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The award-winning crime novelist Ken Bruen is as joyously unapologetic in his writing as he is wickedly poetic. In Green Hell, Bruen's dark angel of a protagonist, Jack Taylor, has hit rock bottom: one of his best friends is dead and the other has stopped speaking to him; he has given up on sobriety; and his firing from the Irish national police is ancient history.But Jack isn't about to embark on a self-improvement plan. Instead, he has taken up a vigilante case against a respected professor of literature at the University of Galway who has developed a savage habit his friends in high places are only too happy to ignore. Jack unexpectedly gains a new sidekick after rescuing a preppy American student from a couple of kid thugs. The student, a Rhodes scholar, decides to devote himself to slinging back shots of Jameson and writing a biography of Galway's most magnetic rogue. Between pub crawls and street fights, Jack's vengeful plot against the professor soon spirals towards chaos, putting both the student and himself in danger. Enter Emerald, an edgy young goth who could either be the answer to Jack's problems, or the last ripped stitch in his undoing. Ireland may be known as a "green Eden," but in Jack Taylor's world, the national color has a lethal sheen.
Acclaimed Irish crime writer Ken Bruen has won numerous awards for his hard-charging, dark thrillers, which have been translated into ten languages. In Headstone, an elderly priest is nearly beaten to death and a special-needs boy is brutally attacked. Evil has many guises and Jack Taylor has encountered most of them. But nothing before has ever truly terrified him until he confronts an evil coterie named Headstone, who have committed a series of random, insane, violent crimes in Galway, Ireland. Most would see a headstone as a marker of the dead, but this organization seems like it will act as a death knell to every aspect of Jack's life. Jack's usual allies, Ridge and Stewart, are also in the line of terror. An act of appalling violence alerts them to the sleeping horror, but this realization may be too late, as Headstone barrels along its deadly path right to the center of Jack's life and the heart of Galway. A terrific read from a writer called "a Celtic Dashiell Hammett," Headstone is an excellent addition to the Jack Taylor series (Philadelphia Inquirer).
When Jack Taylor blew town at the end of The Guards his alcoholism was a distant memory and sober dreams of a new life in London were shining in his eyes. In the opening pages of The Killing of the Tinkers, Jack's back in Galway a year later with a new leather jacket on his back, a pack of smokes in his pocket, a few grams of coke in his waistband, and a pint of Guinness on his mind. So much for new beginnings.Before long he's sunk into his old patterns, lifting his head from the bar only every few days, appraising his surroundings for mere minutes and then descending deep into the alcoholic, drug-induced fugue he prefers to the real world. But a big gypsy walks into the bar one day during a moment of Jack's clarity and changes all that with a simple request. Jack knows the look in this man's eyes, a look of hopelessness mixed with resolve topped off with a quietly simmering rage; he's seen it in the mirror. Recognizing a kindred soul, Jack agrees to help him, knowing but not admitting that getting involved is going to lead to more bad than good. But in Jack Taylor's world bad and good are part and parcel of the same lost cause, and besides, no one ever accused Jack of having good sense. Ken Bruen wowed critics and readers alike when he introduced Jack Taylor in The Guards; he'll blow them away with The Killing of the Tinkers, a novel of gritty brilliance that cements Bruen's place among the greats of modern crime fiction.
Jack Taylor is walking the delicate edge of a sobriety he doesn't trust when his phone rings. He's in debt to a Galway tough named Bill Cassell, what the locals call a "hard man." Bill did Jack a big favor a while back; the trouble is, he never lets a favor go unreturned.Jack is amazed when Cassell simply asks him to track down a woman, now either dead or very old, who long ago helped his mother escape from the notorious Magdalen laundry, where young wayward girls were imprisoned and abused. Jack doesn't like the odds of finding the woman, but counts himself lucky that the task is at least on the right side of the law. Until he spends a few days spinning his wheels and is dragged in front of Cassell for a quick reminder of his priorities. Bill's goons do a little spinning of their own, playing a game of Russian roulette a little too close to the back of Jack's head. It's only blind luck and the mercy of a god he no longer trusts that land Jack back on the street rather than face down in a cellar with a bullet in his skull. He's got one chance to stay alive: find this woman.Unfortunately, he can't escape his own curiosity, and an unnerving hunch quickly turns into a solid fact: just who Jack's looking for, and why, aren't nearly what they seem.The Magdalen Martyrs, the third Galway-set novel by Edgar, Barry, and Macavity finalist and Shamus Award-winner Ken Bruen, is a gripping, dazzling story that takes the Jack Taylor series to explosive new heights of suspense.
Seems impossible, but Jack Taylor is sober---off booze, pills, powder, and nearly off cigarettes, too. The main reason he's been able to keep clean: his dealer's in jail, which leaves Jack without a source. When that dealer calls him to Dublin and asks a favor in the soiled, sordid visiting room of Mountjoy Prison, Jack wants to tell him to take a flying leap. But he doesn't, can't, because the dealer's sister is dead, and the guards have called it "death by misadventure." The dealer knows that can't be true and begs Jack to have a look, check around, see what he can find out. It's exactly what Jack does, with varying levels of success, to make a living. But he's reluctant, maybe because of who's asking or maybe because of the bad feeling growing in his gut.Never one to give in to bad feelings or common sense, Jack agrees to the favor, though he can't possibly know the shocking, deadly consequences he has set in motion. But he and everyone he holds dear will find out soon, sooner than anyone knows, in The Dramatist, the lean and lethal fourth entry in Ken Bruen's award-winning Jack Taylor series.
Ireland, awash with cash and greed, no longer turns to the church for solace or comfort. But the decapitation of Father Joyce in a Galway confessional horrifies even the most jaded citizen. Jack Taylor, devastated by the recent trauma of personal loss, has always believed himself to be beyond salvation. But a new job offers a fresh start, and an unexpected partnership provides hope that his one desperate vision--of family--might yet be fulfilled.An eerie mix of exorcism, a predatory stalker, and unlikely attraction conspires to lure him into a murderous web of dark conspiracies. The specter of a child haunts every waking moment.Explosive, unsettling, and totally original, Ken Bruen's writing captures the brooding landscape of Irish society at a time of social and economic upheaval. Priest is evidence of an unmistakable literary talent.
Jack Taylor brings death and pain to everyone he loves. His only hope of redemption - his surrogate son, Cody - is lying in a hospital in a coma. At least he still has Ridge, his old friend from the Guards, though theirs is an unorthodox relationship. When she tells him that a boy has been crucified in Galway city, he agrees to help her search for the killer. Jack's investigations take him to many of his old haunts where he encounters ghosts, dead and living. Everyone wants something from him, but Jack is not sure he has anything left to give. Maybe he should sell up, pocket his Euros and get the hell out of Galway like everyone else seems to be doing. Then the sister of the murdered boy is burned to death, and Jack decides he must hunt down the killer, if only to administer his own brand of rough justice. Ken Bruen's Cross is a suspenseful and deeply moving mystery.
America-the land of opportunity, a place where economic prosperity beckons: but not for PI Jack Taylor, who's just been refused entry. Disappointed and bitter, he thinks that an encounter with an overly friendly stranger in an airport bar is the least of his problems. Except that this stranger seems to know much more than he should about Jack. Jack thinks no more of their meeting and resumes his old life in Galway. But when he's called to investigate a student murder-connected to an elusive Mr. K-he remembers the man from the airport. Is the stranger really who he says he is? With the help of the Jameson, Jack struggles to make sense of it all. After several more murders and too many coincidental encounters, Jack believes he may have met his nemesis. But why has he been chosen? And could he really have taken on the devil himself? Suspenseful, haunting, and totally unique, The Devil is Bruen at his very best.
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