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Looks at how cinematic representations of colonial-era victimization inform our understanding of the contemporary age of terror. By examining works representing colonial history and the dynamics of spectatorship emerging from them, Michael F. O'Riley reveals how the centrality of victimization can help us understand how the desire to occupy the victim's position is a dangerous and blinding drive.
Considers French colonial experiences in Africa and Southeast Asia and identifies the processes that made Frenchmen and women into ardent imperialists
Violence was prominent in France's conquest of a colonial empire, and the use of force was integral to its control and regulation of colonial territories. What, if anything, made such violence distinctly colonial? And how did its practitioners justify or explain it? These are issues at the heart of The French Colonial Mind.
Considers French colonial experiences in Africa and Southeast Asia and identifies the processes that made Frenchmen and women into ardent imperialists Explores the many ways in which brutality and killing became central to the French experience and management of empire
The Algerian journalist Baya Gacemi takes a dangerous political step in writing the ""autobiography"" of a young Algerian woman whom she met through a program for female victims of Islamist violence in Algiers. Gacemi provides a human face to the cultural wars that have torn Algeria and the Middle East apart, revealing the roots of terrorism.
Relates Bellil's struggle to recover from gang rape, to create a new culture of support and compassion, and to offer hope to others who suffer in silence.
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