Bøger i History for Peace serien

An accessible cultural and literary critique of the right wing in India.   How does orthodoxy maintain its power over culture? In Remaking the Citizen for New Times, Deepa Sreenivas explores how the Amar Chitra Katha, a widely read comic series started in 1967 in India, influenced the historical and national consciousness of young readers in a conservative direction. Tacitly blaming Nehruvian welfarism of the time for the moral decline of the nation, the Amar Chitra Katha emerged as a literary articulation of the Indian right's Hindu-nationalist ideology in a modern, bourgeois guise. To renew Hindutva hegemony, the comic series gave orthodox ideas a new sheen, both in its form and content, merging Western comic styles with Indian visual storytelling traditions on the one hand, and combining mythological characters with political figureheads into harmonious narratives on the other-making it difficult to sift history from myths and legends. Sreenivas deftly argues that these mythological-political tales emphasized the instructive rather than the informative potential of history, encouraging neoliberal values such as merit and hard work while ignoring caste or class as systemic issues.

A persuasive redefinition of nationalism by one of the most eminent historians of India.   What makes a people living in a mere "geographical expression" a nation? From the French Revolution onwards, the word "nation" came to denote a people who wish to be collectively free. But free from what-colonial rule and inequality? Or religious and cultural diversity?   In this timely and succinct essay, Irfan Habib charts India's struggle to consolidate a nationalist identity, to identify what it sought to be free from. Even as the colonial regime denied the very possibility of nationalism in the subcontinent, opposition to British rule fomented just such a sentiment. But resistance against colonial exploitation alone could not unify the Indian people. Internal inequalities-caste, poverty, religious bigotry-remained (and still remain) to be tackled.

An accessible contribution to the ongoing discussion about the quality and politics of social science textbooks in India.   More than ever before, the school history textbook in India has become an embattled object and the subject of many contestations from both above and below. It is vulnerable not only to the political vagaries of governments but also to the exclusive claims of myriad communities and groups to their sense of the past. What is the future of India's textbook, arguably the most important repository of the country's national past? Is a single teachable past even possible any longer?   In this essay, Janaki Nair uses the Indian predicament to discuss the possibility of building up a "historical temper" in the Indian classroom. Sharing examples from her unique position as a professional historian with sustained experience in the field of pedagogy, Nair invites reflections on the prospect of cultivating a historical temper that can help the teacher equip students to grapple with history.

This essay examines the history of the Indian subcontinent and the Partition of 1947 from a pedagogical perspective. How does education shape political rivalry and hostility? The Partition of the Indian subcontinent in 1947--the violence that followed it, and its living legacy of rival nationalisms--has made a deep and pervasive impact on education in both India and Pakistan. In Learning to Live with the Past, educationist Krishna Kumar dwells on the complex terrain every history teacher has to navigate: how to make the past come alive without running the risk of creating a desire to lose this "pastness." Substantiating this question with a wealth of experiences gained from his extensive research on history textbooks, as well as his interactions with students and teachers in both countries, Kumar explores the integral function the discipline of history plays in the project of nation-building. To help children learn to live with the past, Kumar amplifies the need for spaces that create possibilities for inquiries into a "longer" common heritage shared by South Asia without necessarily denying a national narrative or encouraging an urge to undo the past.

An original analysis of religion versus the religionization of society in India. What is unique about Indian secularism? In this book, Rajeev Bhargava argues that secularism in India, as opposed to in the West, did not arise in a society that had already been religiously homogenized, where the need of the hour was to break the political nexus between church and state. In India, secularism does not demand that the state is against or indifferent to religion, but rather that it combat institutionalized religious domination, both between and within religions. Apathy or antipathy to religion, Bhargava points out, would foment inter-religious rivalries that intensify anti-reformist tendencies, fueling further division. As secularism receives daily ridicule in India, Bhargava provides an account of how this "principled distance" from religion has been a victim of misunderstandings by its proponents, abuse by its practitioners, and deliberate distortion by its opponents. Reimagining Indian Secularism offers a proposal of how we might one day be able to rehabilitate secularism.

Offers insight into the links between the development of print culture and the many dynamic strains of nationalism in dialogue during the Partition of the Indian subcontinent in 1947.   How did inexpensive posters influence nationalism in the decades leading up to and succeeding the Partition of the Indian subcontinent in 1947? If mechanically reproduced images that occupy public spaces reflect the aesthetics of the “masses,â€? what can a critical interpretation of subcontinental popular visual culture in the mid-twentieth century reveal about the formation of communal identities?   In this essay, Yousuf Saeed studies the selective deification of leaders fighting for Indian independence. He highlights the biased representation within the domain of “patrioticâ€? posters of the time and the evolving portrayal of religious minority communities in India‿s popular print culture over subsequent decades. Also charts the turn popular print culture took in post-Partition Pakistan, Saeed focuses on the country‿s thriving industry of Sufi-saint posters. Partitioning Bazaar Art is a timely exploration of how nationalism can be defined through popular imagery. Â