Bøger i Mint Editions--Philosophical a serien

A group of English anarchists become unsuspecting ploys in this psychological thriller. The Man Who Was Thursday, by G.K. Chesterton, is a surreal narrative fueled by secret identities and hidden motives. It features a protagonist who is indoctrinated into an anarchist council and becomes part of a deadly attack.

A conversational text that addresses many philosophical concepts as well as Western religion by questioning good versus evil and the unnecessary suffering of innocent people. Anicius Boethius draws from his own experiences to illustrate these spiritual and ethical struggles. In The Consolation of Philosophy the author engages in a figurative discussion with Lady Philosophy, a type of teacher. Through their exchange, he poses serious questions regarding the existence of God and human nature. He also acknowledges his own dire circumstances, contemplating the hardships and trauma. Many counterpoints are tied to ideals such as the Wheel of Fortune, highlighting inconsistent and often unfair outcomes. He also focuses on the importance of intangible gifts such as love and intelligence. The Consolation of Philosophy is an honest analysis of the nature of happiness. It forces the reader to face hard truths about their wants versus needs. It's a sobering examination of the unpredictable structure of life. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Consolation of Philosophy is both modern and readable.

After receiving news that her closest brother has been shot and killed while fighting in the Civil War, Mary Cabot is distraught. Having lost the majority of her family, Mary is left feeling alone and helpless. She seeks solace in the church, her neighbors, and friends, but is unable to find the comfort she needs. Becoming more reserved and losing her faith, Mary is relieved when her widowed aunt, Winnifred, and young cousin from Kansas decide to visit her in Massachusetts. As the women strengthen their bond and share conversations on their trauma, Winniefred offers a new perspective, describing her understanding and vision of heaven. Despite its divergence from the traditional Christian idea of the afterlife, Mary begins to heal, unaware that more hardships are around the corner. First published over one-hundred and fifty years ago in 1868, The Gates Ajar established author Elizabeth Stuart Phelps' career, earning her fame and recognition for her emotional and reflective spiritualist novel. Inspired by her own experience of losing loved one to the Civil War, Phelps wrote The Gates Ajar to assuage the pain of death in ways the Christian church was not providing. Quickly rising to fame, The Gates Ajar sold thousands of copies and inspired a new vision of heaven that really resonated with its audience, leading to references in music, literature, and even floral arrangements. With sympathetic characters, a relatable plot, and gorgeous imagery, The Gates Ajar remains to stimulate modern readers and addresses timeless topics that remain approachable and relevant. This edition of The Gates Ajar by Elizabeth Stuart Phelps features an eye-catching new cover design and is presented in a font that is both modern and readable. With these accommodations, this edition is accessible and appealing to contemporary audiences, restoring The Gates Ajar to modern standards while preserving the original intelligence and impact of Elizabeth Stuart Phelps' work.

LARGE PRINT EDITION. In, The Picture of Dorian Gray, Oscar Wilde writes of well-to do artist, Basil Hallward, who is inspired to paint a portrait of striking, young Mr. Gray. But this comes at a surprising cost to Gray--suddenly he must contemplate exchanging righteousness for riches, and quickly face the consequences of his actions.

When a traveling salesman, Gregor Samsa, is transformed into a giant insect his existential alienation with his transformation is profoundly harrowing. In Frank Kafka's deeply moving classic The Metamorphosis (1915) the predicament of mankind is illuminated through a macabre and though-provoking tale of metaphysical anxiety.

In Ion, Plato depicts his teacher, Socrates, in conversation with a public performer of Homer's epic poems. Amusing in the performer's vanity and the philosopher's even observations, their dialogue examines the nature of poetry, expression and performance and reveals the author's opinions on their best definition and value.