an important review of the methodologies that have made significant contributions to understanding the novel. In addition, it surveys an array of feminist scholarship on ""Ulysses"".
This text covers Joyce's writing in terms of music and evaluates the music - its form, kind and technique - in each work. Using Joyce's own rhetoric of theme and variation, the author moves from one character to another, through the poems, fiction and drama.
James Joyce never used quotation marks. This book springs from that aversion, tracing Joyce's transgressive relation to that history from ""Memorabilia"" to ""Finnegan's Wake"". The author argues Joyce's rejection of the mark signals a wider and deeper rejection of the system it implements.
Using the fiction the young James Joyce was writing from 1904 to 1906, this study traces the process by which Joyce evolved into the mature artist. The author argues that Joyce enriched his fiction with a series of elegant strategies that made him his own esoteric subject.
Provides a comprehensive assessment of the influence Joyce's interest in medicine had on his work. This is the first sustained study of Joyce's artistic uses of turn-of-the-century medical discourses. It balances close readings of Joyce's major texts with thorough archival research into late nineteenth- and early twentieth-century medical debates.
In an effort to facilitate and generate renewed scholarly interest in the play, Fargnoli and Gillespie have compiled the first and only critical edition of "Exiles." They contend that when read on its own, the play stands very much on the cutting edge of modern drama.
The author of this text examines Joyce's representation of advertising. Taking readers back to its beginnings, he aims to show that advertising was a central preoccupation of Joyce, one that helps to unravel his often difficult style.
The development of Joycean studies into a respected and very large subdiscipline of modernist studies can be traced to the work of several important scholars. Among those who did the most to document Joyce's work, Karen Lawrence can easily be considered one of that elite cadre.A retrospective of decades of work on Joyce, this collection includes published journal articles, book chapters, and selections from her best known work (all updated and revised), along with one new essay. Featuring engaging close readings of such Joyce works as Dubliners and Ulysses, it will be a welcome addition to any serious Joycean's library and will prove extremely useful to new generations of Joyce critics looking to build on Lawrence's expansive scholarship. Both readable and lively, this work may inspire a lifetime of reading, re-reading, and teaching Joyce.
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