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Edited and annotated by leading Proust scholar William Carter, In the Shadow of Young Girls in Flower is the second volume of one of the twentieth century's great literary triumphs. It was this volume that won the Prix Goncourt in 1919, affirming Proust as a major literary figure and dramatically increasing his fame. Here the narrator whose childhood was reflected in Swann's Way moves further through childhood and into adolescence, as the author brilliantly examines themes of love and youth, in settings in Paris and by the sea in Normandy. The reader again encounters Swann, now married to his former mistress and largely fallen from high society, and meets for the first time several of Proust's most memorable characters: the handsome, dashing Robert de Saint-Loup, who will become the narrator's best friend; the enigmatic Albertine, leader of the "e;little band"e; of adolescent girls; the profoundly artistic Elstir, believed to be Proust's composite of Whistler, Monet, and other leading painters; and, making his unforgettable entrance near the end of the volume, the intense, indelible Baron de Charlus. Permeated by the "e;bloom of youth"e; and its resonances in memories of love and friendship, In the Shadow of Young Girls in Flower takes readers into the heart of Proust's comic and poetic genius. As with Swann's Way, Carter uses C. K. Scott Moncrieff's beloved translation as the basis for this annotated and fully revised edition. Carter corrects long-standing errors in Scott Moncrieff's otherwise superlative translation, bringing it closer than ever to the spirit and style of Proust's original text-and reaching English readers in a way that the Pleiade annotations cannot. Insightful and accessible, Carter's edition of Marcel Proust's masterwork will be the go-to text for generations of readers seeking to understand Proust's remarkable bygone world.

"The C.K. Scott Moncrieff translation"--Cover.

"A triumph . . . will bring this inexhaustible artwork to new audiences throughout the English-speaking world."--Malcolm Bowie, "Sunday Telegraph."

This volume opens up a vast, dazzling landscape of fashionable Parisian life in the late 19th century, as the narrator enters the brilliant, shallow world of the literary and aristocratic salons. Both a salute to and satire of a time, place, and culture, this new translation will introduce a new generation to the literary richness of Marcel Proust.

The long-awaited fifth volume--representing "the very summit of Proust's art" (Slate)--in the acclaimed Penguin translation of "the greatest literary work of the twentieth century" (The New York Times)A Penguin Classics Deluxe Edition, with flaps and deckle-edged paperCarol Clark's acclaimed translation of The Prisoner introduces a new generation of American readers to the literary riches of Marcel Proust. The fifth volume in Penguin Classics' superb new edition of In Search of Lost Time--the first completely new translation of Proust's masterpiece since the 1920s--brings us a more comic and lucid prose than readers of English have previously been able to enjoy.The titular "prisoner" is Albertine, the tall, dark orphan with whom Marcel had fallen in love at the end of Sodom and Gomorrah (volume 4). Albertine has moved in with Marcel in his family's apartment in Paris, where the pair have a seemingly limitless supply of money and are chaperoned only by Marcel's judgmental family servant, Françoise. Marcel, who worries obsessively about Albertine's relationships with other women, grows more and more irrational in his attempts to control her, keeping her prisoner in his apartment and buying her couture gowns, furs, and jewelry in an attempt to protect her from herself and from the outside world and. And yet in addition to being a tragedy of possessive love, The Prisoner is also a comedy of human folly and misunderstanding, linked to the other volumes of the larger novel through its themes of class differences, art, irrationality, social snobbery, and, of course, time and memory.