Bøger i Literary & Cultural Theory serien

Contemporary materialism, in its varied configurations, persistently challenges claims that the body can be relegated to a subservient position when compared to reason. In most pertinent colonial and postcolonial studies the body is seen as a text, upon and by means of which signs of difference are instituted. Yet, to be able to test and appreciate to what extent the postcolonial body was and remains today a battleground for discursive control, it is helpful to start with the awareness of the somatics of the traveller himself ¿ his agreement to and with his own person or lack thereof vis-à-vis other bodies, his translation of the somatic into the semantic. The traveller¿s body, when rendered in writing, becomes a symbolic construct which enters into a relation with the represented world, and the nature of this multifaceted, troubled alliance ¿ if alliance it is ¿ forms the main theme of this book.

The contributions in this volume examine literary and other texts as well as cultural and political discourses in relation to issues of identity formation and dis-formation, of self and society and of the socially local within the global. All these issues come into play through the exploration of the fantasmatic space of mutual mis-recognition and mythmaking between coloniser and colonised, between ¿Africä and ¿Europe¿.

The book analyses a mode of apophasis in contemporary theoretical discourse. It explores the relationship between negative theology and Jacques Derrida's textual practice, as well as the similarities between apophasis and the trope of transgression in the works of Maurice Blanchot, George Bataille or Michel Foucault.

The book is primarily shaped as an introduction to fictional worlds theory. It critically examines all the scholarly sources regarding the theory, its inspiration and application: namely logic, semantics, aesthetics, and linguistics, as well as intertextuality, transduction, and fictional and historical narration.

This book is the result of a shared conviction of the necessity to advance the international discourse on criticism. It positions itself within contemporary considerations of the theory and practice of criticism and presents texts by Polish scholars (e.g. literary critical theory, feminism, genre studies, and comparative literature).

The book's argument revolves around the notion of apocalypse as metaphor, narrating a paradigmatic change in the discourse of postmodern identity. Drawing from science fiction studies, literary and cultural theory as well as popular cinema, it proposes a post-apocalyptic reading of late-capitalist culture.