Bøger i Modern Arabic Literature (Paperback) serien

You are bored, bored, bored, stuck in a half-job, berated by your parents and unsure whether you should marry your cousin. You want to change. A chance encounter on Facebook leads you to Emmie and her underground world of strange fashion, drinking, dancing, sex, and drugs. You become an Emo and discover philosophical atheism and practical Satanism.

The importance of Tawfiq al-Hakim (1898 to 1989) to the emergence of a modern Arabic literature is second only to that of Naguib Mahfouz. If the latter put the novel among the genres of writing that are now an accepted part of literary production in the Arab world today, Tawfiq al-Hakim is recognized as the undisputed creator of a literature of the theater. In this volume, Tawfiq al-Hakim's fame as a playwright is given prominence. Of the more than seventy plays he wrote, The Sultan's Dilemma, dealing with a historical subject in an appealingly light-hearted manner, is perhaps the best known; it appears in the extended edition of Norton's World Masterpieces and was broadcast on the old Home Service of the BBC. The other full-length play included here, The Tree Climber, is one that reveals al-Hakim's openness to outside influences in this case, the absurdist mode of writing. Of the two one-act plays in this collection, The Donkey Market shows his deftness at turning a traditional folk tale into a hilarious stage comedy. Tawfiq al-Hakim produced several of the earliest examples of the novel in Arabic; included in this volume is an extract from his best known work in that genre, the delightful Diary of a Country Prosecutor, in which he draws on his own experience as a public prosecutor in the Egyptian countryside. Three of the many short stories he published are also included, as well as an extract from The Prison of Life, an autobiography in which Tawfiq al-Hakim writes with commendable frankness about himself. Contents: Introduction by Denys Johnson-Davies, The Sultan's Dilemma (full-length play), The Tree Climber (full-length play), The Donkey Market (one-act play), The Song of Death (one-act play), Diary of a Country Prosecutor (extract from the novel), Miracles for Sale (short story), The Prison of Life (extract from the autobiography), Azrael the Barber (short story), Satan Triumphs (short story).

"e;The millennial generation's most celebrated literary achievement."e;-Al-Ahram Weekly"e;The first glimmer of hope for a true fictional renaissance-an instantly rewarding read embraced by an unprecedented range of literary figures"e;-The Daily Star What is madness?"e; asks the narrator of Ahmed Alaidy's jittery, funny, and angry novel. Assuring readers that they are about to find out, the narrator takes us on a journey through the insanity of present-day Cairo-in and out of minibuses, malls, and crash pads, navigating the city's pinball machine of social life with tolerable efficiency. But lurking under the rocks in his grouchy, chain-smoking, pharmaceutically-oriented, twenty-something life are characters like his elusive psychiatrist uncle with a disturbing interest in phobias. And then there's Abbas, the narrator's best friend who surfaces at critical moments to drive our hero into uncontrollably multiplying difficulties. For instance, there's the ticklish situation with the simultaneous blind-dates Abbas has set up for him on different levels of a coffee-shop in a Cairo mall with two girls both called Hind. With friends like Abbas, what paranoiac needs enemies?