Bøger i Investigating Cult TV serien

Torchwood started its life on television as a spin-off from Doctor Who, bringing Captain Jack to join new colleagues in a television series that quickly established itself as fresh and watchable television.

From viral webisodes depicting vampires announcing themselves on TV to the steamy title sequence and the show's uninhibited use of language, sex and gore, "True Blood" has quickly gained status as cult TV with bite. This title explores the hidden depths of "True Blood's" vampire bars, small town communities and haunted bayous.

Covers popular TV genres of sci fi and horror, and their cult series.

Technologically-enhanced human bodies can be the stuff of dreams, but also of nightmares.

In 1998, the series "Charmed", the story created by Constance M Burge of three sisters who discover that they are powerful witches, first aired on the WB network. The world of "Charmed" is distinctively one of female solidarity, with the sisters making up the 'power of three'. This book explores the story.

Based upon the successful Jeff Lindsay novel "Darkly Dreaming Dexter", Showtime's and FX's "Dexter" show chronicles the grisly exploits of a police blood spatter expert who moonlights as a serial killer (or vice versa). This title offers an investigation of this show's many issues, contexts, and complexities.

Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.