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Inspired by Lucretius and Plutarch, Michel de Montaigne composed this masterwork of French philosophy while living in solitude following his retirement from public life. His wide-ranging topics include conscience, politics, sorrow, solitude, fear, friendship, war, and poetry; informing countless readers that to look outward requires we first look within.

On the last day before summer vacation, a group of students gathers to hear their teacher, whom they call Prospero, lecture for one last time. Captivated by a bronze statue of Ariel from Shakespeare's The Tempest, he speaks passionately on the nature of beauty and the dangers of materialism. Ariel is an essay by José Enrique Rodó.

Published during the climax of the English Civil War, Areopagitica is a passionate and persuasive argument for free speech and expression. Written by the highly celebrated 17th century author, John Milton, Areopagitica is a polemic to oppose censorship, and is considered to be among history's most influential defenses of the freedom of speech and expression.

Both a collection of vampire tales and a rigorous history of vampirism, Vampires and Vampirism, from one of the world's leading experts on the occult, is a classic text for readers interested in learning more about one of history's most enduring legends. Perfect for reading alone or for sharing around a campfire, Dudley Wright's Vampires and Vampirism is guaranteed to satisfy anyone's craving for horror.

The Sacred Wood: Essays on Poetry and Criticism (1920) is a collection of essays by T.S. Eliot. Although Eliot is primarily recognized as one of the twentieth century's leading English poets, he was also a prolific and highly influential literary critic. This collection, which includes essays on Algernon Charles Swinburne, Hamlet, William Blake, and Dante, is central to Eliot's legacy and vision of art. In "Tradition and the Individual Talent," Eliot sheds light on his vision of the role of poet with respect to tradition. Well-versed in classical poetry, Eliot possessed a dynamic vision of poetic tradition that viewed the working poet as an extension of those who came before. The role of the poet, then, is to innovate while remaining in conversation with poets throughout history, to remain "impersonal" by surrendering oneself to a process involving countless others. In "Hamlet and His Problems," Eliot provides a critical reading of Shakespeare's iconic tragedy arguing that both the play and its main character fail to accomplish the playwright's true intention. Coining the concept of the "objective correlative," referring to the expression of emotion through a grouping of things or events, Eliot's essay is a landmark in literary scholarship central to the formalist movement known as the New Criticism. Concluding with essays on Blake and Dante, important spiritual and formal forebears for Eliot, The Sacred Wood: Essays on Poetry and Criticism is central to T.S. Eliot's legacy as a leading intellectual and artist of the modern era. With a beautifully designed cover and professionally typeset manuscript, this edition of T.S. Eliot's The Sacred Wood: Essays on Poetry and Criticism is a classic of English literature reimagined for modern readers.

Tremendous Trifles is comprised of 39 chapters, each functioning as their own essay or story. With whimsical, light-hearted prose, vivid figurative language, and unparalleled insight, Chesterton covers a variety of philosophical principles of everyday life. Chesterton often used ordinary events and objects to explain deeper matters. Using relatable and accessible examples, Tremendous Trifles also test biases and preconceived ideas, specifically in the cases of fairy tales and folk lore. Stories of these genres are passed down from generation to generation, changed each time they are told, yet usually framed more optimistically than the original tale. Chesterton encourages readers to question this, and examine the implications the example may have on the other stories they hear. Accompanying the suggestion to recognize bias, the importance of one's point of view is also examined. In Tremendous Trifles, Chesterton uses a metaphor to explain perspective. There are only two ways to see the world--either as a giant, or as a nymph. One sees all the wonders of the world as a speck of dust, the other is in awe of a single blade of grass. While advocating for seeing the beauty in simple, everyday encounters, Tremendous Trifles raises thought-provoking questions and advises that sometimes a better life is just a change of perspective away. Containing both essays of importance and intrigue and stories of silly nature, Tremendous Trifles is the perfect combination of excitement and understanding. Written in a conversational and intimate format, Tremendous Trifles by G.K Chesterton is a collection of essays and stories that features philosophical theories of happiness, perspective, and narratives. Described as thought-provoking and humorous, Tremendous Trifles educates without the use intimidating or exclusive advice. While celebrating simplicity and encouraging people to find joy in the mundane, Tremendous Trifles uncovers truths about humankind that have remained relevant to modern audiences. This edition of Tremendous Trifles by G.K Chesterton is now presented in an easy-to-read font and features a striking new cover design. With these accommodations, Tremendous Trifles is restored to modern standards while preserving its original ingenuity.

A rare companion piece to Harriet Beecher Stowe¿s successful novel, Uncle Tom¿s Cabin. A Key to Uncle Tom¿s Cabin was written as a direct response to the criticism surrounding the validity of the author¿s depiction of slavery. Stowe provides detailed documentation highlighting the heinous practices she illustrates in the book.

Rasputin the Rascal Monk (1917) is a work of historical nonfiction by Anglo-French writer William Le Queux. Published at the height of Le Queux's career as a leading author of popular thrillers, Rasputin the Rascal Monk indulges in the paranoid atmosphere of the First World War to weave a sinister tale of espionage and political conspiracy. Despite the popularity and accessibility of his work, Le Queux was genuinely concerned-and immensely paranoid-about the realities of international espionage, using his own research and experience to piece together otherwise shadowy narratives for his readers. Toward the end of the First World War, William Le Queux turned his attention from Germany to the looming threat of Russia. In this dedicated-though factually loose-recreation of the life of Rasputin, Le Queux investigates one of history's great anomalies: the ability of a rough, Siberian peasant to ascend to the highest echelon of Russian society. In Rasputin the Rascal Monk, which incorporates years of research and experience to weave a tale of fear and intrigue, Le Queux makes his case for the possibility that Rasputin was not only a confidant of the Tsar and Tsarina, but that he was a spy for Kaiser Wilhelm himself. Ever paranoid about the threat of German political influence worldwide, Le Queux provide the reading public with violent, disturbing, and fanatical tales of the infamous Rasputin while forwarding his own agenda. While not much is known about the author, it is possible his claims of firsthand knowledge regarding the murky movements of spies and diplomats throughout Europe and Britain were true. One thing, however, is certain: his paranoia was far from unfounded. With a beautifully designed cover and professionally typeset manuscript, this edition of William Le Queux's Rasputin the Rascal Monk is a classic work of historical nonfiction reimagined for modern readers.

Lost Face (1910) is a collection of seven short stories by American writer Jack London. Drawing on his experiences as a gold prospector in the Yukon, London explores the life of humanity at the edge of civilization. In these stories of life and death, nature reigns supreme over society, and even the strong are not guaranteed to survive. "Lost Face" is the story of a Polish trapper and fur thief named Subienkow. Captured by Native Americans, he watches in horror as a strong, courageous Cossack is slowly killed through hours of brutal torture. Recalling the hardships he faced in Poland, Russia, and Siberia, Subienkow delves deep into his reservoir of experience to devise a plan he hopes will allow him to escape such a terrible fate. Using an interpreter, he convinces Makamuk, the chief, that he possesses a powerful medicine, and offers it in exchange for his life. In "To Build a Fire"-a frequently anthologized work of adventure fiction and one of London's most beloved works-an explorer decides to trek into the forest of the Yukon while a winter storm looms on the horizon. Ignoring all signs of danger, as well as the warnings of an experienced elder, he finds himself lost in the woods with nothing but a dog and a fire. With no time to question his motives-he had set out to visit a friend's cabin-he is forced to face nature head on, and on its own terms. Lost Face, published at the height of London's career, compiles seven stories from the master of adventure and naturalist fiction. With a beautifully designed cover and professionally typeset manuscript, this edition of Jack London's Lost Face is a classic of American literature reimagined for modern readers.

Intentions consists of multiple essays in which Wilde combats the popular argument that art must adhere to a moral standard and serve a benevolent purpose. It's a direct contrast to longstanding tradition in contemporary literature.Oscar Wilde delivers four irreverent essays that criticize the norm and celebrate the unexpected. Intentions features four of his works: "The Decay of Lying," "Pen, Pencil and Poison," "The Critic as Artist" and "The Truth of Masks." They highlight different areas of contention within the artist community. This includes the role of critics in the creative process and the identification of their own artistic merit. Wilde also celebrates the controversial figure, Thomas Griffiths Wainewright, a brilliant painter and renown serial killer.Oscar Wilde presents bold and unwavering thoughts about art and its place in society. He provides provocative examples that encourage further inspection. It's a compelling argument with similar themes appearing in his plays and sole novel, The Picture of Dorian Gray.With an eye-catching new cover, and professionally typeset manuscript, this edition of Intentions is both modern and readable.