Bøger i Literatures of the Americas serien

Unlike most representations of Latina girls, which are characterized by cultural inaccuracies, tropes of exoticism, and a tendency to associate the host society with modernity and their girls' cultures of origin with backwardness and oppression, these texts contribute to reimagining the social differently from what the dominant imagery offers.

The first book length study of this genre, Collective Identity and Cultural Resistance in Contemporary Chicana/o Autobiography facilitates new understandings of how people and cultures are displaced and reinvent themselves.

This book is a study of gender and place in twentieth-century Chicana/o literature and culture, covering the early period of regional writing to contemporary art.

This book argues for the necessary and further examination of the sacred as it is ritualized within Chicana fiction. Beginning with the implications of Gloria Anzaldua's spiritual vision of Chicana identity alongside structural principles of ritual criticism, this study extends the discourse about the impact of the sacred in Chicana fiction.

The National Body in Mexican Literature presents a revisionist reading of the Mexican canon that challenges assumptions of State hegemony and national identity. It analyzes the representation of sick, disabled, and miraculously healed bodies in Mexican literature from 1940 to 1980 in narrative fiction by Vicente Lenero, Juan Rulfo, among others.

This book addresses the connection between political themes and literary form in the most recent Argentine poetry. Ben Bollig uses the concepts of "lyric" and "state" as twin coordinates for both an assessment of how Argentinian poets have conceived a political role for their work and how poems come to speak to us about politics.

Offering a one-of-a-kind approach to music and literature of the Americas, this book examines the relationships between musical protagonists from Colombia, Cuba, and the United States in novels by writers such as Gabriel Garcia Marquez, Alejo Carpentier, Zora Neale Hurston, and John Okada.

Part of a new phase of post-1960s U.S. Latino literature, The Brief Wondrous Life of Oscar Wao by Junot Diaz and Caramelo by Sandra Cisneros both engage in unique networks of paratexts that center on the performance of latinidad.

Offering a transdisciplinary analysis of works by Gloria Anzaldua, Cherrie Moraga, Ana Castillo, Emma Perez, Alicia Gaspar de Alba, and Sandra Cisneros, this book explores how radical Chicanas deal with tensions that arise from their focus on the body, desire, and writing.

Joining a timely conversation within the field of intra-American literature, this study takes a fresh look at Latin America by locating fragments and making evident the mostly untold story of horizontal (south-south) contacts across a multilingual, multicultural continent.

This collection of interviews demonstrates that U.S. Latinas/os of South American background have contributed pioneering work to U.S. Latina/o literature and culture in the twenty-first century.

This book is the first collection of critical essays on Hilda Hilst (1930-2004) published in English. Nine essays by scholars and translators reflect about various aspects of her work, placing it in the context of Brazil and world literature. This pioneering collection of essays should excite longtime readers and introduce her to a new audience.

This book broadens the scope of Latina/o criticism to include both widely-read and understudied nineteenth through twenty-first century fictional works that engage in critical discussions of gender, race, sexuality, and identity.

This book provides a rich and cutting-edge analysis of one of the most prominent literary groups in Latin America: the Mexican Crack Writers.

Women, particularly, as part of a globalized labor force, express through their bodies social problems that range from the erotic use of the body in a hypersexualized world, to the body as a receptacle of violence that expresses the death drive.

This book examines postmodern parody in Latin American literature as the intersection between ideology construction and deconstruction.

Decolonial Approaches to Latin American Literatures and Cultures engages and problematizes concepts such as "decolonial" and "coloniality" to question methodologies in literary and cultural scholarship.

This book explores representations of sentient-flesh - flesh that holds consciousness of being - in Puerto Rican women's literature.

This book follows the renunciation story in Borges and beyond, arguing for its centrality as a Borgesian compositional trope and as a Borgesian prism for reading a global constellation of texts.

Latinx Literature Now engages with a diverse collection of works in Latinx literary studies, critical theory, and the philosophy of history, as well as a wide range of Latinx literary texts, in order to offer readers an alternative model of how Latinx literary scholarship and Latinx literary criticism might go about doing their work.

U.S. Latinx Literature in Spanish remains an understudied field despite its large and vibrant corpus. This is partly due to the erroneous impression that this literature is only written in English, and partly due to traditional educational programs focusing on English texts to include non-Spanish speakers and non-Latinx students. This has created a vacuum in research about Latinx literary production in Spanish, leaving the contemporary field wide open for exploration. This volume fills this space by bringing contemporary U.S. Latinx literature in Spanish to the forefront of the field. The essays focus on literary production post-1960 and examine texts by authors from different backgrounds writing from the U.S., providing readers with an opportunity to explore new texts in Spanish within U.S. Latinx literature, and a departure point for starting a meaningful critical discourse about what it means to write and publish in Spanish in the U.S. Through exploring literary production in a language that is both emotionally and politically charged for authors, the academia, and the U.S., this book challenges and enhances our understanding of the term ¿Americas¿.

This book brings together the work of several scholars to shed light on the Argentine author Jorge Luis Borges' complex relationship with language and reality.

This book examines postmodern parody in Latin American literature as the intersection between ideology construction and deconstruction.

This collection of interviews demonstrates that U.S. Latinas/os of South American background have contributed pioneering work to U.S. Latina/o literature and culture in the twenty-first century.

Women, particularly, as part of a globalized labor force, express through their bodies social problems that range from the erotic use of the body in a hypersexualized world, to the body as a receptacle of violence that expresses the death drive.

Examining a rich new generation of Latin American writers, this collection offers new perspectives on the current status of Latin American literature in the age of globalization. Authors explored are from the Boom and Postboom periods, including those who combine social preoccupations, like drug trafficking, with aesthetic ones.

Examining a wide range of source material including popular culture, literature, photography, television, and visual art, this collection of essays sheds light on the misrepresentations of Latina/os in the mass media.

TransLatin Joyce explores the circulation of James Joyce's work in the Ibero-American literary system. The essays address Joycean literary engagements in Spain, Portugal, Argentina, Mexico, and Cuba, using concepts from postcolonial translation studies, antimodernism, game theory, sound studies, deconstruction, and post-Euclidean physics.