Bøger i Icons of the Luso-Hispanic World serien

María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art, and jewellery design.

Feted by his contemporaries, Federico Garcia Lorca's status has only grown since his death in 1936. This book shows just why his fame has endured, through an exploration of his most popular works: Romancero Gitano, Poeta en Nueva York and the trilogy of tragic plays - Blood Wedding, Yerma and The House of Bernarda Alba.Feted by his contemporaries, Federico Garcia Lorca's status has only grown since his death in 1936: poet, playwright, political martyr, gay icon, champion of women, defender of the oppressed. This book guides readers through the key themes and concerns in Lorca's work. It demonstrates how Lorca applied his poetic sensibilities and lyrical craft to what were, in essence, tangible, real-life issues: the plight of Andalusia's Romani people, the idea of modernity and the condition of women in Spain. What becomes evident is that, even though he was writing at a time when many writers and artists were less inclined to deal directly with the things of the world, Lorca maintained a profound interest in the human subject and in the world around him. It is this interest, the book argues, in tandem with his poetic vision and craft, that ensured his most popular works' enduring, universal appeal.

'Who doubts, my reader, that you will be amazed that a woman has the audacity not only to write a book, but to send it for printing, which is the crucible in which the purity of genius is tested'?

A captivating look into the highlights from the Yale Center for British Art

Highlights the diversity, originality and ubiquity of sculptural production during the reign of Queen Victoria. This illustrated book examines how colourful marbles, bronzes, finely wrought silver, and exquisitely detailed electrotypes, as well as gems, cameos and porcelain, related to and contributed to the contemporary world.

"This publication accompanies the exhibitions William Hunter and the Anatomy of the Modern Museum co-organized by The Hunterian Museum, Glasgow, on view 27 September 2018-6 January, 2019, and the Yale Center for British Art, New Haven, on view 14 February-20 May 2019."

The Paston Treasure, a spectacular painting from the 1660s now held at Norwich Castle Museum, depicts a wealth of objects from the collection of a local landed family. This deeply researched volume uses the painting as a portal to the history of the collection, exploring the objects, their context, and the wider world they occupied. Drawing on an impressive range of fields, including history of art and collections, technical art history, musicology, history of science, and the social and cultural history of the 17th century, the book weaves together narratives of the family and their possessions, as well as the institutions that eventually acquired them. Essays, vignettes, and catalogue entries comprise this multidisciplinary exposition, uniting objects depicted in the painting for the first time in nearly 300 years.

Laden with works of art acquired by young British travellers on the Grand Tour in Italy, the British merchant ship Westmorland sailed from the Italian port of Livorno before being captured by French naval vessels and escorted to Malaga in southern Spain. This book tells the story of the ship's capture and the disposition of its artistic contents.

In 1966, American collector and philanthropist Paul Mellon presented to Yale University a collection of British paintings, drawings, sculpture, prints and rare books, thus founding the Yale Center for British Art. This is an expanded catalogue for an exhibition touring Australia in 1998.

Highlighting an enduring interest in natural history from the 16th century to the present, this book explores depictions of the natural world, from centuries-old manuscripts to contemporary artists' books. It examines the scientific pursuits in the 18th and 19th centuries that resulted in the collecting and cataloguing of the natural world.

Views of Edwardian era have swung between seeing period as a golden summer afternoon of imperial and elite complacency and starkly conflicting depiction of decade as one of intense political, and artistic instability. This book explores themes of power and a contrasting lightness of touch through architecture, and decorative and fine arts.

With a career spanning more than sixty years, Anthony Caro (b 1924) is one of Britain's most acclaimed and best-known sculptors. This book accompanies the first survey exhibition of his work in an American museum since his retrospective at the Museum of Modern Art in 1975.

Takes readers inside Samuel and Gabrielle Lurie's private collection of contemporary British art, an intended gift to the Yale Center for British Art, which includes major works by Ian Stephenson, Patrick Caulfield, and John Walker, as well as important prints by Howard Hodgkin and R B Kitaj.

The British architect James Frazer Stirling (1924-1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. This book allows for a close examination of design drawings, photographs, and models spanning Stirling's entire career.

The 18th-century painter Johan Zoffany (1733-1810) was an astute observer of the many social circles in which he functioned as an artist. This catalogue investigates his sharp wit, shrewd political appraisal, and perceptive social commentary - all achieved while presenting his subjects as delightful and sophisticated members of polite society.