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Most Southerners who fought in the Civil War were native born, white, and Confederate. However, thousands with other ethnic back-grounds also took a stand - and not always for the South. This book recounts the wartime experiences of the region's German Americans, Native Americans, and African Americans.
This text provides accounts of the American Civil War's impact on the lives of women and children, black and white, on both sides of the conflict.
This work looks at some of the historical forces actively at work in today's south, drawing pointed, provocative links between the ""lost cause"" mythology that emerged from the chaos of Confederate defeat, the region's reputation for intolerance and souther evangelical Protestantism.
This volume explores the often complicated ways in which ethnicity and social rank interacted to determine the relationships that were forged among four categories of women in the Revolutionary and early National Georgia Lowcountry.
In Nations Divided, Don H. Doyle looks at some unexpected parallels in American and Italian history. What we learn will reattune us to the complexities and ironies of nationalism. During his travels around southern Italy not long ago, Doyle was caught off guard by frequent images of the Confederate battle flag. The flag could also be seen, he was told, waving in the stands at soccer matches. At the same time, a political movement in northern Italy called for secession from the South. A historian with a special interest in the long troubled relationship between the American South and the United States, Doyle was driven to understand the forces that unite and divide nations from within.The Italian South had been at odds with the more prosperous, metropolitan North of Italy since the countrys bloody unification struggles in the 1860s. Thousands of miles from Doyles Tennessee home was an eerily familiar scenario: a South characterized in terms of its many perceived problems by a North eager to define national ideals against the southern other. From this abruptly decentered perspective, Doyle reexamines both countries struggle to create an independent, unified nation and the ongoing effort to instill national identity in their diverse populace. The Fourth of July and Statuto Day; Lincoln and Garibaldi; the Confederate States of America and the secessionist dreams of Italys Northern League; NAFTA and the European Union-such topics appear in telling juxtaposition, both inviting and defying easy conclusions. At the same time, Doyle negotiates the conceptual slipperiness of nationalism by discussing it as both constructed and real, unifying and divisive, inspiration for good and excuse for atrocity.Americans like to think of themselves as being innocent of the vicious ethnic warfare that has raged in the Old World and over so much of the globe, writes Doyle. Europeans, in turn, enjoy reminding Americans of how little history they have. This enlightening, challenging meditation shows us that Europeans and Americans have much to learn from the common history of nationalism that has shaped both their worlds.
In this contemplative study of selected poems and works of prose, Barbara Hardy emphasizes Dylan Thomas' creative achievements and high intelligence and discusses the influences of his regional identity, his modernist style, his reflexive awareness and use of language and his themes.
From the lone outcry of Richard Wright's ""Black Boy"" to the chorusing voices of Louis Farrakhan's Million Man March, this work examines the second half of the 20th century to assess the challenges to African American cultural and intellectual life.
Examines the careers, talents, and styles of three women who were acknowledged, each in her time, as the greatest interpreter of Shakespeare's heroines: Sarah Siddons, Ellen Terry, and Judi Dench.
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