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The only extant work by Livy (64 or 59 BCE -12 or 17 CE) is part of his history of Rome from the foundation of the city to 9 BCE. Of its 142 books 1-10, 21-45 (except parts of 41 and 43-45), fragments, and short summaries remain. Livy's history is a source for the De Prodigiis of Julius Obsequens (fourth century CE).

In Heroides, Ovid (43 BCE-17CE) allows legendary women to narrate their memories and express their emotions in verse letters to absent husbands and lovers. Ovid's Amores are three books of elegies ostensibly about the poet's love affair with his mistress Corinna.

Sophocles (497/6-406 BCE), considered one of the world's greatest poets, forged tragedy from the heroic excess of myth and legend. Seven complete plays are extant, including Oedipus Tyrannus, Ajax, Antigone, and Philoctetes. Among many fragments that also survive is a substantial portion of the satyr drama The Searchers.

In his epic The Civil War, Lucan (39-65 CE) carries us from Caesar's fateful crossing of the Rubicon, through the Battle of Pharsalus, Pompey's death, and Cato's leadership in Africa, to Caesar victorious in Egypt. The poem is also called Pharsalia.

The writings of the Apostolic Fathers (first and second centuries CE) give a rich and diverse picture of Christian life and thought in the period immediately after New Testament times. Some were accorded almost Scriptural authority in the early Church.

Virgil (70-19 BCE) was a poet of immense virtuosity and influence. His Eclogues deal with bucolic life and love, his Georgics with tillage, trees, cattle, and bees. His Aeneid is an epic on the theme of Rome's origins. Poems of the Appendix Vergiliana are traditionally, but in most cases probably wrongly, attributed to Virgil.

Index to this volume is in the second volume, Books IX-XV.

Catullus (84-54 BCE) couples consummate poetic artistry with intensity of feeling. Tibullus (c. 54-19 BCE) proclaims love for Delia and Nemesis in elegy. The beautiful verse of the Pervigilium Veneris (fourth century CE?) celebrates a spring festival in honour of the goddess of love.

The writings of the Apostolic Fathers (first and second centuries CE) give a rich and diverse picture of Christian life and thought in the period immediately after New Testament times. Some were accorded almost Scriptural authority in the early Church.

In his Gallic War and Civil Wars, Caesar (100-44 BCE) provides vigorous, direct, clear, third-personal, and largely unemotional records of his own campaigns.

Heroic epic of the eighth to the fifth century BCE includes poems about Hercules and Theseus, as well as the Theban Cycle and the Trojan Cycle. Genealogical epic of that archaic era includes poems that create prehistories for Corinth and Samos. These works are an important source of mythological record.

The Anabasis by Xenophon (c. 430-c. 354 BCE) is an eyewitness account of Greek mercenaries' challenging 'March Up-Country' from Babylon back to the coast of Asia Minor under Xenophon's guidance in 401 BCE, after their leader Cyrus the Younger fell in a failed campaign against his brother.

Tacitus (c. 55-c. 120 CE), renowned for concision and psychology, is paramount as a historian of the early Roman empire. What survives of Histories covers the dramatic years 69-70. What survives of Annals tells an often terrible tale of 14-28, 31-37, and, partially, 47-66.

The passionate and dramatic elegies of Propertius (c. 50-soon after 16 BCE) gained him a reputation as one of Rome's finest love poets. He portrays the uneven course of his love affair with Cynthia and also tells us much about the society of his time, then in later poems turns to the legends of ancient Rome.

This is the first part of a two-volume edition of Statius's epics "Thebaid" and "Achilleid", with a freshly edited Latin text facing an English translation.

Aristophanes (c. 450-c. 386 BCE) has been admired since antiquity for his wit, fantasy, language, and satire. Traditional Aeschylus and modern Euripides compete in Frogs. In Assemblywomen, Athenian women plot against male misgovernance. The humor and morality of Wealth made it the most popular of Aristophanes's plays until the Renaissance.

We know more of Marcus Tullius Cicero (106-43 BCE), lawyer, orator, politician and philosopher, than of any other Roman. Besides much else, his work conveys the turmoil of his time, and the part he played in a period that saw the rise and fall of Julius Caesar in a tottering republic.

Dio Cassius (Cassius Dio), c. 150-235 CE, was born in Bithynia. Little of his Roman History survives, but missing portions are partly supplied from elsewhere and there are many excerpts. Dio's work is a vital source for the last years of the Roman republic and the first four Roman emperors.

The Iliad and the Odyssey of Homer (eighth century BCE) are the two oldest European epic poems. The former tells of Achilles's anger over an insult to his honour during the Trojan War, and of its consequences for the Achaeans, the Trojans, and Achilles himself.

We know more of Marcus Tullius Cicero (106-43 BCE), lawyer, orator, politician and philosopher, than of any other Roman. Besides much else, his work conveys the turmoil of his time, and the part he played in a period that saw the rise and fall of Julius Caesar in a tottering republic.

The Iliad and the Odyssey of Homer (eighth century BCE) are the two oldest European epic poems. The latter tells of Odysseus's journey home from the Trojan War and the temptations, delays, and dangers he faced at every turn.

In Poetics Aristotle (384-322 BCE) treats Greek tragedy and epic. The subject of On the Sublime, attributed to an (unidentifiable) Longinus and probably composed in the first century CE is greatness in writing. On Style, attributed to an (unidentifiable) Demetrius and perhaps composed in the second century BCE, analyzes four literary styles.

Tacitus (c. 55-c. 120 CE), renowned for concision and psychology, is paramount as a historian of the early Roman empire. What survives of Histories covers the dramatic years 69-70. What survives of Annals tells an often terrible tale of 14-28, 31-37, and, partially, 47-66.

Lucian (c. 120-190 CE), apprentice sculptor then travelling rhetorician, settled in Athens and developed an original brand of satire. Notable for the Attic purity and elegance of his Greek and for literary versatility, he is famous chiefly for the lively, cynical wit of the dialogues in which he satirizes human folly, superstition, and hypocrisy.

Of more than seventy works by Varro (116-27 BCE) we have only his treatise On Agriculture and part of his On the Latin Language, a work typical of its author's interest not only in antiquarian matters but also in the collection of scientific facts, and containing much of very great value to the study of the Latin language.

The great Athenian philosopher Plato was born in 427 BCE and lived to be eighty. Acknowledged masterpieces among his works are the Symposium, which explores love in its many aspects, from physical desire to pursuit of the beautiful and the good, and the Republic, which concerns righteousness and also treats education, gender, society, and slavery.

The poetry of Horace (born 65 BCE) is richly varied, its focus moving between public and private concerns, urban and rural settings, Stoic and Epicurean thought. His Odes cover a wide range of moods and topics. Love and political concerns are frequent themes of the Epodes.

Virgil (70-19 BCE) was a poet of immense virtuosity and influence. His Eclogues deal with bucolic life and love, his Georgics with tillage, trees, cattle, and bees. His Aeneid is an epic on the theme of Rome's origins. Poems of the Appendix Vergiliana are traditionally, but in most cases probably wrongly, attributed to Virgil.

Demosthenes (384-322 BCE), orator at Athens, was a pleader in law courts who also became a champion of Athenian greatness and Greek resistance to Philip of Macedon. His steadfastness, pungent argument, and control of language gained him early reputation as the best of Greek orators, and his works provide vivid pictures of contemporary life.

Lucretius lived ca. 99-ca. 55 BCE, but the details of his career are unknown. In his didactic poem De Rerum Natura (On the Nature of Things) he expounds Epicurean philosophy so as to dispel fear of the gods and death, and promote spiritual tranquility.