Bøger i Haymarket serien

Who speaks for science in a technologically dominated society? In his latest work of cultural criticism Andrew Ross contends that this question yields no simple or easy answer. In our present technoculture a wide variety of people, both inside and outside the scientific community, have become increasingly vocal in exercising their right to speak about, on behalf of, and often against, science and technology.Arguing that science can only ever be understood as a social artifact, Strange Weather is a manifesto which calls on cultural critics to abandon their technophobia and contribute to the debates which shape our future. Each chapter focuses on an idea, a practice or community that has established an influential presence in our culture: New Age, computer hacking, cyberpunk, futurology, and global warming.In a book brimming over with intelligence—both human and electronic—Ross examines the state of scientific countercultures in an age when the development of advanced information technologies coexists uneasily with ecological warnings about the perils of unchecked growth. Intended as a contribution to a ¿green¿ cultural criticism, Strange Weather is a provocative investigation of the ways in which science is shaping the popular imagination of today, and delimiting the possibilities of tomorrow.

This collection of essays exposes the contradictions and constituencies in the ongoing reconstruction of white heterosexual masculinity during the 1980s and 1990s. It considers white, mainstream masculinity through direct participation in its rituals and practices.

This volume provides coverage of musical styles from around the world, from Havana to Tokyo. It explores the fusion of immigrant and mainstream cultures displayed in world music, including: rap, jazz, reggae, zouk, bhangra, juju, swamp pop, and Puerto Rican Bugalu and Chicano punk.

Takes readers on a guided tour of some of the world's leading museums and some of the most unusual. Making unexpected connections and juxtapositions, this book allows readers to perceive and enjoy the beautiful, the bizarre and the downright perverse in places we never thought of looking before.

These essays examine "film noir" in the light of contemporary social and political concerns, attempting to move beyond the views of the early French critics. Topics range from the re-emergence of "noir" in films such as "Bladerunner", to the relations between the sexes and the role of women.

This collection of essays questions the often ambivalent place of Africa in the imaginations, cultures and politics of its American and British descendants. It combines literary analysis, history, biography, cultural studies, critical theory and politics.