Bøger i Mediterranean Perspectives serien

This book explores how Modernist movements all across the Mediterranean basin differed from those of other regions. The chapters show how the political and economic turmoil of a period marked by world war, revolution, decolonization, nationalism, and the rapid advance of new technologies compelled artists, writers, and other intellectuals to create a new hybrid Mediterranean Modernist aesthetic which sought to balance the tensions between local and foreign, tradition and innovation, and colonial and postcolonial.

This book synthesizes three fields of inquiry on the cutting edge of scholarship in medieval studies and world history: the history of medieval Sicily; the history of maritime violence, often named as piracy; and digital humanities. By merging these seemingly disparate strands in the scholarship of world history and medieval studies into a single volume, this book offers new insights into the history of medieval Sicily and the study of maritime violence. As several of the essays in this volume demonstrate, maritime violence fundamentally shaped experience in the medieval Mediterranean, as every ship that sailed, even those launched for commerce or travel, anticipated the possibility of encountering pirates, or dabbling in piracy themselves.

This book explores the role of Mediterranean imaginaries in one of the preeminent tropes of Italian history: the formation or 'making of' Italians.

This book analyses the artistic and cultural legacy of Western Islamic societies and their interactions with Islamic, Christian and Jewish societies in the framework of the late medieval Mediterranean, from a range of multi-disciplinary perspectives.

Divided into two parts, "Perceptions of the 'Other'" and "Interfaith relations," this volume features scholars engaging with church art, literature, historiography, scientific treatises, and polemics, in order to study how the religious "Other" was depicted to serve different purposes and audiences.

This edited volume aims to problematise and rethink the contemporary European migrant crisis in the Central Mediterranean through the lens of the Black Mediterranean.

This book analyses the artistic and cultural legacy of Western Islamic societies and their interactions with Islamic, Christian and Jewish societies in the framework of the late medieval Mediterranean, from a range of multi-disciplinary perspectives.

This book explores seven centuries of change in Cyprus and the Eastern Mediterranean world through the rise and fall of Famagusta's medieval Armenian Church. The Armenian church was a home for displaced villagers during the post-independence era, became a military storage facility post-1974 and eventually fell into abandonment once again.

This book explores seven centuries of change in Cyprus and the Eastern Mediterranean world through the rise and fall of Famagusta's medieval Armenian Church. The Armenian church was a home for displaced villagers during the post-independence era, became a military storage facility post-1974 and eventually fell into abandonment once again.

This book provides a systematic framework for the emerging field of Mediterranean studies, collecting essays from scholars of history, literature, religion, and art history that seek a more fluid understanding of "Mediterranean." It emphasizes the interdependence of Mediterranean regions and the rich interaction (both peaceful and bellicose, at sea and on land) between them. It avoids applying the national, cultural and ethnic categories that developed with the post-Enlightenment domination of northwestern Europe over the academy, working instead towards a dynamic and thoroughly interdisciplinary picture of the Mediterranean. Including an extensive bibliography and a conversation between leading scholars in the field, Can We Talk Mediterranean? lays the groundwork for a new critical and conceptual approach to the region.

Using a wide array of innovative methodological approaches, these essays offer insights on areas of medieval Iberian history that have been of particular interest to Glick: irrigation, the history of science, and cross-cultural interactions between Jews, Christians, and Muslims.

This book provides a systematic framework for the emerging field of Mediterranean studies, collecting essays from scholars of history, literature, religion, and art history that seek a more fluid understanding of ¿Mediterranean.¿ It emphasizes the interdependence of Mediterranean regions and the rich interaction (both peaceful and bellicose, at sea and on land) between them. It avoids applying the national, cultural and ethnic categories that developed with the post-Enlightenment domination of northwestern Europe over the academy, working instead towards a dynamic and thoroughly interdisciplinary picture of the Mediterranean. Including an extensive bibliography and a conversation between leading scholars in the field, Can We Talk Mediterranean? lays the groundwork for a new critical and conceptual approach to the region.

Traversed by masses of migrants and wracked by environmental and economic change, the Mediterranean has come to connote crisis.

Traversed by masses of migrants and wracked by environmental and economic change, the Mediterranean has come to connote crisis.

This book rethinks the Armenian people as significant actors in the context of Mediterranean and global history.

This book rethinks the Armenian people as significant actors in the context of Mediterranean and global history.