Bøger i Irvine Studies in the Humanities serien

Diverse tendencies in critical and cultural theory have combined to give autobiography a new importance. The essays in this collection address from different vantage points the larger problems posed by the form and the question of its institutional and cultural marginality.

This volume brings together fifteen outstanding literary theorists and philosophers to examine ways to make the unsayable-that which has been excluded by what is sayable-tangible.

The essays collected in this volume attest to a renewal of philosophical interest in how bodies think and how thought is embodied, a philosophy that has been deeply influenced by literature, the arts, and psychoanalysis.

These essays-which consider a wide variety of cultures from ancient Egypt to contemporary Japan- describe the conditions under which cultures that do not dominate each other may yet achieve a limited translatability of cultures.

The essays collected in this volume attest to a renewal of philosophical interest in how bodies think and how thought is embodied, a philosophy that has been deeply influenced by literature, the arts, and psychoanalysis.

These essays-which consider a wide variety of cultures from ancient Egypt to contemporary Japan- describe the conditions under which cultures that do not dominate each other may yet achieve a limited translatability of cultures.

Combining the efforts of scholars of history, literature and the social sciences, the essays collected in this volume explore some of the ways culture interacted with political power in late imperial China.

Focusing primarily on the period from the eighteenth-century to the present, this interdisciplinary volume takes a fresh look at the institutions and practices of autobiography and self-portraiture in Europe, the United States and other cultures.

First published in 1987, this rich variety of essays confronts the changes in theories of the text and textuality that have seen a shift in focus from the author as a controlling agent to the scene of writing itself and the historical forces that produce that scene.