Bøger i Gender, Theory, and Religion serien

Investigates the cultural and ideological motivations behind early imaginings of the magician, the sorceress, and the witch in the ancient world. This book highlights the degree to which these ancient cultures shared ideas about power and legitimate authority, even while constructing and deploying those ideas in different ways.

Solimar Otero explores how Afrolatinx spirits guide collaborative spiritual-scholarly activist work through rituals and the creation of material culture. By examining spirit mediumship through a Caribbean cross-cultural poetics, she shows how divinities and ancestors serve as active agents in shaping the experiences of gender, sexuality, and race.

Rachel J. D. Smith combines historical, literary, and theological approaches to offer a new interpretation of Thomas of Cantimpre's hagiographies, showing how they employ vivid narrative portrayals of typically female bodies to perform theological work in a rhetorically specific way.

Lays the groundwork for a theology and philosophy of life better suited to our (post)modern moment: one that owns up to the vulnerabilities that modernity sought to disavow and better enables us to navigate the ethical issues we now confront.

Suggests that Martyrs are produced, not by lived experience of particular historical individuals but by the stories that are later told about them. This work explores the central role of persecution in the early development of Christian ideas, institutions, and cultural forms and shows how the legacy of Christian martyrdom plays out in the world.

The literature of Adrienne Rich, Toni Morrison, Ana Castillo, and Chimamanda Ngozi Adichie teaches a risky, self-giving way of reading (and being) that brings home the dangers and the possibilities of suffering as an ethical good. Working the thought of feminist theologians and philosophers into an analysis of these women's writings, Cynthia R. Wallace crafts a literary ethics attentive to the paradoxes of critique and re-vision, universality and particularity, and reads in suffering a redemptive or redeemable reality.Wallace's approach recognizes the generative interplay between ethical form and content in literature, which helps isolate more distinctly the gendered and religious echoes of suffering and sacrifice in Western culture. By refracting these resonances through the work of feminists and theologians of color, her book also shows the value of broad-ranging ethical explorations into literature, with their power to redefine theories of reading and the nature of our responsibility to art and each other.

Santeria is an African-inspired, Cuban diaspora religion long stigmatized as witchcraft and often dismissed as superstition, yet its spirit- and possession-based practices are rapidly winning adherents across the world. Aisha M. Beliso-De Jesus introduces the term "e;copresence"e; to capture the current transnational experience of Santeria, in which racialized and gendered spirits, deities, priests, and religious travelers remake local, national, and political boundaries and reconfigure notions of technology and transnationalism.Drawing on eight years of ethnographic research in Havana and Matanzas, Cuba, and in New York City, Miami, Los Angeles, and the San Francisco Bay area, Beliso-De Jesus traces the phenomenon of copresence in the lives of Santeria practitioners, mapping its emergence in transnational places and historical moments and its ritual negotiation of race, imperialism, gender, sexuality, and religious travel. Santeria's spirits, deities, and practitioners allow digital technologies to be used in new ways, inciting unique encounters through video and other media. Doing away with traditional perceptions of Santeria as a static, localized practice or as part of a mythologized "e;past,"e; this book emphasizes the religion's dynamic circulations and calls for nontranscendental understandings of religious transnationalisms.

The apostle Paul deals extensively with gender, embodiment, and desire in his authentic letters, yet many of the contemporary philosophers interested in his work downplay these aspects of his thought. Christ Without Adam is the first book to examine the role of gender and sexuality in the turn to the apostle Paul in recent Continental philosophy. It builds a constructive proposal for embodied Christian theological anthropology in conversation with-and in contrast to-the "e;Paulinisms"e; of Stanislas Breton, Alain Badiou, and Slavoj iek.Paul's letters bequeathed a crucial anthropological aporia to the history of Christian thought, insofar as the apostle sought to situate embodied human beings typologically with reference to Adam and Christ, but failed to work out the place of sexual difference within this classification. As a result, the space between Adam and Christ has functioned historically as a conceptual and temporal interval in which Christian anthropology poses and re-poses theological dilemmas of embodied difference. This study follows the ways in which the appropriations of Paul by Breton, Badiou, and iek have either sidestepped or collapsed this interval, a crucial component in their articulations of a universal Pauline subject. As a result, sexual difference fails to materialize in their readings as a problem with any explicit force. Against these readings, Dunning asserts the importance of the Pauline Adam-Christ typology, not as a straightforward resource but as a witness to a certain necessary failure-the failure of the Christian tradition to resolve embodied difference without remainder. This failure, he argues, is constructive in that it reveals the instability of sexual difference, both masculine and feminine, within an anthropological paradigm that claims to be universal yet is still predicated on male bodies.

Acute Melancholia and Other Essays deploys spirited and progressive approaches to the study of Christian mysticism and the philosophy of religion. Ideal for novices and experienced scholars alike, the volume makes a forceful case for thinking about religion as both belief and practice, in which traditions marked by change are passed down through generations, laying the groundwork for their own critique. Through a provocative integration of medieval sources and texts by Jacques Derrida, Judith Butler, Talal Asad, and Dipesh Chakrabarty, this book redefines what it means to engage critically with history and those embedded within it.

Through a probing investigation of conservative Christianity and its response to an issue that, according to the statistics of conservative Christian groups, affects only a small number of Americans, Ludger Viefhues-Bailey alights on a profound theological conundrum: in today's conservative Christian movement, both sexes are called upon to be at once assertive and submissive, masculine and feminine, not only within the home but also within the church, society, and the state. Therefore the arguments of conservative Christians against same-sex marriage involve more than literal readings of the Bible or nostalgia for simple gender roles.Focusing primarily on texts produced by Focus on the Family, a leading media and ministry organization informing conservative Christian culture, Viefhues-Bailey identifies two distinct ideas of male homosexuality: gender-disturbed and passive; and oversexed, strongly masculine, and aggressive. These homosexualities enable a complex ideal of Christian masculinity in which men are encouraged to be assertive toward the world while also being submissive toward God and family. This web of sexual contradiction influences the flow of power between the sexes and within the state. It joins notions of sexual equality to claims of "e;natural"e; difference, establishing a fraught basis for respectable romantic marriage. Heterosexual union is then treated as emblematic of, if not essential to, the success of American political life yet far from creating gender stability, these tensions produce an endless striving for balance. Viefhues-Bailey's final, brilliant move is to connect the desire for stability to the conservative Christian movement's strategies of political power.

Toward the end of the Mesopotamian Epic of Gilgamesh King Gilgamesh laments the untimely death of his comrade Enkidu, "e;my friend whom I loved dearly."e; Similarly in the Bible, David mourns his companion, Jonathan, whose "e;love to me was wonderful, greater than the love of women."e; These passages, along with other ambiguous erotic and sexual language found in the Gilgamesh epic and the biblical David story, have become the object of numerous and competing scholarly inquiries into the sexual nature of the heroes' relationships. Susan Ackerman's innovative work carefully examines the stories' sexual and homoerotic language and suggests that its ambiguity provides new ways of understanding ideas of gender and sexuality in the ancient Near East and its literature. In exploring the stories of Gilgamesh and Enkidu and David and Jonathan, Ackerman cautions against applying modern conceptions of homosexuality to these relationships. Drawing on historical and literary criticism, Ackerman's close readings analyze the stories of David and Gilgamesh in light of contemporary definitions of sexual relationships and gender roles. She argues that these male relationships cannot be taken as same-sex partnerships in the modern sense, but reflect the ancient understanding of gender roles, whether in same- or opposite-sex relationships, as defined as either active (male) or passive (female). Her interpretation also considers the heroes' erotic and sexual interactions with members of the opposite sex.Ackerman shows that the texts' language and erotic imagery suggest more than just an intense male bonding. She argues that, though ambiguous, the erotic imagery and language have a critical function in the texts and serve the political, religious, and aesthetic aims of the narrators. More precisely, the erotic language in the story of David seeks to feminize Jonathan and thus invalidate his claim to Israel's throne in favor of David. In the case of Gilgamesh and Enkidu, whose egalitarian relationship is paradoxically described using the hierarchically dependent language of sexual relationships, the ambiguous erotic language reinforces their status as liminal figures and heroes in the epic tradition.

rossing linguistic and historical boundaries, Patricia Dailey connects the embodied poetics of Hadewijch of Brabant's visions, writings, and letters to the work of Julian of Norwich, Hildegard of Bingen, Marguerite of Oingt, and other mystics and visionaries.

Early Christians used charges of adultery, incest, and lascivious behavior to demonize their opponents, police insiders, resist pagan rulers, and define what it meant to be a Christian. This book explores the writings of Paul, Justin Martyr, Irenaeus of Lyons, and other Christian authors who argued that Christ alone made self-mastery possible.

An anthology applying Judith Butler's theories to religion. It uses her work to investigate a variety of topics in biblical, Islamic, Buddhist, and Christian traditions. It sheds light on Butler's ideas and highlights their ethical and political import. It discusses subjects such as religious rituals, and biblical constructions of sexuality.

An anthology applying Judith Butler's theories to religion. It uses her work to investigate a variety of topics in biblical, Islamic, Buddhist, and Christian traditions. It sheds light on Butler's ideas and highlights their ethical and political import. It discusses subjects such as religious rituals, and biblical constructions of sexuality.